Die sterbenden Worte eines Diebes entfesseln einen verrückten Wettlauf nach einen Schatz.Die sterbenden Worte eines Diebes entfesseln einen verrückten Wettlauf nach einen Schatz.Die sterbenden Worte eines Diebes entfesseln einen verrückten Wettlauf nach einen Schatz.
- 1 Oscar gewonnen
- 3 Gewinne & 10 Nominierungen insgesamt
Empfohlene Bewertungen
First of all, you can't just sit down to watch a three hour movie without knowing what you're in for. This is not your typical comedy--this is an EPIC comedy, the first of its kind, that inspired other such epics as "Those Magnificent Men in their Flying Machines" and "The Great Race" (which happens to be my favorite comedy--in fact, I'd like to say it's the better movie, but props go to this one for inventing the genre). And I can't speak for everyone else, but this movie leaves me laughing from start to finish.
Yes, it is very long, but it NEVER has a dull moment. Even if the amazing car stunts aren't particularly funny, you can't tell me they aren't wildly entertaining. I have yet to see an action movie with better car chases than these. And yes, the slapstick is ridiculously over the top, although I can't see how that's a problem (the gas station scene is one of the funniest in movie history, in my opinion). But underneath all the slapstick and shouting, holding the whole movie together, is that incredibly cynical message. It is a movie about kind, decent folks turning into law-breaking lunatics and ruining their lives for the sake of money. The subplot with Spencer Tracey realizing his entire life has been a waste, and then ruining what life he has left, is one of the most tragic story lines I have seen. But it's also pretty darn funny.
All the critics need to lighten up and see this for the absurd, delirious, hysterical farce it is.
10/10 stars.
It's too bad the remaining ten minutes (plus the police bulletins intermission) of the road show version still is missing, because the expanded version helped me appreciate the film a lot more than I did the first time out when I saw it on TV as a faded pan and scan atrocity. This is one film that makes great use of the widescreen.
If you must know, yes I do believe this film is a well-deserved comedy classic, but it's also loaded with breathtaking scenery (natural and contemporary) that's often overlooked by most critics. Many a fan wants to know where that mountain road is. Since I'm also a fan of big cars of the post-WW2 era I can easily spot every one. Mickey Rooney's Volkswagen must be worth a fortune if it's still around. And I don't care if this movie is over 3 hours long. As one commenter put it it has been edited to pieces. I envy those who saw the original 1963 version of this movie, but even they didn't see everything. The versions I've seen include the original television edit, the director's cut on 2 VHS tapes which contain some "lost scenes" and people I never even knew were in the movie, the DVD, and even a version on TV where some scenes were shown out of order. The director's cut VHS tapes is the best, partially because of those scenes such as additional police observations, as well as having the sense to keep the original overture, entr'acte, and exit music title cards. Unfortunately, the DVD removes those lost scenes and mixes them with a section of other deleted scenes, like a louder version of Buddy Hackett's "17 ways of figuring it" speech, and some riskier ordeals in Santa Rosita Park.
I've come to the conclusion that there's only one solution to this problem -- unless all footage is found and re-installed into the original version, the screenplay must be released into a book and sold to the public.
Wusstest du schon
- WissenswertesWhen this film was made, there were about 100 stunt performers in the United States. About 80 of them worked on this film.
- PatzerWhen Pike destroys the restrooms to get at Ray and Irwin, it's clear neither restroom has a toilet stall or a sink.
- Zitate
J. Algernon Hawthorne: I must say, if I had the grievous misfortune to be a citizen of this benighted country, I should be the most hesitant at offering any criticism whatever of any other.
J. Russell Finch: Wait a minute, are you knocking this country? Are you saying something against America?
J. Algernon Hawthorne: Against it? I should be positively astounded to hear of anything that could be said FOR it. Why, the whole bloody place is the most unspeakable matriarchy in the whole history of civilization! Look at yourself, and the way your wife and her strumpet of a mother push you through the hoop! As far as I can see, American men have been totally emasculated. They're like slaves! They die like flies from coronary thrombosis, while their women sit under hairdryers, eating chocolates and arranging for every second Tuesday to be some sort of Mother's Day! And this positively infantile preoccupation with bosoms. In all my time in this wretched, godforsaken country, the one thing that has appalled me most of all is this preposterous preoccupation with bosoms. Don't you realize they have become the dominant theme in American culture: in literature, advertising and all fields of entertainment and everything. I'll wager you anything you like: if American women stopped wearing brassieres, your whole national economy would collapse overnight.
- Crazy CreditsWhen the globe explodes and credits fall everywhere, the credits of the animators who worked on the title sequence can be seen.
- Alternative VersionenBuster Keaton had a longer, earlier scene (cut after premiere). In it, Culpepper telephone's Jimmy at his dockside warehouse and discusses his plans to use Jimmy's boat to escape to Mexico with the stolen money.
- VerbindungenEdited into Bass on Titles (1982)
- SoundtracksIt's a Mad Mad Mad Mad World
(uncredited)
Music by Ernest Gold
Lyrics by Mack David
[Sung by an offscreen chorus during the Overture, with instrumental variations in the score throughout the film]
Top-Auswahl
Details
- Erscheinungsdatum
- Herkunftsland
- Offizieller Standort
- Sprachen
- Auch bekannt als
- El mundo está loco, loco, loco
- Drehorte
- Portuguese Point, 5500 Palos Verdes Dr. S., Palos Verdes, Kalifornien, USA(Santa Rosita Beach State Park - site of the 'Big W')
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 9.400.000 $ (geschätzt)
- Bruttoertrag in den USA und Kanada
- 46.332.858 $
- Weltweiter Bruttoertrag
- 46.333.064 $
- Laufzeit
- 3 Std. 30 Min.(210 min)
- Farbe
- Seitenverhältnis
- 2.76 : 1