Der Dämon und die Jungfrau

Sadistic scoundrel Kurt (Christopher lee), black sheep of the family, returns home to find that absence hasn't exactly made the heart grow fonder: his father (Gustavo De Nardo), brother Christian (Tony Kendall), ex-lover Nevenka (Daliah Lavi) and housemaid Giorgia (Harriet Medin) still find him utterly loathsome. Unsurprisingly, Kurt winds up being murdered, but even death cannot stop his cruelty...

In keeping with its Sadean theme, The Whip and the Body is both a pleasure to behold and a pain to endure: aesthetically, the film cannot be rivalled, with excellent costume and set design, and exquisite direction from Mario Bava, whose camera glides gracefully through pools of coloured light and ominous swathes of shadow to great effect; the story, however, is less impressive, a trite exercise in Gothic cliché, replete with a creepy cliff-top castle continually battered by strong winds and thunderstorms, a raft of morbid characters, all of whom harbour dark secrets, loads of tiresome symbolism, and some ridiculous psychological claptrap.

The sado-masochistic nature of the central relationship between Kurt and Navenka (which is surprisingly way ahead of its time) prevents the film from attaining coma-inducing levels, but with extremely long periods where nothing much of interest happens, the film is far from the perfect perverted and poetic love story that its ardent supporters claim it to be.

8 out of 10 for the lovely imagery, but 4/10 for the story—so that's an average rating of 6/10.

Irresistible and genuine Gothic scares, combined with atmospheric camera-work and breath-taking scenery… Welcome to yet another visual masterpiece directed by the greatest horror genius of all time: Mario Bava! "The Whip and the Body" isn't the man's most mentioned achievement, it's not even in my personal Bava-top 3 and yet I still rated it a solid 9 out of 10. That should give you somewhat an idea of how excellent his total repertoire in fact is. "The Whip and the Body" is a unique film in many ways, but particularly because of the controversial substance it dared to bring forward. Don't forget that the year of release was 1963 and Mario Bava unscrupulously introduces characters with taboo-fetishes like S & M. The story is terrifically set in the 19th century, where Kurt Menliff returns to his eminent family after being banished for several years. The family's hate towards Kurt's vile behavior is only surpassed by their fear and only the gorgeous Nevenka has a secret desire towards his wicked sexual preferences. In a particularly astonishing sequence, he whips her repeatedly (and roughly...) before continuing with making love. Terror overcomes the Menliff family when Kurt is found murdered in his room and when the tormented Nevenka begins to see his appearance in nearly every chamber of the castle. As it usually is the case in Bava's films, the plot contains quite a few holes and illogical moments, but they're totally forgivable if you acknowledge the intensity and power of the wholesome. Especially praiseworthy is Mario Bava's unequaled talent to turn totally natural things into terrifying atmosphere-elements… Blowing wind, pouring rain, footprints covered in mud...all these ordinary things turn into suspicious omens in the hands of this masterful filmmaker. With his skilled cinematographic eye, Bava perfectly knows how to raise an unbearable tension that grabs you by the neck immediately and it doesn't let go until the very last scene fades away. All the other typical Bava-trademarks are clearly present as well, namely an authentically creepy score, a minimum of stylish gore (burning, rotting corpses!!) and – last but not least – a stunning use of color shades. Mario plays with colors like he invented them and this emphasizes the spook-effect even more. "The Whip and the Body" is a more than just a shocking horror film. It's an offbeat love-story, a Gothic poem AND an unsettling horror tale all in one! If you love beautiful cinema, don't miss "The Whip and the Body".

Kurt Menliff (Cristopher Lee) returns home to his ancestral castle which he was forced to leave after he whipped a village girl nearly to death. He finds that his fiance (Daliah Lavi) has married his brother, as well as having become the mistress of his father. (Don't panic, there's worse to come). He follows her to the beach and whips her savagely. She loves it and they end the session making love. The next day Kurt is found dead and Daliah soon begins experiencing nightly flagellations at the hands of his ghost. Christopher Lee has stated that this is one of his best films. It is certainly one of the most brilliantly bizarre horror films ever made. Directed by cult icon Mario Bava, Italy's finest cinematographer (if not one of their finest directors), it rises as far above an S & M fantasy as can be imagined. It was censored in every country in the world for its sexual violence and what remained was almost incoherent for most audiences and re-released under various titles: WHAT! in the US; NIGHT IS THE PHANTOM in the UK, etc. Until video (with somewhat faded color) it was impossible to see in its original form. Even now it remains a profoundly misunderstood film and should be seen in a theater in its complete form instead of on video.

J.F.

This unrelentingly-creepy tale of obsession and perversion plays like a more-horrific version of _Wuthering Heights_: cobwebbed crypts, dark castles with secret passages, rotting bodies, muddy footprints, pale faces scowling through windows, love-hate relationships that continue beyond the grave, sea cliffs, turbulent ocean, sunsets, and a very haunting music score. The sets are rich and the direction is moody, with lots of brilliantly-composed photography and a convincingly-cruel performance by Christopher Lee. This one does require some patience, but it's one of Bava's greatest masterpieces and deserves to be saved from obscurity.

As I slowly get to watch more Mario Bava movies my enthusiasm for his extraordinary body of work grows and grows. I was already hooked after watching 'Black Sunday' for the first time, but after subsequently seeing 'Kill, Baby...Kill!', 'Planet Of The Vampires', 'Black Sabbath', 'Diabolik' and 'Lisa And The Devil' (and others) I was convinced that he's THE most underrated director of the Fantastic. Now I've watched 'The Whip And The Body' three times and listened to Tim Lucas' informative DVD commentary I'm almost ready to bow down and worship Bava like a god! This is such a fascinating movie... Visually it's stunning, as to be expected, Bava being a top cinematographer before turning to directing. The subject matter is still provocative, but forty years ago it must have been scandalous! In fact the movie was heavily censored and when eventually released in America given the lousy title 'What'. Christopher Lee counts this among his favourite roles and it is essential viewing for his fans. He plays Kurt Menliff, an evil sadistic nobleman returning to his family home after hearing his younger brother has wed. Lee's family has disowned him after a scandal concerning a servant girl he seduced who subsequently suicided. His father the Count despises him, the dead girl's mother, who still works for the Count, curses him, and his brother's new bride Nevenka (Daliah Lavi) fears him. Kurt and Nevenka have a past, not only that, a complicated sadomasochistic relationship. The whipping scenes between the two actors were a bit too much for the censors to handle back in the day, and while they aren't all that explicit, they are still unsettling even today. Lee and the stunning Lavi (best know to most people for her later appearance in the star-studded Bond spoof 'Casino Royale') make a truly unforgettable couple. Many people regard 'The Whip And The Body' as Bava's single best movie. I wouldn't go that far myself, but it's definitely one of his very best films, and is sure to impress anyone who has enjoyed his other pictures. Ghost story, murder mystery, psychosexual character study, whatever you want to call it, it's a highly original movie that will stay with you for a long time. Newcomers to Bava are still best to start with 'Black Sunday' in my opinion, but this movie comes with my highest recommendation.