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Eine total, total verrückte Welt

Originaltitel: It's a Mad, Mad, Mad, Mad World
  • 1963
  • 12
  • 3 Std. 30 Min.
IMDb-BEWERTUNG
7,5/10
49.488
IHRE BEWERTUNG
BELIEBTHEIT
3.093
197
Spencer Tracy in Eine total, total verrückte Welt (1963)
Official Trailer ansehen
trailer wiedergeben3:27
1 Video
99+ Fotos
Abenteuer EpischAutoreiseEpischGlobetrotting-AbenteuerKapernScrewball-KomödieSlapstickAbenteuerActionKomödie

Die sterbenden Worte eines Diebes entfesseln einen verrückten Wettlauf nach einen Schatz.Die sterbenden Worte eines Diebes entfesseln einen verrückten Wettlauf nach einen Schatz.Die sterbenden Worte eines Diebes entfesseln einen verrückten Wettlauf nach einen Schatz.

  • Regie
    • Stanley Kramer
  • Drehbuch
    • William Rose
    • Tania Rose
  • Hauptbesetzung
    • Spencer Tracy
    • Milton Berle
    • Ethel Merman
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    49.488
    IHRE BEWERTUNG
    BELIEBTHEIT
    3.093
    197
    • Regie
      • Stanley Kramer
    • Drehbuch
      • William Rose
      • Tania Rose
    • Hauptbesetzung
      • Spencer Tracy
      • Milton Berle
      • Ethel Merman
    • 467Benutzerrezensionen
    • 66Kritische Rezensionen
    • 59Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • 1 Oscar gewonnen
      • 3 Gewinne & 10 Nominierungen insgesamt

    Videos1

    Official Trailer
    Trailer 3:27
    Official Trailer

    Fotos155

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    + 149
    Poster ansehen

    Topbesetzung99+

    Ändern
    Spencer Tracy
    Spencer Tracy
    • Capt. T. G. Culpeper
    Milton Berle
    Milton Berle
    • J. Russell Finch
    Ethel Merman
    Ethel Merman
    • Mrs. Marcus
    Mickey Rooney
    Mickey Rooney
    • Ding Bell
    Sid Caesar
    Sid Caesar
    • Melville Crump
    Buddy Hackett
    Buddy Hackett
    • Benjy Benjamin
    Dick Shawn
    Dick Shawn
    • Sylvester Marcus
    Phil Silvers
    Phil Silvers
    • Otto Meyer
    Terry-Thomas
    Terry-Thomas
    • J. Algernon Hawthorne
    Jonathan Winters
    Jonathan Winters
    • Lennie Pike
    Edie Adams
    Edie Adams
    • Monica Crump
    Dorothy Provine
    Dorothy Provine
    • Emmeline Finch
    Eddie 'Rochester' Anderson
    Eddie 'Rochester' Anderson
    • Second Cab Driver
    Jim Backus
    Jim Backus
    • Tyler Fitzgerald
    Ben Blue
    Ben Blue
    • Biplane Pilot
    Joe E. Brown
    Joe E. Brown
    • Union Official
    Alan Carney
    Alan Carney
    • Police Sergeant
    Chick Chandler
    Chick Chandler
    • Policeman Outside Ray & Irwin's Garage
    • Regie
      • Stanley Kramer
    • Drehbuch
      • William Rose
      • Tania Rose
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen467

    7,549.4K
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    Empfohlene Bewertungen

    10Chromium_5

    Greatest comedy of all time, period.

    I never planned to write a review for this movie, until I took a stroll through the user comments, and was shocked at all the people who think it is.... God help us... overrated. No way. If anything, it is UNDERrated. I see people complaining about the endless shouting, the over the top slapstick, the brashness, the loudness, the length. I can only conclude that these people are a bunch of humorless dorks.

    First of all, you can't just sit down to watch a three hour movie without knowing what you're in for. This is not your typical comedy--this is an EPIC comedy, the first of its kind, that inspired other such epics as "Those Magnificent Men in their Flying Machines" and "The Great Race" (which happens to be my favorite comedy--in fact, I'd like to say it's the better movie, but props go to this one for inventing the genre). And I can't speak for everyone else, but this movie leaves me laughing from start to finish.

    Yes, it is very long, but it NEVER has a dull moment. Even if the amazing car stunts aren't particularly funny, you can't tell me they aren't wildly entertaining. I have yet to see an action movie with better car chases than these. And yes, the slapstick is ridiculously over the top, although I can't see how that's a problem (the gas station scene is one of the funniest in movie history, in my opinion). But underneath all the slapstick and shouting, holding the whole movie together, is that incredibly cynical message. It is a movie about kind, decent folks turning into law-breaking lunatics and ruining their lives for the sake of money. The subplot with Spencer Tracey realizing his entire life has been a waste, and then ruining what life he has left, is one of the most tragic story lines I have seen. But it's also pretty darn funny.

    All the critics need to lighten up and see this for the absurd, delirious, hysterical farce it is.

    10/10 stars.
    8ijonesiii

    A Comedy Classic that Still Holds Up...

    A couple of years ago, I finally managed to get IT'S A MAD, MAD, MAD, MAD WORLD on video. I saw it as a kid and remember enjoying it but watching it again for 40 years later, I still found myself LMAO. This is still the granddaddy of all comedy/adventures directed by Stanley Kramer, who up to this point had only directed serious dramas like THE DEFIANT ONES and JUDGMENT AT NUREMBURG. A dying man (Jimmy Durante) who was thrown from a car that careened over a cliff, tells a group of witnesses to the accident (Sid Ceasar, Mickey Rooney, Buddy Hackett, Milton Berle, Jonathan Winters) that there is $350,000.00 hidden under a big "W" in a nearby town, which sets off one of the wildest, craziest chase comedies made in the history of cinema. A rather tired and haggard looking Spencer Tracy heads the cast as the cop on the trail of these greedy money-mongers and just about every comedian or comic actor alive in 1963 appears in this film, either in a starring role or cameo and despite this impressive gathering of the best comedic talent in the business, towering over all of them in one of her few film performances, is Broadway legend Ethel Merman, who gives the performance of a lifetime as Berle's shrew of a mother-in-law. Her performance alone makes IT'S A MAD, MAD, MAD, MAD WORLD worth seeing. Check out this classic if you've never seen it.
    8triple8

    Personifies everything I hate in movies yet oh how I laughed.

    Well-so far I haven't read one good review of this movie on here. I don't have a lot to add except growing up, this was one of my favorite comedies. This is totally slapstick, lots of chases and things breaking-silly and almost plot less-but oh how I laughed. I'm not quite sure WHY I did but I have never been able to view this movie without breaking out into Gales of laughter. Since I'm writing a review, I'd like to try to give a specific reason Why this off the wall, completely silly movie appealed to me so much but I can't because there is no reason. This movie is ridiculous in it's way, but it knows it, and doesn't Take itself at all seriously. It's like Seinfeld-a movie about nothing.(Except Chases, things falling, breaking etc). That's it. But It's funny. It's mindless and it's entertaining and I loved it! Since, I haven't seen it in quite awhile, maybe I wouldn't love it now and I can see how it wouldn't be for everybody but all I know is this is one of the few comedies that rendered me absolutely hysterical through most of it and I'm not the only person who had that reaction. This is coming from someone who isn't particularly fond of slapstick. There's not much else to say about it-it's certainly a mad, mad movie and one that gave me numerous laughs many a time.
    Eric-62-2

    An Epic Comedy

    This was the first time a comedy got the "epic" film treatment and after getting increasingly pretentious in his previous two dramas, Stanley Kramer just went all out for simple old-fashioned fun with the largest ensemble of comic talent he could get his hands on. How big? Consider that this is a film in which both Jack Benny and Rochester appear, but not together (also true of Phil Silvers and his "Sergeant Bilko" nemesis Paul Ford). Just about every big name in TV comedy of the 50s and 60s is here and the results, while not the greatest of its kind ("The Great Race" is a funnier film in my opinion) still manages to deliver the laughs.

    It's too bad the remaining ten minutes (plus the police bulletins intermission) of the road show version still is missing, because the expanded version helped me appreciate the film a lot more than I did the first time out when I saw it on TV as a faded pan and scan atrocity. This is one film that makes great use of the widescreen.
    7Ddey65

    Classic epic comedy with too much editing

    Having been born in 1965, it's safe to say that the first time I ever saw "It's a Mad, Mad, Mad, Mad World" was on network television. Every other user comment already reveals enough about the movie, so I'll just stick with my own experiences regarding the film.

    If you must know, yes I do believe this film is a well-deserved comedy classic, but it's also loaded with breathtaking scenery (natural and contemporary) that's often overlooked by most critics. Many a fan wants to know where that mountain road is. Since I'm also a fan of big cars of the post-WW2 era I can easily spot every one. Mickey Rooney's Volkswagen must be worth a fortune if it's still around. And I don't care if this movie is over 3 hours long. As one commenter put it it has been edited to pieces. I envy those who saw the original 1963 version of this movie, but even they didn't see everything. The versions I've seen include the original television edit, the director's cut on 2 VHS tapes which contain some "lost scenes" and people I never even knew were in the movie, the DVD, and even a version on TV where some scenes were shown out of order. The director's cut VHS tapes is the best, partially because of those scenes such as additional police observations, as well as having the sense to keep the original overture, entr'acte, and exit music title cards. Unfortunately, the DVD removes those lost scenes and mixes them with a section of other deleted scenes, like a louder version of Buddy Hackett's "17 ways of figuring it" speech, and some riskier ordeals in Santa Rosita Park.

    I've come to the conclusion that there's only one solution to this problem -- unless all footage is found and re-installed into the original version, the screenplay must be released into a book and sold to the public.

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    Handlung

    Ändern

    Wusstest du schon

    Ändern
    • Wissenswertes
      When this film was made, there were about 100 stunt performers in the United States. About 80 of them worked on this film.
    • Patzer
      When Pike destroys the restrooms to get at Ray and Irwin, it's clear neither restroom has a toilet stall or a sink.
    • Zitate

      J. Algernon Hawthorne: I must say, if I had the grievous misfortune to be a citizen of this benighted country, I should be the most hesitant at offering any criticism whatever of any other.

      J. Russell Finch: Wait a minute, are you knocking this country? Are you saying something against America?

      J. Algernon Hawthorne: Against it? I should be positively astounded to hear of anything that could be said FOR it. Why, the whole bloody place is the most unspeakable matriarchy in the whole history of civilization! Look at yourself, and the way your wife and her strumpet of a mother push you through the hoop! As far as I can see, American men have been totally emasculated. They're like slaves! They die like flies from coronary thrombosis, while their women sit under hairdryers, eating chocolates and arranging for every second Tuesday to be some sort of Mother's Day! And this positively infantile preoccupation with bosoms. In all my time in this wretched, godforsaken country, the one thing that has appalled me most of all is this preposterous preoccupation with bosoms. Don't you realize they have become the dominant theme in American culture: in literature, advertising and all fields of entertainment and everything. I'll wager you anything you like: if American women stopped wearing brassieres, your whole national economy would collapse overnight.

    • Crazy Credits
      When the globe explodes and credits fall everywhere, the credits of the animators who worked on the title sequence can be seen.
    • Alternative Versionen
      Buster Keaton had a longer, earlier scene (cut after premiere). In it, Culpepper telephone's Jimmy at his dockside warehouse and discusses his plans to use Jimmy's boat to escape to Mexico with the stolen money.
    • Verbindungen
      Edited into Bass on Titles (1982)
    • Soundtracks
      It's a Mad Mad Mad Mad World
      (uncredited)

      Music by Ernest Gold

      Lyrics by Mack David

      [Sung by an offscreen chorus during the Overture, with instrumental variations in the score throughout the film]

    Top-Auswahl

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    FAQ23

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    • Jimmy Durante references "The Bulls" in regard to the money. What does that mean?
    • Chicago Opening Happened When?

    Details

    Ändern
    • Erscheinungsdatum
      • 19. Dezember 1963 (Westdeutschland)
    • Herkunftsland
      • Vereinigte Staaten
    • Offizieller Standort
      • YouTube - Video
    • Sprachen
      • Englisch
      • Chinesisch
    • Auch bekannt als
      • El mundo está loco, loco, loco
    • Drehorte
      • Portuguese Point, 5500 Palos Verdes Dr. S., Palos Verdes, Kalifornien, USA(Santa Rosita Beach State Park - site of the 'Big W')
    • Produktionsfirma
      • Casey Productions
    • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

    Box Office

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    • Budget
      • 9.400.000 $ (geschätzt)
    • Bruttoertrag in den USA und Kanada
      • 46.332.858 $
    • Weltweiter Bruttoertrag
      • 46.333.064 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

    Ändern
    • Laufzeit
      • 3 Std. 30 Min.(210 min)
    • Farbe
      • Color
    • Seitenverhältnis
      • 2.76 : 1

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