James Bond 007 - Liebesgrüße aus Moskau

After the success of Dr. No, the movie going public could not get enough of Sean Connery as James Bond. From Russia With Love was almost demanded to be made and it's proved to be one of the most durable of the Bond series in popularity.

That infamous third echelon SPECTRE is after a new Russian decoding machine that the West would certainly like to lay its mitts on as well. But SPECTRE has something additional in mind. Knowing that MI5 will send its best in 007 after the decoder, they have it in mind to kill James Bond. And the alluring bait will be Daniela Bianchi, their agent.

Of course as always no woman can resist the sex appeal of James Bond as packaged by Sean Connery. Personally I've always liked Roger Moore best in the part, I like Sean Connery as well, but more for his non-Bond roles. That I'm sure will be appreciated by Sean Connery should he ever get to read this review.

The cinematography in a story that takes place in Istanbul and along the Mediterranean Sea is gorgeous. Connery gets a really outstanding cast in support including Pedro Armendariz for whom this was a final performance as Bond ally Ali Kerim Bey.

Robert Shaw has a part of few words as the paid assassin SPECTRE has trained for the purpose of killing James Bond. Shaw is terrifying in his role and the fact he did it without much use of a voice that was one of the best in the English language, testifies to his ability as an actor. His confrontation with Connery on the Orient Express is one of the great fight scenes ever done on film.

However I have a warm spot in my heart for Lotte Lenya as Rosa Klebb, the Russian defector now working for SPECTRE, the woman with those killer orthopedic shoes. Kenneth Cole never designed better.

From Russia With Love has everything you want in a James Bond film, action, sex, and exotic locations. And Sean Connery, who could complain.

Sean Connery never failed to charm as James Bond.His charm,coupled with the terrific story line that you see here in from Russia With Love,makes this film second only to Goldfinger in terms of ranking all of Connery's efforts as 007.Nearly stealing the show is a fresh faced Robert Shaw as a trained assassin with his eyes zeroed in on the agent.Sadly,we also see the final performance of Pedro Armendariz,who committed suicide the year of the film's release upon learning he had terminal cancer.Even if you are not a Bond fan,this is a very well done good versus evil story that is carried out very well.If you are a Bond fan,you probably have all the films in your collection,whether they are good or bad,but if you are someone who only collects films you consider good,you'll want to consider this one.

A Bond film that stands out among all other films as well as the Bond films, From Russia With Love is filled with not only a heavy dose of nonstop action and adventure, but also an intelligent plot that commented heavily on the world state of affairs in 1963. Capitalist and Communists are set to work against each other by SPECTRE, an organization which does not give any special considerations to economic systems, but wishes to weaken the balance of world power and take control itself. The survival of the Bond films depended on their ability to change with the decades, and From Russia With Love is no exception. Great acting performances from not only Sean Connery, but Robert Shaw, Pedro Armendariz, and Lotte Lenya (the wife of Kurt Weill).

The first three Bonds (Dr. No, FRWL, Goldfinger) are without question the best in the series, though From Russia with Love may well be the best of the best. It has all things we look for in a great Bond film - exotic locales, sinister villains, beautiful women - but it was made before Goldfinger established the ingenious-yet-demented-supervillain-plus-indestructible-henchman formula as canonical, so its plot line may surprise viewers reared on the later Bond films. For one thing, there's little or nothing in the way of gadgetry (though Q does provide our hero with a pretty nifty briefcase). Beyond a brief encounter with the faceless Number One, there's no arch-villain looming over the action, and the henchmen are at once less invulnerable and more interesting than most of their successors in the series. Particularly memorable, of course, are Lotte Lenya as the hatchet-faced Colonel ("She's had her kicks") Kleb and Robert Shaw as the brutish Donald "Red" Grant. Kleb's edgy menace is neatly offset by her terror at the prospect of failure (an option which Number One refuses to countenance); her subtle come-on to Tatiana Romanova was positively daring by 1963 standards, and she manages to do for footwear what Goldfinger's Odd Job went on to do for head gear. Grant is no superman, but a vicious, small-time thug, recruited by SPECTRE and transformed into a fearsome enforcer; his bitter encounter with Bond on the train speaks volumes about the class tensions that still underlay British society in the post-war era.

Connery, for his part, gets to build on the character he first fleshed out in Dr. No. His Bond really emerges here as a complex man, formidable but flawed. He's genteel and sophisticated, but he doesn't always keep his cool; unlike the too-often unflappable Roger Moore, Connery's Bond betrays both anger and fear when the circumstances seem to warrant it. He intervenes chivalrously to stop a fight between two Gypsy women, but he's not above slugging a woman in the service of his mission. I've always enjoyed the humanizing chemistry between Connery and Pedro Armendariz's larger-than-life Kerim ("I've led a fascinating life") Bey, the most charming of Bond sidekicks; their friendship comes across as genuine and multi-dimensional. Today's viewers (especially women) will likely find Daniela Bianchi's Tanya ("I LOVE you, James") Romanova an uncomfortably passive damsel-in-distress, but, hey: she's drop-dead gorgeous and has some nice scenes with Connery. The Turkish and Balkan settings are spectacular and the train sequence at the end is both exciting and suspenseful. Cold War scenario notwithstanding, this one has aged very well. Shake yourself a pitcher of vodka martinis and spend a Friday night watching Dr. No, From Russia with Love and Goldfinger.

From Russia With Love is directed by Terence Young and adapted to screenplay by Richard Maibaum & Johanna Harwood from the Ian Fleming novel of the same name. It stars Sean Connery, Daniela Bianchi, Lotte Lenya, Robert Shaw & Pedro Armendáriz. Music is by John Barry and cinematography by Ted Moore.

James Bond's second cinematic outing has 007 sent on a mission to Istanbul to try and acquire a Russian cypher machine known as Lektor. It's a trap set up by SPECTRE, who formulate a plan to upset the world order whilst murdering Bond in revenge for his killing of their agent Dr. No.

Spy Hard! A certain JFK had announced From Russia With Love as being one of his favourite books, thus making the minds up of producers Broccoli & Saltzman to make Fleming's Cold War thriller the follow up to Dr. No. It's a favourite of many a Bond aficionado because it represents one of the few occasions where Bond was still down to earth as a person, a hard working agent forced to do detective work. The adaptation is very literate as well, with a high fidelity to the source material a major bonus to Fleming's fans. The story is tautly told, often with dark tints the deeper Bond gets into things, and a number of excellently constructed set pieces fill out the latter half of the picture. It's not hard to understand why Connery cites this as his favourite Bond film.

Though it is mostly free of the gadget excess that would become a trademark of the franchise, it's still very much a quintessential Bond movie. Exotic locations and exotic foes, eye poppingly gorgeous ladies (Bianchi smouldering like few others can), pre-credits sequence, the snazzy title credits (here on a dancing lady), title song crooned by a big name (Matt Munro), Barry's blending of the Bond theme into the score, Blofeld (a faceless Anthony Dawson) and an impressive cast list. One of the film's big strengths is the cast assembled, Connery (firmly moving into iconic realm) is aided considerably by the presence of Lenya, Shaw and Armendáriz, while the first appearance of Desmond Llewelyn as Boothroyd (latterly to be known as Q) is a telling point in the series.

With a $2 million budget in the coffers, the makers were able to really push the boat out technically, and so they were rewarded as the pic went on to gross nearly $79 million Worldwide. Crucially it became apparent that James Bond was popular outside of Britain, the template had been set, what would they do with the next Bond outing we all wondered? 8/10