Eine total, total verrückte Welt

A couple of years ago, I finally managed to get IT'S A MAD, MAD, MAD, MAD WORLD on video. I saw it as a kid and remember enjoying it but watching it again for 40 years later, I still found myself LMAO. This is still the granddaddy of all comedy/adventures directed by Stanley Kramer, who up to this point had only directed serious dramas like THE DEFIANT ONES and JUDGMENT AT NUREMBURG. A dying man (Jimmy Durante) who was thrown from a car that careened over a cliff, tells a group of witnesses to the accident (Sid Ceasar, Mickey Rooney, Buddy Hackett, Milton Berle, Jonathan Winters) that there is $350,000.00 hidden under a big "W" in a nearby town, which sets off one of the wildest, craziest chase comedies made in the history of cinema. A rather tired and haggard looking Spencer Tracy heads the cast as the cop on the trail of these greedy money-mongers and just about every comedian or comic actor alive in 1963 appears in this film, either in a starring role or cameo and despite this impressive gathering of the best comedic talent in the business, towering over all of them in one of her few film performances, is Broadway legend Ethel Merman, who gives the performance of a lifetime as Berle's shrew of a mother-in-law. Her performance alone makes IT'S A MAD, MAD, MAD, MAD WORLD worth seeing. Check out this classic if you've never seen it.

Often accused of being less than the sum of its parts, "It's a Mad Mad Mad Mad World is one of the most precious gems in filmdom. True, it's far from being the funniest movie ever. Once, when Monty Python was putting a film together, they found that after fifty-odd minutes the audience stopped laughing. Thinking it was the material, they recut it so the latter material came out first. The audience still stopped laughing at fifty-odd minutes, even with what MP assumed the funnier materials backloaded. The fact is, people can only laugh so long.

Even armed with the information that an audience cannot sustain laughter for three hours, "Mad World" is not overwhelmingly funny. Though lots of dialogue is amusing and all the performances are outstanding, but the movie suffers from a common delusion of people outside comedy, as Stanley Kramer was, that the mere vision of cars crashing is somehow funny in itself. One is reminded of the spectacular sequence in "1941" when a ferris wheel breaks loose and rolls off a pier into the ocean. The sequence itself is jaw-dropping and extremely well-done, and not funny for a moment.

The value in "Mad World" is its cast. Most of the big names in comedy in the 1950s and 1960s made it into the cast (Ernie Kovaks, arguably the brightest of the lot, originally cast in the Sid Caesar role, unfortunately died not long before shooting started). The casting of name comics in tiny roles doesn't do them justice: Stan Freberg has nothing to do but watch Andy Devine talk on the telephone; Doodles Weaver is an uncredited "Man Outside Hardware Store"; the Three Stooges merely show up to be recognized; even Jack Benny, in a miniscule role funny merely because he's in it, doesn't have an impact today because too few people remember who he was. Again, some milk their small roles for what they are worth, giving the movie an undercurrent of true humor beyond the principals: Don Knotts, Carl Reiner, Jesse White, Paul Ford, Jim Backus.

"Mad World" is most valuable simply because it is a cross-section of comedy in its day. Although he was talented in many ways, anyone unfamiliar with Phil Silvers will see him in a performance that was the epitome of what he was famous for. Dick Shawn's manic wildness is captured forever in a way that is little seen in his few other films. Terry-Thomas, whose brilliance was too often relegated to obscure British films rarely seen anymore, is a joy to watch and his British tilt provides a variation from Americans who learned their craft in the Catskills and Vaudeville. Jonathan Winters, whom Robin Williams used as a prototype, was the most gifted ad-lib comic of his day and rarely showed up well when he was constrained by a script and a sustained character, but he brings off many of the best laughs in this film, and, with Arnold Stang and Marvin Kaplan the most memorable set piece in the movie. Milton Berle and Micky Rooney both bring lifetimes of stage and screen work to the project, and their input was invaluable.

All the principals (Berle, Caesar, Adams, Rooney, Hackett, Terry-Thomas, Shawn, Silvers, Winters, Anderson, Falk) are good. Even the ones who seem to have been shorted of funny lines, like Edie Adams, and Eddie Anderson, nevertheless come off well. Although they blend well together, there is a subtle fight between them for attention, to steal a scene with a facial expressions (watch Adams' face, for instance, when Caesar drags her away, in front of the "Big W", though you may have to put it on slow-motion) or a bit of business. You can see each of them thinking, at all times. Each gives an intelligent performance, having laboriously hammered out their timing and their business, and they're all thinking, with the clockwork brains the best comedians have. They may not all be funny every minute, but every moment they know what they're doing, crafting better performances than many Oscar-winning serious actors have ever turned in.

Though the movie might be too bloated for the promised three hours' hilarious ride, with too much dependence on, "Hey, there's Edward Everett Horton flicking a switch!" But anyone who loves comedy and its history needs -- deserves -- to see the best in the business of comedy in 1963 interacting with their schtick, especially if they don't mind sitting through -- occasionally mindless -- car chases and crashes.

Having been born in 1965, it's safe to say that the first time I ever saw "It's a Mad, Mad, Mad, Mad World" was on network television. Every other user comment already reveals enough about the movie, so I'll just stick with my own experiences regarding the film.

If you must know, yes I do believe this film is a well-deserved comedy classic, but it's also loaded with breathtaking scenery (natural and contemporary) that's often overlooked by most critics. Many a fan wants to know where that mountain road is. Since I'm also a fan of big cars of the post-WW2 era I can easily spot every one. Mickey Rooney's Volkswagen must be worth a fortune if it's still around. And I don't care if this movie is over 3 hours long. As one commenter put it it has been edited to pieces. I envy those who saw the original 1963 version of this movie, but even they didn't see everything. The versions I've seen include the original television edit, the director's cut on 2 VHS tapes which contain some "lost scenes" and people I never even knew were in the movie, the DVD, and even a version on TV where some scenes were shown out of order. The director's cut VHS tapes is the best, partially because of those scenes such as additional police observations, as well as having the sense to keep the original overture, entr'acte, and exit music title cards. Unfortunately, the DVD removes those lost scenes and mixes them with a section of other deleted scenes, like a louder version of Buddy Hackett's "17 ways of figuring it" speech, and some riskier ordeals in Santa Rosita Park.

I've come to the conclusion that there's only one solution to this problem -- unless all footage is found and re-installed into the original version, the screenplay must be released into a book and sold to the public.

I saw this film for the first time when I was seven or eight -I don´t remember it exactly. What I do remember is that it made me spend one of the funniest whiles in my life. At that time I didn´t know very much about the actors: except for Spencer Tracy, Mickey Rooney and possibly Peter Falk (who had already come into my heart as Lt. Columbo), I didn´t associate their faces with their names. Now I have a much better information about each and every one of them: Berle, Caesar, Hackett, Merman, Shawn, Thomas, Winters and all the rest. What I´ve always regretted is that I´ve never got to see the unabridged version of the movie: it lasts more than three hours and the prints that I´ve always watched last only two and a half hours. Nevertheless, I think this is one of the most amusing films I´ve ever seen. It seems obvious that the traces left by the greatest comedians of the silent period or the early talkies -Chaplin, Harold Lloyd, Laurel and Hardy, the Marx Brothers or Buster Keaton (who makes a cameo appearance in the film)- are present here in this picture. From the moment you see the amazing credits created by Saul Bass and hear Ernest Gold´s tremendous score, you know there´s something great coming in. Everything is perfection into the genre it belongs to: all that happens with the cars, the destruction of the service station by Winters (who looks like a raging bull in an antique dealer shop), the plight of Caesar and Adams in the basement of the hardware store, the scene of the pilot-less plane, Shawn´s attack against Berle´s and Thomas´s rented car...and oh, yes, the pursuit of Tracy! Well, in short, this film goes to show that in this mad, mad, mad, mad world there are many people who would do ANYTHING for money. I hope that someday I can see the integral version of this movie: I´ve seen it a hundred times in video, I know it by heart and I never get tired. The big W stands for WONDERFUL!

...since I first saw this movie in 1963 when it opened in my hometown of Salt Lake City, UT. I was 14 years old and went with a church group. The theater where it played did fund raisers for local churches and I remember my mom giving me money to go, which seems like about $1.00. The theater had a big curved; I think was called Cinerama but not sure now.

Anyway, I was so taken with IAMMMMW and it had been playing a while and I saw that it was playing at a different theater; smaller and farther away but it didn't matter. I saw it there at least twice.

I think the next time I saw it was after I was married in 1973 and VHS tapes hit the market. I had a copy of it on VHS and then moved on to DVD when that came about.

I know that in a box someone in my garage, I have about 40 DVD's of movie I love. Whether I'll dig out IAMMMMW since it's available online in several places.

Anyway, I've read about it and talked to others about it and it just dawned on me that for a long time Carl Reiner was the last living cast member. And now, as of 6/29/2020 there are none of the major stars around.

I love IAMMMMW. I know there's some slow parts and things that don't make sense. Doesn't matter to me....