Neun Stunden zur Ewigkeit

Despite periodic attempts by his family to rehabilitate him, Natu Ram Ghodse remains **unperson** in India. It is illegal to publish his name or likeness, with the intention of wiping out all memory of the assassin of Mahatma Gandhi.

The astonishing portrayal of the magnicide Ghodse by young Horst Buchholz shows that it is possible on an emotional level to empathize with an unsympathetic character.

The casting probably is the best thing about this picture--that and the exceptional local color of the cinematography. Buchholtz was German born and bred, yet there always was something, well...Asiatic about his looks. Darken his complexion a bit and he makes a convincing Hindu. The most inspired casting of all however was J. S. Casshyap as Gandhi. Casshyap was a university professor, Indian but entirely at home in English, and this was his first film role. His last, too so far as is known. Seeing him bent over a simple spinning wheel really is like seeing the Great Soul himself on the last day of his life.

Many commenters have remarked the effective opening titles but none seem to get the significance of showing the steady unwinding of a watch's mainspring, with driving, rhythmic Indian music in the background. Time...time is passing...time is running out--for Mohandas Gandhi, for India, for the world.

This is a somewhat fictional account of the assassination of Mahatma Gandhi. The film starts off really well, and has a good climax (unless, of course, you're Gandhi), but it drags a bit in the middle as we learn about the assassin and his motivation. Horst Buchholz plays the killer; oddly, he seems less repulsive than usual, so that's a plus. Jose Ferrer is the policeman trying to track him down. A few British actors show up in small roles. The big revelation to me was the British actress Valerie Gearon, as the upper-class Indian whom Buchholz loves. I hadn't seen her in anything before; she is quite striking. Diane Baker has a small part as an Indian, and is semi-believable. Gandhi is played by J. S. Casshyap, and he certainly looks the part.

It would be great if this existed on DVD with commentary since there are holes in the plot that require explanation. It's probably worth a look, if you can tolerate the flashback sequences.

Though the work behind this film may have been admirable at the time and may have had good intentions, the result now is at best unspectacular and at worst insulting. Some intriguing titles by Saul Bass give way to a pretty pedestrian film. The story is torturously told...featuring the dreaded flashback approach and a gallery of clichéd characters and situations. The cast is a befuddling mixture of British, German, Puerto Rican, American and who knows what all else all shuffling around in dark contact lenses and "brownface" as they attempt to portray Indian people. They all adapt that hokey sing-song method of speaking which is an exaggerated and stereotypical version of how Indians relay the English language. It's worst sin is it's DULLNESS! From the man who would direct "Valley of the Dolls" and "Earthquake", one might have expected a touch more pizazz! The climactic assassination attempt is pretty tense and well handled, but getting there is no picnic.

Nine Hours To Rama is the story of the Mahatma Gandhi's assassination in 1948. When I saw the film Gandhi with Ben Kingsley, I looked on the IMDb message board and someone asked if Gandhi was a fictional character. So in case you're not aware, he was the founder of the independence movement that led to the creation of India and Pakistan. He believed in nonviolent resistance, which got rid of the British, but the Muslims broke away and created Pakistan. War and conflict followed.

A Hindu, Nathuram Gotse, blamed Gandhi for conceding too much to the Muslim separatist leader, Mohammed Ali Jinnah. He wasn't alone.

The strongest performance in the film is that of J.S. Casshyap, who plays Gandhi - I actually felt like I was watching the great man himself. He did a fantastic job. Horst Buchholz, an incredibly handsome man who enjoyed a good career in America for a time, plays Gotse very well. As the police inspector, Jose Ferrer handled his role beautifully - he knows Gandhi is in danger, but Gandhi won't let him take any precautions or change his schedule.

This film was released less than a year after the Kennedy assassination. The film states it is a work of fiction, as it focuses on Gotse and his various involvements.

A film which builds up to a climax is spoilt by some unconvincing performances, especially Harry Andrews' Indian Officer and Robert Morley. Despite this, the direction is reasonable and the film worth seeing as there seem so few films about this subject.