Julius Cäsar, der Tyrann von Rom
Originaltitel: Giulio Cesare, il conquistatore delle Gallie
IMDb-BEWERTUNG
4,7/10
297
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuJulius Caesar leads the Roman army to battle against rebels in Gaul.Julius Caesar leads the Roman army to battle against rebels in Gaul.Julius Caesar leads the Roman army to battle against rebels in Gaul.
Rik Battaglia
- Vercingetorix
- (as Rick Battaglia)
Ivica Pajer
- Claudius Valerian
- (as Ivo Payer)
Ugo Ballester
- Senator
- (Nicht genannt)
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Expatriate American actor Cameron Mitchell stars as Julius Caesar in the Italian production Caesar The Conqueror. The title is something of a misnomer because he's not conquering anything here, merely trying to hold on to what he's already conquered in Gaul.
Here as in other films Julius Caesar refers to himself in the third person by his proper name. Except in Spartacus where he's a young up and coming man of the hour, in just about every other film I've seen him in he always refers to himself as Caesar. It was his way of saying I'm a man of destiny and something special.
In fact this film is a bit too ambitious for its own good. Films like Cleopatra and Spartacus even more so successfully manage to balance the military campaigns at home with the politics in Rome. But Caesar The Conqueror fails in that task though the battle scenes are nicely staged.
This film concerns Gaul chief Vercingetorix played by Italian peplum film hero Rik Battaglia who is stirring up the people of Gaul and playing for time while Caesar's political enemies seek to do him in at the Roman Senate. Not everyone in Rome was impressed by the man on horseback and that would include Senate's greatest orator Marcus Cicero.
Caesar The Conqueror is a bit better than most peplum offerings, but falls far short of Cleopatra or Spartacus.
Here as in other films Julius Caesar refers to himself in the third person by his proper name. Except in Spartacus where he's a young up and coming man of the hour, in just about every other film I've seen him in he always refers to himself as Caesar. It was his way of saying I'm a man of destiny and something special.
In fact this film is a bit too ambitious for its own good. Films like Cleopatra and Spartacus even more so successfully manage to balance the military campaigns at home with the politics in Rome. But Caesar The Conqueror fails in that task though the battle scenes are nicely staged.
This film concerns Gaul chief Vercingetorix played by Italian peplum film hero Rik Battaglia who is stirring up the people of Gaul and playing for time while Caesar's political enemies seek to do him in at the Roman Senate. Not everyone in Rome was impressed by the man on horseback and that would include Senate's greatest orator Marcus Cicero.
Caesar The Conqueror is a bit better than most peplum offerings, but falls far short of Cleopatra or Spartacus.
As far as Caesars go, Cameron is better than Calhern, the Caesar in the Brando version of Julius Caesar. And that black and white version was too talky and had little romantic complication. This version is not much better, but at least the performance of Cameron lifts up the Caesar persona a bit higher than the Calhern version. Production values were terrible in both films, so it is like comparing rotten apples to rotten oranges. Cannot recommend either. Even the leaden Cleopatra was almost as bad with full production values. No good film has ever been made about Caesar. Not recommended.
The story of the greatest Roman general of all time, is best read from his own commentaries. In this movie called " Ceasar the Conqueror " also taken from those commentaries, is a sad rendition of his life's conquests. In this tale,Cameron Mitchell plays Julius Caesar and for the most part does a good job. His story by the way is poorly portrayed in this Italian movie. The dialog is choppy as best and because of the translation problems, comes off as High Schoolish as best. The acting is poor and also very card board and stiff. Rik Battaglia plays Vercingetorix the best of the Gualic tribes and Carlo Tamberlani as Pompey, both comes off as hammy and unbelievable. Still, If audience members don't mind, the whole production will emerge as second rate as depicted by directed by Tanio Boccia. Here is one film, which should be relegated to the rear of the shelf. **
This film renders the exploits of the famed Roman conqueror (generally depicted on-screen either via the Shakespeare play or the Cleopatra affair) routine through countless tortuous intrigues and, when they finally arrive, lifeless battle sequences (despite some gratuitous carnage in close-up, they're full of choppy stock footage and the moves of the various stuntmen/extras look all-too-obviously choreographed and, worse still, fake)! At the very least, however, the American star of this peplum Cameron Mitchell, who made several of them during this era delivers a thoughtful portrayal in the title role. The fact that this is cut-rate even for the modest standards usually set by the genre is borne out by its anonymous production values and supporting cast (other than Rik Battaglia, as a hammy villain bearing the unwieldy name of Vercingetorix, and future Italian TV personality Raffaella Carra', playing Caesar's young protégé); unfortunately, blonde Belgian beauty Dominique Wilms (as Battaglia's warrior lover) does not have near enough screen time to make up for these flaws
There's nothing to report here other than for once, before France's commercial film market got all artsy in the 60s and 70s, we had a decent epic film with some action made by the French. It could have been a production right out of Hollywood had it not been for the fact that everyone was speaking French.
As you can guess this film deals with Caesar's forays into Gaul, modern France, and how he overcame the Gaullic leader Vercingetorix. Both sides of the conflict are given flourishes, but there is a dash of fatalism in regards to the acting and story presentation (no surprise as it is a French production).
A little history, Julius Caesar simply went into Gaul/France to bolster his own reputation. There was no real threat at the time, and all he did was exacerbate what tension there already was, and, on to of that, tortured and slaughtered thousands all for the sake of his name. Vercingetroix was one of the toughest foes Rome had ever faced, but he was publicly strangled in the end in Rome before the people.
That part is not in this film, nor are Julius Caesar's bloodier exploits of killing women and children, and not just fighting men. But, being a film of the 1960s, there was only so much violence that could be shown at the time.
The acting is okay, the art direction is quite good. It's decently shot for the time; lots of master shots, few cutaways unless focusing on a different character. And, finally, a little hampered in the action department.
I don't if it's the French version of staging a battle, or whether they just didn't have competent technical people, but the battle scenes seemed a little half baked, and that's putting it kindly. Still, they deliver on the action for a film that had been heavy with dialogue, but are somewhat scattered in terms of staging.
Over all it's an okay film. A product of it's time, it's nothing to write home about, but a decent watch all the same.
See it once.
As you can guess this film deals with Caesar's forays into Gaul, modern France, and how he overcame the Gaullic leader Vercingetorix. Both sides of the conflict are given flourishes, but there is a dash of fatalism in regards to the acting and story presentation (no surprise as it is a French production).
A little history, Julius Caesar simply went into Gaul/France to bolster his own reputation. There was no real threat at the time, and all he did was exacerbate what tension there already was, and, on to of that, tortured and slaughtered thousands all for the sake of his name. Vercingetroix was one of the toughest foes Rome had ever faced, but he was publicly strangled in the end in Rome before the people.
That part is not in this film, nor are Julius Caesar's bloodier exploits of killing women and children, and not just fighting men. But, being a film of the 1960s, there was only so much violence that could be shown at the time.
The acting is okay, the art direction is quite good. It's decently shot for the time; lots of master shots, few cutaways unless focusing on a different character. And, finally, a little hampered in the action department.
I don't if it's the French version of staging a battle, or whether they just didn't have competent technical people, but the battle scenes seemed a little half baked, and that's putting it kindly. Still, they deliver on the action for a film that had been heavy with dialogue, but are somewhat scattered in terms of staging.
Over all it's an okay film. A product of it's time, it's nothing to write home about, but a decent watch all the same.
See it once.
Wusstest du schon
- WissenswertesItalian censorship visa #38390 of September 15, 1962.
- Zitate
Vercingetorix: [to Publia, referring to Claudius Valerian] If you're interested in him, you can either save him or watch him die by slow torture.
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- Laufzeit1 Stunde 31 Minuten
- Sound-Mix
- Seitenverhältnis
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By what name was Julius Cäsar, der Tyrann von Rom (1962) officially released in Canada in English?
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