IMDb-BEWERTUNG
7,5/10
14.789
IHRE BEWERTUNG
Ein reisender Handwerker wird zur Antwort auf die Gebete von Nonnen, die in der Wüste eine Kapelle bauen wollen.Ein reisender Handwerker wird zur Antwort auf die Gebete von Nonnen, die in der Wüste eine Kapelle bauen wollen.Ein reisender Handwerker wird zur Antwort auf die Gebete von Nonnen, die in der Wüste eine Kapelle bauen wollen.
- Regie
- Drehbuch
- Hauptbesetzung
- 1 Oscar gewonnen
- 13 Gewinne & 13 Nominierungen insgesamt
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Homer Smith (Sidney Poitier) is a stubborn , obstinate ex-soldier when heading himself to the West he stops at a farm in desert . There meets a group of speaking-German nuns from East European Catholic . They are ruled by a stiff Superior Mother called Mary (Lilia Skala) and she thinks Smith has been sent by Christ for the building their church . They'll develop a likable friendship , helping the unfortunate nuns and creating a particular divine mission until the touching ending .
It's a fascinating , quiet film , perfectly acted and concerning the narration about the construction a church of riveting manner . Gentle , sympathetic Poitier and the strict Superior nun confront wills each other , but finally learn the meaning of the power of God and ultimately come to respect themselves . The storyline by James Poe relies heavily on the continued relationship among them but it isn't tiring ; being entertained and with numerous diverting moments and agreeable feeling . Enjoyable comedy and laughters are continuous ; the chuckles are based on diverse characters and differences among protagonists , he's Protestant , nuns are Catholics . Biggest of the film are the musical duets between Poitier and the nuns . The movie is well set with nice rural scenarios and is't eventually hampered by racist stereotypes on the black men , neither Mexican people . The story is narrated with sensitivity and intelligence and are treated religious and ethic issues with great sense of fairness and ductility . Ideal cast completed with magnificent actors . Sidney Poitier won a well deserved Oscar . He was the second African-American to win an Academy Award , before won Hattie McDaniel and later will achieve it famous actors as Cuba Gooding , Denzel Washington and Halle Berry . Glamorous and sensational cinematography by Ernest Haller . Moving and phenomenal score by the great Jerry Goldsmith and beautiful blues-songs by Poitier . The motion picture was driven with enormous fair play by director Ralph Nelson (Blue soldier) who followed this with a television movie . This is a wholesome and politically correct family fare . Indispensable seeing for Poitier fans.
It's a fascinating , quiet film , perfectly acted and concerning the narration about the construction a church of riveting manner . Gentle , sympathetic Poitier and the strict Superior nun confront wills each other , but finally learn the meaning of the power of God and ultimately come to respect themselves . The storyline by James Poe relies heavily on the continued relationship among them but it isn't tiring ; being entertained and with numerous diverting moments and agreeable feeling . Enjoyable comedy and laughters are continuous ; the chuckles are based on diverse characters and differences among protagonists , he's Protestant , nuns are Catholics . Biggest of the film are the musical duets between Poitier and the nuns . The movie is well set with nice rural scenarios and is't eventually hampered by racist stereotypes on the black men , neither Mexican people . The story is narrated with sensitivity and intelligence and are treated religious and ethic issues with great sense of fairness and ductility . Ideal cast completed with magnificent actors . Sidney Poitier won a well deserved Oscar . He was the second African-American to win an Academy Award , before won Hattie McDaniel and later will achieve it famous actors as Cuba Gooding , Denzel Washington and Halle Berry . Glamorous and sensational cinematography by Ernest Haller . Moving and phenomenal score by the great Jerry Goldsmith and beautiful blues-songs by Poitier . The motion picture was driven with enormous fair play by director Ralph Nelson (Blue soldier) who followed this with a television movie . This is a wholesome and politically correct family fare . Indispensable seeing for Poitier fans.
So many of the comments are so eloquent and they all seem to reflect my own reactions, I would not want to muddy the waters by echoing them. One thing that struck me that was not mentioned was the incredibly thoughtful composition of the scenes in the film. The positioning of the tiny cross above the door in the main house was almost heartbreaking. The positioning of the crane in 2-3 scenes was extremely imaginative. When Homer ran up the stairs "into the light" (sunlight) of the Nun's roof I felt myself as uplifted as Homer Smith. The technique of the "camera moving away from the actors" in the early scene of the Sisters following after Homer's car as he went to leave was extremely powerful. I wondered if this technique would be used again or possibly overdone. It was only used one more time, very briefly, so as to not trivialize its initial use... What an amazing level of artistic discipline. I'll say it as well, this may be the most perfect film ever made.
It took me over over 40 years before finally seeing this film, and I'm glad I finally did. It's simply a nice story: nothing super, but a feel-good film to use the cliché. This reminded of the kind of movie you would more likely see in the 1940s with the emphasis on human interest with a "religious" theme to it. I expected Father Flanagan to show up any minute.
Instead, we got a good Baptist man played by Sidney Poitier, who won an Oscar for this performance. Since he's just about the whole movie, and does a great job start-to-finish, who can argue with his award? This certainly doesn't have the feel of a 1960s film. It must have been one of the last of its kind, giving credence to Christianity and having a nice tone throughout. There have been very few like this since then.
Poitier is really the only "name" member of this cast and he's in every scene. If you enjoy his acting, and a good performance in general with a story that will bring some smiles to your face for an hour-and-a-half, this is recommended.
Instead, we got a good Baptist man played by Sidney Poitier, who won an Oscar for this performance. Since he's just about the whole movie, and does a great job start-to-finish, who can argue with his award? This certainly doesn't have the feel of a 1960s film. It must have been one of the last of its kind, giving credence to Christianity and having a nice tone throughout. There have been very few like this since then.
Poitier is really the only "name" member of this cast and he's in every scene. If you enjoy his acting, and a good performance in general with a story that will bring some smiles to your face for an hour-and-a-half, this is recommended.
Few are the films, past and especially present, that contain only pleasure and joy, or at least the seeds of them - even fairy tales have their villains. Heartwarming - absolutely, who wouldn't want to imagine themselves as Homer Smith with the generosity he affords the nuns, not just in building them their chapel but teaching them English and sharing a song or two.
A film about faith. Special, because it is less religious but reflection support about himself, the others, meets and choices. A nun community, in middle of Arizona desert. A handy man. And a beautiful relation between them, mix of humor and friendship and help. The simplicity of story is more than charming. The message - more than precise. A film for admirers of old classic films. And about lost beauty of authentic cinema. And , sure, the lovely performance of Lilia Skala.
Wusstest du schon
- WissenswertesSince the story's action was tied to the chapel's construction, a crew had to work through the night to keep up with its "progress" in the film. The actual building was real and could have stood for decades, but because it was built on rented property, it had to be demolished immediately after the filming was completed.
- PatzerWhen Homer is climbing down the ladder after finishing the steeple, one can see the 3 spaces in the brick (the top rung of the ladder cuts across the top space).
- Zitate
Homer Smith: Gringo? I don't know if that's a step up or a step down from some other things I've been called.
- Crazy CreditsAt the end of the film, the word "Amen" is seen, rather than "The End".
- VerbindungenFeatured in The 40th Annual Academy Awards (1968)
Top-Auswahl
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Details
Box Office
- Budget
- 240.000 $ (geschätzt)
- Laufzeit1 Stunde 34 Minuten
- Farbe
- Seitenverhältnis
- 1.85 : 1
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