IMDb-BEWERTUNG
7,2/10
5799
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.
- Für 5 Oscars nominiert
- 1 Gewinn & 11 Nominierungen insgesamt
E. Nick Alexander
- Guido Rossini
- (as Nick Alexander)
Loraine Abate
- Maria
- (Nicht genannt)
Jean Alexander
- Charlene
- (Nicht genannt)
Empfohlene Bewertungen
Watching this film today, it's easy to forget how daring it was for its day (1963) -focusing on an illegal abortion.
It's also an fascinating mix of conventional romantic comedy mixed with real grit and passion - and the fact it starts off as unconventional as possible; girl meets boy, girl gets pregnant, girl and boy try to organise an abortion - and THEN girl and boy fall in love.
Natalie Wood was often miscast throughout her career - her dark beauty was used to try and pull of Nat as Hispanic, Nat as half-black, Nat as Mexican. In this film she's cast as Italian, and pulls it off perfectly. This could possibly be her greatest performance (alongside Splendor in the Grass and The Cracker Factory). She received an Academy Award nomination for this film. She gives such a natural performance (usually she's more self-conscious on film) - she is such a joy to watch and absolutely stunning.
Steve McQueen is at his most charming - usually he is playing the hero of an action film, so its great to see him display tenderness. Wood and McQueen have such great chemistry, its a shame this was their only film together.
Added to the mega-watt performances is the beautiful black and white cinematography and the NYC location shooting. A great film. Completely underrated.
It's also an fascinating mix of conventional romantic comedy mixed with real grit and passion - and the fact it starts off as unconventional as possible; girl meets boy, girl gets pregnant, girl and boy try to organise an abortion - and THEN girl and boy fall in love.
Natalie Wood was often miscast throughout her career - her dark beauty was used to try and pull of Nat as Hispanic, Nat as half-black, Nat as Mexican. In this film she's cast as Italian, and pulls it off perfectly. This could possibly be her greatest performance (alongside Splendor in the Grass and The Cracker Factory). She received an Academy Award nomination for this film. She gives such a natural performance (usually she's more self-conscious on film) - she is such a joy to watch and absolutely stunning.
Steve McQueen is at his most charming - usually he is playing the hero of an action film, so its great to see him display tenderness. Wood and McQueen have such great chemistry, its a shame this was their only film together.
Added to the mega-watt performances is the beautiful black and white cinematography and the NYC location shooting. A great film. Completely underrated.
This has always been one of my absolute favorite movies! Steve McQueen and Natalie Wood were perfectly suited for each other. She played brave Angie Rossini wonderfully - trying so hard to break away from her protective Italian-American family, trying to be strong and capable in the face of such a difficult situation, trying not to show how scared she really is.
But Steve McQueen is the real sweet part of this couple. He is corrupt and funny and unsuspectedly tender and responsible and caring. It should be noted for the fact that it marked his departure from the anti-hero roles that he specialized in (and excelled in). This wasn't an action movie but it was one of Steve's absolute best performances. She was nominated for an Academy Award and deservedly so but he was overlooked and that is criminal!
Can you tell that I love this movie?? Well, I do!
But Steve McQueen is the real sweet part of this couple. He is corrupt and funny and unsuspectedly tender and responsible and caring. It should be noted for the fact that it marked his departure from the anti-hero roles that he specialized in (and excelled in). This wasn't an action movie but it was one of Steve's absolute best performances. She was nominated for an Academy Award and deservedly so but he was overlooked and that is criminal!
Can you tell that I love this movie?? Well, I do!
This movie is heightened by the fact that Natalie Wood and Steve McQueen are the stars. They have enough acting talent and chemistry together to make it work. The subject matter probably made this controversial in the sixties but the movie doesn't seem old in a stupid way. The supporting cast is good too - Hershel Bernardi, especially, as Natalie's overly-possessive brother.
Natalie Wood and Steve McQueen are at the pinnacle of their acting talent in this b-w gem from the early 1960's. Two very different people - Rocky Papasano and Angie Rossini - re-unite after a one night stand that results in a pregnancy. How they resolve this crisis is the story of this movie. Along the way, there is drama and a lot of fun. Much of the movie was shot on location in New York City's Lower East Side. There is one particularly gripping scene involving a back-alley abortionist that stands out in this film. The two young people come from Italian immigrant families who provide great entertainment as a backdrop to the love story. In the course of the movie, Angie, who was under the thumb of her domineering family, came into her own and took on a new-found confidence. Rocky's support and love helped her bloom into a wonderful and mature young woman. There were two hysterical dinner scenes, breaking the tense atmosphere of this dramatic coming of age film. Tom Bosley, in his pre-TV days, is the man considered by the family as an acceptable husband for Angie. He is very funny as the good-natured clutz trying to woo her. Other than that, the two great stars, who both died too young, have left their fans with a great love story; also directed by Robert Mulligan.
I awoke at 3:00 am last night to Love With The Proper Stranger. I hadn't seen it in probably 35 years. I adored it. When I first saw it in 1963 I was 16 and it made a terrific impression about abortion which were in the back alley stage. Today, I look at it, thankful that women don't have to do than anymore. But, mostly I think of how wonderful Natalie Wood and Steve McQueen were together.
What struck me was how "modern" it looked. I think that was partly because it was filmed in black and white. I know that might sound strange. I think part of it had to do with their clothing. Natalie looked stunning in Edith Head's costumes (wish I had that black dress with the pearls today) and Steve looked very normal in his trench coat. Backdrops of New York City looked present-day.
I must have seen it many times in the 60's since I knew lines that were coming, early this morning, before they were said by either of these great actors.
The development of this movie from a drama, into a romantic comedy was done brilliantly and very naturally. I loved the way Natalie used her eyes to speak and how Steve did the same.
My only regret is that neither of them are with us today.
I will have to see if this has come out on DVD. I'd love to have it.
My other favorite movies of hers were Splendor in the Grass (I went out and purchased Wordsworth's poetry immediately after seeing it) and Inside Daisy Clover.
What struck me was how "modern" it looked. I think that was partly because it was filmed in black and white. I know that might sound strange. I think part of it had to do with their clothing. Natalie looked stunning in Edith Head's costumes (wish I had that black dress with the pearls today) and Steve looked very normal in his trench coat. Backdrops of New York City looked present-day.
I must have seen it many times in the 60's since I knew lines that were coming, early this morning, before they were said by either of these great actors.
The development of this movie from a drama, into a romantic comedy was done brilliantly and very naturally. I loved the way Natalie used her eyes to speak and how Steve did the same.
My only regret is that neither of them are with us today.
I will have to see if this has come out on DVD. I'd love to have it.
My other favorite movies of hers were Splendor in the Grass (I went out and purchased Wordsworth's poetry immediately after seeing it) and Inside Daisy Clover.
Wusstest du schon
- WissenswertesNatalie Wood said that working on this film was "the most rewarding experience I had in all films, all the way around."
- PatzerWhen Rocky is lying down on Barbie's bed after she has left to sit at the kitchen table, only the second and third buttons on Rocky's shirt are done up, his shirt not tucked into his pants. In the next shot when he is about to get up, the second, third and fourth buttons on the shirt are done up, the shirt still not tucked into his pants. In the next shot as Rocky is now off the bed, all but the top button on his shirt are done up, the front of his shirt now tucked into his pants.
- Zitate
Barbie: You know me in the cold weather - how I love to be in love. We are in love, aren't we? Really in love.
Rocky Papasano: Yeah - you with yourself, and me with myself.
- Crazy CreditsAs if to recognize the importance of the script, Arnold Schulman's credit appears right after the main title. This was a rarity in an era when screenplay credits traditionally appeared third to last, before the producer and director cards.
- VerbindungenFeatured in Entertainment This Week Salutes Paramount's 75th Anniversary (1987)
Top-Auswahl
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprachen
- Auch bekannt als
- Desliz de una noche
- Drehorte
- 131 East 10th Street, Manhattan, New York City, New York, USA(Rocky and Angie run through St. Mark's Church in-the-Bowery trying to escape her brothers)
- Produktionsfirmen
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 8.500.000 $ (geschätzt)
- Laufzeit
- 1 Std. 42 Min.(102 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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