Ein Rucksack voller Ärger

While not one of the greatest of actors, Tony Curtis was always watchable and gave good performances (truly great actually in 'Some Like it Hot' and 'Sweet Smell of Success') in a fair share of good films. That '40 Pounds of Trouble' was directed by talented Norman Jewison, in his feature film debut, and had a promising cast were also good reasons to see it.

'40 Pounds of Trouble', the second of three re-workings of 'Little Miss Marker', may not be perfect or one of the all-time greats, nor did it try to be, or among the best work of those involved. Jewison especially went on to better things, such as 'Fiddler on the Roof' and 'In the Heat of the Night'. It is great fun though, with bags of charm. One of those films that doesn't try to do too much or play it too safe, knowing what it wanted to do and how to approach it, succeeding in its goal.

There is not an awful lot wrong here. It perhaps ends predictably and conveniently and occasionally loses momentum in the latter parts of the film where it could have done with more variety.

Phil Silvers overdoes it somewhat, a very enthusiastic performance that was mostly fun but at times over-eager, and could have reigned in more, had the sense that Jewison was not finding it easy to control him.

Curtis is like the film however, immensely likeable. Despite having less of the heroic, athletic quality of his early roles and more of the darker, meaty quality of others when he grew as an actor, he still manages to find the right touch of light-footed energy and charm. He shares amusing and tender chemistry with appealing, neither too cute or bratty, Claire Wilcox.

Suzanne Pleshette is a charmer in her role and Kevin McCarthy and Larry Storch have fun in theirs. Visually, '40 Pounds of Trouble' has a glossy and elegant look, while the witty and humorously light-hearted script, nostalgic Disneyland setting, generally lively pace (occasionally losing momentum in the latter parts), sparkling cast chemistry and engagingly likeable story make the film further appealing. As said, Jewison did go on to better things, for a feature debut though it is quite competent and at least seems to be in keeping with the film's light tone.

Overall, entertaining and easy to like. 7/10 Bethany Cox

I really enjoyed this film! Came across this just by chance and I honestly did not expect too much. This is a light, sweet little comedy featuring the stunning Suzanne Pleshette and Tony Curtis. The era and filming locations are as attractive as the two leads in the cast. It was also fun to see Disneyland in the early 1960's. I highly recommend this if you are feeling a little down, it's a nice pick me up!

40 Pounds Of Trouble casts Tony Curtis as a somewhat jaded manager of one of Las Vegas's gambling palaces owned by Phil Silvers who has told him to find a singing spot for his niece Suzanne Pleshette. But he's got another crisis on his hands. One of his regular players has left a marker in the form of his daughter while he's out raising a bankroll. The daughter is little Claire Wilcox the 40 Pounds Of Trouble in the title.

It doesn't look like he's coming back this time and the little girl does work on melting the heart of this gambler. Suzanne Pleshette's working on her end as well. It might be working out if it weren't for the fact Curtis has an ex-wife in Mary Murphy whom he's into for a lot of back alimony and she's got a good attorney in Kevin McCarthy who is a one man collection agency.

This is a pleasant almost G-rated comedy with a climax in that most G-rated of places, Disneyland. It's where Wilcox has always wanted to go and Curtis and Pleshette plan on a day there. Only Murphy's bloodhound McCarthy sniffs them out and then it's a mad Keystone Kops like chase through Walt's Magic Kingdom to get the papers served.

Besides those mentioned there are a lot of familiar faces that line the cast of 40 Pounds Of Trouble which always makes for great viewing. In many ways Curtis is playing a comic version of the role Robert DeNiro did as the manager in Martin Scorsese's Casino.

I wonder how Ace Rothstein would have handled all this?

The film is very typical of the 60's-70's comedy romance films where the handsome and rich (divorced) playboy this time starring Tony Curtis as Casino Manager Steve McCluskey shows disdain for the casino owners inferred girlfriend played by Suzanne Pleshette as night club singer Chris Lockwood. In reality Chris Lockwood is in fact not the casino owners' girlfriend but is really just his niece as always claimed of the casino owner leaving the door open for McCluskey to consider entering in to a romantic relationship with Chris Lockwood.

The story begins with a lifetime gambler who over extends his credit limit at the casino that Steve McCluskey (Tony Curtis) runs, so the gambler takes off to find some cash leaving behind his 7 year old daughter Penny Piper (Claire Wilcox) at the casino in his hotel room. Of course the gambling father intends to come right back to the casino as soon as he gets some more cash. But as circumstances would have it, he is tragically killed in an auto accident leaving the casino manager Steve McCluskey and his new night club singer Chris Lockwood (Suzanne Pleshette) to figure out a way to break the news to cute little 7 year old Penny that her deadbeat gambling dad has left his little girl all alone in the world.

What to do? Oh what to do? Why not ask Penny what she always wanted to do? So the question is posed to 7 year old Penny and she says she wants to go to Disneyland. As if McCluskey doesn't have enough to worry about with running a casino, he also has private detectives and his ex-wife's lawyer chasing him to pay up on alimony so he needs to disguise himself to leave the casino to even get to Disneyland where the classic chase around Disneyland ensues played alongside some classical musical score.

A good time is had by all at Disneyland, romance continues to bloom between McCluskey and Lockwood as they care for little Penny who is having the time of her life with her chaperone's in an effort to distract her from the sudden death of her gambling daddy. Eventually McCluskey is nabbed and ends up in court where little Penny is put on the stand and questioned as to how she was treated while in the care of McCluskey at his casino. This is where 7 year old Penny wins over her audience and the judge as she bestows all the credit for her loving care and attentiveness on casino manager McCluskey for making sure she was treated like the little angel that she is. Tears will start to flow from most women's eyes as Penny indirectly tells us how much she loves McCluskey.

Incidentally, 7 year old Penny (played by Claire Wilcox) was born in Toronto, Ontario the same Canadian city that Grade 1 director Norman Jewison is from. Ms. Wilcox went on to appear in various television series as a guest star for the next several years as a young teenager and then stopped acting completely. Her whereabouts are currently unknown? Ms. Wilcox what are you doing now? You stole the big screen from Tony Curtis and Suzanne Pleshette. I give the film a 6 out of 10 and Ms. Wilcox a perfect 10 out of 10 for her heart felt performance.

This is the third version of Damon Runyon's story and was previously made as "Little Miss Marker" (with Shirley Temple), "Sorrowful Jones" (with Bob Hope) and now with this film. All three are enjoyable, though if I were to recommend one (and I am) it would be the original "Little Miss Marker". Still, you could do a lot worse than watching this nice Tony Curtis/Suzanne Pleshette film.

When the film begins, Steve (Curtis) is evading process servers from California once again and just beats them across the state line to the casino he manages in Lake Tahoe, Nevada. He seems like a reasonably happy man...or at least successful. But when a loser leaves his cute little girl behind in his hotel room, Steve has got a problem. Oddly, instead of calling the police he and the staff grow to like the kid and keep her!! Later, the girl wants to go on an outing to Disneyland but this will mean Steve once again risking be served a summons to pay back alimony. Along for the ride is a night club singer with a heart of gold, Chris (Pleshette).

The plot is very familiar but has been rather de-Runyonized. In other words the lovable seedy characters you've seen in other Runyon productions as well as earlier versions of this story are mostly gone---cleaned up a bit and with dialog that clearly is more normal! I didn't mind this at all and everyone did fine in the film. I particularly liked seeing the footage of Disneyland circa 1962, as things have certainly changed a lot...and you do see a lot of Disney in the film. Not everything about Disney is perfect, however, as the chase scene did become a bit tedious. Still, it's a nice film that has aged well and is worth your time.