IMDb-BEWERTUNG
7,2/10
5807
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.
- Für 5 Oscars nominiert
- 1 Gewinn & 11 Nominierungen insgesamt
E. Nick Alexander
- Guido Rossini
- (as Nick Alexander)
Loraine Abate
- Maria
- (Nicht genannt)
Jean Alexander
- Charlene
- (Nicht genannt)
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I awoke at 3:00 am last night to Love With The Proper Stranger. I hadn't seen it in probably 35 years. I adored it. When I first saw it in 1963 I was 16 and it made a terrific impression about abortion which were in the back alley stage. Today, I look at it, thankful that women don't have to do than anymore. But, mostly I think of how wonderful Natalie Wood and Steve McQueen were together.
What struck me was how "modern" it looked. I think that was partly because it was filmed in black and white. I know that might sound strange. I think part of it had to do with their clothing. Natalie looked stunning in Edith Head's costumes (wish I had that black dress with the pearls today) and Steve looked very normal in his trench coat. Backdrops of New York City looked present-day.
I must have seen it many times in the 60's since I knew lines that were coming, early this morning, before they were said by either of these great actors.
The development of this movie from a drama, into a romantic comedy was done brilliantly and very naturally. I loved the way Natalie used her eyes to speak and how Steve did the same.
My only regret is that neither of them are with us today.
I will have to see if this has come out on DVD. I'd love to have it.
My other favorite movies of hers were Splendor in the Grass (I went out and purchased Wordsworth's poetry immediately after seeing it) and Inside Daisy Clover.
What struck me was how "modern" it looked. I think that was partly because it was filmed in black and white. I know that might sound strange. I think part of it had to do with their clothing. Natalie looked stunning in Edith Head's costumes (wish I had that black dress with the pearls today) and Steve looked very normal in his trench coat. Backdrops of New York City looked present-day.
I must have seen it many times in the 60's since I knew lines that were coming, early this morning, before they were said by either of these great actors.
The development of this movie from a drama, into a romantic comedy was done brilliantly and very naturally. I loved the way Natalie used her eyes to speak and how Steve did the same.
My only regret is that neither of them are with us today.
I will have to see if this has come out on DVD. I'd love to have it.
My other favorite movies of hers were Splendor in the Grass (I went out and purchased Wordsworth's poetry immediately after seeing it) and Inside Daisy Clover.
This movie is heightened by the fact that Natalie Wood and Steve McQueen are the stars. They have enough acting talent and chemistry together to make it work. The subject matter probably made this controversial in the sixties but the movie doesn't seem old in a stupid way. The supporting cast is good too - Hershel Bernardi, especially, as Natalie's overly-possessive brother.
Watching this film today, it's easy to forget how daring it was for its day (1963) -focusing on an illegal abortion.
It's also an fascinating mix of conventional romantic comedy mixed with real grit and passion - and the fact it starts off as unconventional as possible; girl meets boy, girl gets pregnant, girl and boy try to organise an abortion - and THEN girl and boy fall in love.
Natalie Wood was often miscast throughout her career - her dark beauty was used to try and pull of Nat as Hispanic, Nat as half-black, Nat as Mexican. In this film she's cast as Italian, and pulls it off perfectly. This could possibly be her greatest performance (alongside Splendor in the Grass and The Cracker Factory). She received an Academy Award nomination for this film. She gives such a natural performance (usually she's more self-conscious on film) - she is such a joy to watch and absolutely stunning.
Steve McQueen is at his most charming - usually he is playing the hero of an action film, so its great to see him display tenderness. Wood and McQueen have such great chemistry, its a shame this was their only film together.
Added to the mega-watt performances is the beautiful black and white cinematography and the NYC location shooting. A great film. Completely underrated.
It's also an fascinating mix of conventional romantic comedy mixed with real grit and passion - and the fact it starts off as unconventional as possible; girl meets boy, girl gets pregnant, girl and boy try to organise an abortion - and THEN girl and boy fall in love.
Natalie Wood was often miscast throughout her career - her dark beauty was used to try and pull of Nat as Hispanic, Nat as half-black, Nat as Mexican. In this film she's cast as Italian, and pulls it off perfectly. This could possibly be her greatest performance (alongside Splendor in the Grass and The Cracker Factory). She received an Academy Award nomination for this film. She gives such a natural performance (usually she's more self-conscious on film) - she is such a joy to watch and absolutely stunning.
Steve McQueen is at his most charming - usually he is playing the hero of an action film, so its great to see him display tenderness. Wood and McQueen have such great chemistry, its a shame this was their only film together.
Added to the mega-watt performances is the beautiful black and white cinematography and the NYC location shooting. A great film. Completely underrated.
This has always been one of my absolute favorite movies! Steve McQueen and Natalie Wood were perfectly suited for each other. She played brave Angie Rossini wonderfully - trying so hard to break away from her protective Italian-American family, trying to be strong and capable in the face of such a difficult situation, trying not to show how scared she really is.
But Steve McQueen is the real sweet part of this couple. He is corrupt and funny and unsuspectedly tender and responsible and caring. It should be noted for the fact that it marked his departure from the anti-hero roles that he specialized in (and excelled in). This wasn't an action movie but it was one of Steve's absolute best performances. She was nominated for an Academy Award and deservedly so but he was overlooked and that is criminal!
Can you tell that I love this movie?? Well, I do!
But Steve McQueen is the real sweet part of this couple. He is corrupt and funny and unsuspectedly tender and responsible and caring. It should be noted for the fact that it marked his departure from the anti-hero roles that he specialized in (and excelled in). This wasn't an action movie but it was one of Steve's absolute best performances. She was nominated for an Academy Award and deservedly so but he was overlooked and that is criminal!
Can you tell that I love this movie?? Well, I do!
Lovely chemistry between superstars Wood and McQueen make this Robert Mulligan a pure charmer. McQueen sheds his tough guy image to play both romance and even a little comedy as well. Oscar nominee Wood matured beautifully into the role of Angie, the girl who finds she's going to have a baby and it's McQueen's! There is a fine performance from Tom Bosley, in his first major role as a clumsy fellow who tries to win Wood's heart. The conclusion to this film is lovely and full of hope for all young lovers out there. A Must see!!!
Wusstest du schon
- WissenswertesNatalie Wood said that working on this film was "the most rewarding experience I had in all films, all the way around."
- PatzerWhen Rocky is lying down on Barbie's bed after she has left to sit at the kitchen table, only the second and third buttons on Rocky's shirt are done up, his shirt not tucked into his pants. In the next shot when he is about to get up, the second, third and fourth buttons on the shirt are done up, the shirt still not tucked into his pants. In the next shot as Rocky is now off the bed, all but the top button on his shirt are done up, the front of his shirt now tucked into his pants.
- Zitate
Barbie: You know me in the cold weather - how I love to be in love. We are in love, aren't we? Really in love.
Rocky Papasano: Yeah - you with yourself, and me with myself.
- Crazy CreditsAs if to recognize the importance of the script, Arnold Schulman's credit appears right after the main title. This was a rarity in an era when screenplay credits traditionally appeared third to last, before the producer and director cards.
- VerbindungenFeatured in Entertainment This Week Salutes Paramount's 75th Anniversary (1987)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Desliz de una noche
- Drehorte
- 131 East 10th Street, Manhattan, New York City, New York, USA(Rocky and Angie run through St. Mark's Church in-the-Bowery trying to escape her brothers)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.500.000 $ (geschätzt)
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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