Acapulco

Fun in Acapulco is one of those films that might surprise you. Often overlooked, it is loaded with great music and a cast that really worked well together. The interplay between Elvis and Larry Domasin, who played little Raoul, was amazing. Elvis has a history of working well with children.

Mike, Played by Elvis, is fired from his job on a boat in Acapulco. It's The boat owners young daughter who gets him fired after Elvis refuses her charm.

Little Rauol Befriends Mike and helps him get a job as a Singer/lifeguard. The current lifeguard, who is a champion Cliff diver begins to feel threatened by Mike. Not only is Mike cutting in on his hours but he is making moves on his girl Margueita, played by Ursala Andress. Mike is also attracted to a lady Bullfighter. It works as a silly but very fun love triangle.

Will Mike get over his fear of diving that was brought on by an accident while performing a high wire act with his family? And who will he fall for? It makes for a fun story line.

Fun in Acapulco was the #1 Box Office Musical in 1963. The soundtrack for this picture was wonderful. The single "Bossa Nova Baby" was a huge top 10 smash for Elvis. Also the performance of "Marguerita" was a highlight in the film.

If you have overlooked this picture I urge you to check it out. I know you will be entertained by this charming film.

Released in 1963, "Fun in Acapulco" stars Elvis Presley as a lifeguard/singer at a ritzy Mexican resort who stirs the interest of two women and rivalry of a Mexican diver. Fun in Acapulco is an amusing musical/comedy directed by Richard Thorpe, the same director from 'Jailhouse Rock'.

It plays out exactly as you expect and production values waver from scene to scene. But there's nearly always something cheery about Presley's movies, and this one is no different. If you can accept them for what they are, and ignore what a shame that Presley's early acting promise wasn't fulfilled? Then there's a good time to be had in Acapulco.

The acting is good,a good fun story line and great singing make for a very enjoyable 95 mins. Recommended to all regardless of whether you're an Elvis fan or not. After all, how can you say no to Acapulco And Elvis...

If you are an Elvis fanatic, you have to see all the movies he made, even of the majority of them are not even decent. The fact that he is in them makes them more than they would normally be. This entry is not that bad - I mean it. You have Ursula Andress, always a plus, and all those location shots. Plus the number "Bossa Nova Baby" is great. Like this movie? Of course I do - the man is known as the King for a reason, and proper respect must be paid to the man.

Fun in Acapulco is your standard, run of the mill Elvis flick. Unfortunately, it suffers from bargain basement production, but it is good enough to help you forget your troubles. It is obvious that some of the scenes filmed in "Mexico" were actually done in front of a blue screen. According to Priscilla Presley, the hotel scenes were filmed at a Mexican style hotel in California. Of course with every Elvis film, there is a few big names thrown in for good measure. In this case, the beautiful Ursula Andress, fresh from Dr. No and Alejandro Rey, who would find fame in The Flying Nun and Moscow on the Hudson. The cast is amicable, and most of the songs are passable (with the exception of the stupid 'No Room To Rumba In A Sportscar').

Elvis was still searching for that big role. While a few of the stars went on to meatier roles, Elvis was stuck doing the same thing. You could tell by the time he was finished with movies, he was just burned out. Still, you can see he has the knack for acting, even in a flick like this. I know it sounds like I am putting down this film, but I still find some charm in it. You can't say no to Elvis or Acapulco.

I would probably have never watched this film if it were not for a little old lady who often calls to the film archive where I work and asks for movies starring French actor Maurice Ronet (who is her favorite star), and strange choices as Don Sharp's "Rasputin, the Mad Monk" or this Elvis Presley's vehicle. Surprisingly I enjoyed watching it as "zero degree style" as it is, and now I believe that this is one of Presley's best vehicles of the early sixties. It has a formulaic story that does not demand much from viewers, most of the songs are forgettable and corny, and back projection and sound stage decors do not match well with such a magnificently sunny location as Acapulco. But somehow it works: Presley, kid Larry Domasin and leading ladies Ursula Andress and Elsa Cárdenas all seem to enjoy what they are doing (and make fun of themselves, as in the musical number in which Presley finishes a ridiculous song with a matador cape wrapping his head) , and screenwriter Allan Weiss surely knows how to keep us viewers smiling at every new move by orphan Raoul (Domasin) to get trapeze-artist- in-crisis Mike (Presley, that is) back in shape. Richard Thorpe (who also directed "Jailhouse Rock") moves things efficiently until the grand finale in which the trapeze artist sings... "Guadalajara" in Spanish. I could not understand a word, but it was fun to watch "The King" (at his handsomest) trying hard.