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Verliebt in einen Fremden

Originaltitel: Love with the Proper Stranger
  • 1963
  • 16
  • 1 Std. 42 Min.
IMDb-BEWERTUNG
7,2/10
5807
IHRE BEWERTUNG
Verliebt in einen Fremden (1963)
DramaKomödieRomanze

Füge eine Handlung in deiner Sprache hinzuA salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.A salesclerk at Macy's department store finds herself pregnant after a one-night stand with a musician who does not even remember her.

  • Regie
    • Robert Mulligan
  • Drehbuch
    • Arnold Schulman
  • Hauptbesetzung
    • Natalie Wood
    • Steve McQueen
    • Edie Adams
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,2/10
    5807
    IHRE BEWERTUNG
    • Regie
      • Robert Mulligan
    • Drehbuch
      • Arnold Schulman
    • Hauptbesetzung
      • Natalie Wood
      • Steve McQueen
      • Edie Adams
    • 85Benutzerrezensionen
    • 39Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Für 5 Oscars nominiert
      • 1 Gewinn & 11 Nominierungen insgesamt

    Fotos59

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    + 52
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    Topbesetzung45

    Ändern
    Natalie Wood
    Natalie Wood
    • Angie Rossini
    Steve McQueen
    Steve McQueen
    • Rocky Papasano
    Edie Adams
    Edie Adams
    • Barbie
    Herschel Bernardi
    Herschel Bernardi
    • Dominick Rossini
    Anne Hegira
    Anne Hegira
    • Beetie
    Harvey Lembeck
    Harvey Lembeck
    • Julio Rossini
    Mario Badolati
    • Elio Papasano
    Penny Santon
    Penny Santon
    • Mama Rossini
    Elena Karam
    • The Woman
    Virginia Vincent
    Virginia Vincent
    • Anna
    Nina Varela
    Nina Varela
    • Mrs. Columbo
    E. Nick Alexander
    • Guido Rossini
    • (as Nick Alexander)
    Marilyn Chris
    Marilyn Chris
    • Gina
    Augusta Ciolli
    • Mrs. Papasano
    Wolfe Barzell
    Wolfe Barzell
    • The Priest
    Tom Bosley
    Tom Bosley
    • Columbo
    Loraine Abate
    • Maria
    • (Nicht genannt)
    Jean Alexander
    Jean Alexander
    • Charlene
    • (Nicht genannt)
    • Regie
      • Robert Mulligan
    • Drehbuch
      • Arnold Schulman
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen85

    7,25.8K
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    Empfohlene Bewertungen

    8rupie

    good on-screen chemistry makes for a great little film

    Very satisfying movie that involves us completely in the conflicted relationship of the leads, played beautifully by McQueen and Wood (evidently Paul Newman was originally slated for the part). We find ourselves really rooting for them to get together. Sounds like a soap-opera "chick flick", but the story is sufficiently gritty and has enough comic touches to appeal to the guys, too. B&W works well to emphasize the New York atmosphere of the flick, with its many locale shots. The ethnic Italian ethos is well-captured, too. And to top it off is a wonderful score by Elmer Bernstein, whose music veers awfully close to sounding like that other Bernstein (and that's not a criticism!). I don't know why we don't see this one more often; thank you American Movie Classics.
    Boyo-2

    Star power at its best

    This movie is heightened by the fact that Natalie Wood and Steve McQueen are the stars. They have enough acting talent and chemistry together to make it work. The subject matter probably made this controversial in the sixties but the movie doesn't seem old in a stupid way. The supporting cast is good too - Hershel Bernardi, especially, as Natalie's overly-possessive brother.
    teejay-4

    One of Steve McQueen's Best!

    This has always been one of my absolute favorite movies! Steve McQueen and Natalie Wood were perfectly suited for each other. She played brave Angie Rossini wonderfully - trying so hard to break away from her protective Italian-American family, trying to be strong and capable in the face of such a difficult situation, trying not to show how scared she really is.

    But Steve McQueen is the real sweet part of this couple. He is corrupt and funny and unsuspectedly tender and responsible and caring. It should be noted for the fact that it marked his departure from the anti-hero roles that he specialized in (and excelled in). This wasn't an action movie but it was one of Steve's absolute best performances. She was nominated for an Academy Award and deservedly so but he was overlooked and that is criminal!

    Can you tell that I love this movie?? Well, I do!
    gregorybnyc

    Natalie and Steve Never Better

    This film has always struck me as Natalie Wood and Steve

    McQueen's best work in movies. Both would go on to successes

    and failures, but neither would seem as natural and as unaffected

    on screen again.

    The story of a good working-class Italian girl in New York who gets

    pregnant by a man she hardly knows, is very strong stuff for 1963.

    So is their decision to have an abortion. Roe vs. Wade was nearly

    a decade in the future. Mulligan shows a very gritty, dirty, New York

    which has emerged from the 50s as a crumbling relic of a city,

    nowhere as clean and shiny as it is today. McQueen is a callow

    young musician, not looking to settle down with anyone, let alone a

    single pregnant girl, even if he is at fault.

    The trip to a bad neighborhood to get the abortion is chilling, and

    Wood's absolute terror is genuine here. McQueen being

    reluctantly honorable is very sexy here. The rest of the film with her

    facing down her overly protective Neanderthal brothers and getting

    her own apartment, follows the young lovers as they try to do the

    right thing. Steve's poster--"Better wed than Dead," is a sweet

    coda.

    I loved this movie. It struck this teenager at the time, as a very

    sophisticated film. Natalie Wood is incandescently beautiful in

    black and white and still the loner, McQueen's intensity is a bit

    more subtle than usual. Good supporting cast. This was an era

    where the final black and white movies were being made--TO KILL

    A MOCKING BIRD, BIRD MAN OF ALCATRAZ, THE AMERICANIZATION OF EMILY, PSYCHO were the last gasp of this

    medium.

    Long overdue for DVD release.
    Linsaun

    I still remember lines

    I awoke at 3:00 am last night to Love With The Proper Stranger. I hadn't seen it in probably 35 years. I adored it. When I first saw it in 1963 I was 16 and it made a terrific impression about abortion which were in the back alley stage. Today, I look at it, thankful that women don't have to do than anymore. But, mostly I think of how wonderful Natalie Wood and Steve McQueen were together.

    What struck me was how "modern" it looked. I think that was partly because it was filmed in black and white. I know that might sound strange. I think part of it had to do with their clothing. Natalie looked stunning in Edith Head's costumes (wish I had that black dress with the pearls today) and Steve looked very normal in his trench coat. Backdrops of New York City looked present-day.

    I must have seen it many times in the 60's since I knew lines that were coming, early this morning, before they were said by either of these great actors.

    The development of this movie from a drama, into a romantic comedy was done brilliantly and very naturally. I loved the way Natalie used her eyes to speak and how Steve did the same.

    My only regret is that neither of them are with us today.

    I will have to see if this has come out on DVD. I'd love to have it.

    My other favorite movies of hers were Splendor in the Grass (I went out and purchased Wordsworth's poetry immediately after seeing it) and Inside Daisy Clover.

    Handlung

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    • Wissenswertes
      Natalie Wood said that working on this film was "the most rewarding experience I had in all films, all the way around."
    • Patzer
      When Rocky is lying down on Barbie's bed after she has left to sit at the kitchen table, only the second and third buttons on Rocky's shirt are done up, his shirt not tucked into his pants. In the next shot when he is about to get up, the second, third and fourth buttons on the shirt are done up, the shirt still not tucked into his pants. In the next shot as Rocky is now off the bed, all but the top button on his shirt are done up, the front of his shirt now tucked into his pants.
    • Zitate

      Barbie: You know me in the cold weather - how I love to be in love. We are in love, aren't we? Really in love.

      Rocky Papasano: Yeah - you with yourself, and me with myself.

    • Crazy Credits
      As if to recognize the importance of the script, Arnold Schulman's credit appears right after the main title. This was a rarity in an era when screenplay credits traditionally appeared third to last, before the producer and director cards.
    • Verbindungen
      Featured in Entertainment This Week Salutes Paramount's 75th Anniversary (1987)
    • Soundtracks
      Love with the Proper Stranger
      Written by Johnny Mercer and Elmer Bernstein

      Performed by Jack Jones

    Top-Auswahl

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    FAQ22

    • How long is Love with the Proper Stranger?Powered by Alexa
    • Is "Love with the Proper Stranger" based on a book?
    • What is the reference to "Louie" in the scene where Rocky is trying to kiss Angie?
    • How many photos of Barbie can be seen in her apartment?

    Details

    Ändern
    • Erscheinungsdatum
      • 7. April 1964 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Sprachen
      • Englisch
      • Italienisch
    • Auch bekannt als
      • Desliz de una noche
    • Drehorte
      • 131 East 10th Street, Manhattan, New York City, New York, USA(Rocky and Angie run through St. Mark's Church in-the-Bowery trying to escape her brothers)
    • Produktionsfirmen
      • Pakula-Mulligan
      • Boardwalk Productions
      • Rona
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 8.500.000 $ (geschätzt)
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 1 Std. 42 Min.(102 min)
    • Farbe
      • Black and White
    • Seitenverhältnis
      • 1.85 : 1

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