Cleopatra

Cleopatra is an epic in every sense of the word-lavish sets, extravagant costumes, and a runtime that truly immerses you in the political and romantic turmoil of Ancient Egypt and Rome. The film is undeniably a visual masterpiece, with its breathtaking cinematography and grand production values standing the test of time.

Elizabeth Taylor embodies Cleopatra with a magnetic presence, portraying her as both a fierce ruler and a woman caught in the power struggles of her time. Richard Burton and Rex Harrison add depth to the historical drama, making the love affairs and political betrayals feel engaging despite the film's lengthy runtime.

While the movie's ambition sometimes outweighs its pacing, leading to moments that drag, its historical grandeur and commanding performances make it a classic worth watching.

A visually stunning epic that, despite its flaws, remains an iconic portrayal of one of history's most legendary figures.

This is not a perfect movie. No one has ever suggested it is. That said, it is much better than you may have been led to believe. Technically, it is superb, with sets, costumes, cinematography, music, etc., apparently unattainable by today's filmmakers. If you doubt this, watch "Gladiator" immediately after watching "Cleopatra". The technological weaknesses of the former are stark and unavoidable when compared to this film. The first act, especially, is without equal. Rex Harrison, as Caesar, dominates the screen and gives the performance of his life (Henry Higgins not withstanding). He earned his "Best Actor" Oscar nomination, and then some. The second act suffers, more likely than not due to the merciless re-editing by the studio that saw two hours of film hit the cutting room floor, and major roles like those of Cronyn and McDowall reduced to little more than bit parts (Mankiewicz originally envisioned this as two films, not one), from an occasional lack of cohesion I tend to think was not in Mankiewicz' screenplay. While La Taylor is ravishing throughout, she sometimes appears to be in a bit over her head. Again, this is more apparent in the problemmatic second act. There has been an active search for years by the Mankiewicz estate, and others, to find the missing elements from his original cut and restore "Cleopatra" to what he envisioned. This may yet happen. I hope it does. In the meantime, this newly restored roadshow version is most welcome.

Regarded as the biggest flop (at least until "Ishtar") in motion picture history, "Cleopatra" has been given the short end of the stick since it first premiered in 1963 but it still is a great film. True, it did plague 20th Century Fox to the point of near bankruptcy (until "The Sound of Music" saved it in 1965) and Elizabeth Taylor's health overshadowed the film schedule but there are more good things about the film than there are bad, the backlashing of the film has just blown itself all out of proportion. Richard Burton and Elizabeth's much-publicized offscreen love affair grew to such a feverishly fiery degree that it made their onscreen relationship as Antony and Cleopatra all the more genuine. Rex Harrison as Caesar is first-rate as well and yet he was the only one out of the entire cast that received an Oscar nomination (Richard Burton was one who should have been in the running as well... his performance is equal to his earlier work in "The Robe" and later in "Becket" and "Anne of the Thousand Days"). Miss Taylor is very commanding in the role of her career and as a result few remember Claudette Colbert's earlier turn as Egypt's most memorable ruler in Cecil B. De Mille's 1934 version. The one point I want to make is that the film should have gotten more praise than it did... like "The Wizard of Oz", "Fantasia" and "It's a Wonderful Life" it seems to get more appreciation by it's second generation than it did it's first.

I'm pleased to read all the positive reviews of this film, which I first saw when it was released and have seen perhaps five times since. In 1963 the movie was almost universally condemned by critics, and I was just about the only person who admitted that I loved it. Part of that, though, had to do with the Taylor/Burton affair and the scandal it created. Liz Taylor in 1963 was not only considered the most beautiful woman in America, she was also thought of as a serial home-breaker and a real threat to the morals of the American Republic.

Why? I don't agree with many positive comments about the acting. Taylor and Burton were not too bad, but they didn't handle the pompous dialogue as well as Rex Harrison, Hume Cromyn, Martin Landau and especially Roddy McDowell, who was perfection itself and, I believe, accurately portrayed as the very young, ambitious and unscrupulous, but brilliantly intelligent Octavian (later the emperor Augustus).

Sure, some of the dialogue stinks, and the movie seems too long (perhaps because so much of it was cut to fit into fours hours). Nevertheless, for sheer magnificence and recreation of a most critical time in the history of two vanished high civilizations it has never been, and probably never will be, surpassed.

Once again I have watched the complete Cleopatra (or at least the complete Cleopatra available). In addition, because I watched the DVD version of the movie, I also was able to view the outstanding documentary "Cleopatra: The Film that Changed Hollywood". And, once again, I am all but overwhelmed by the movie. Elizabeth Taylor may very well be one of the most under-rated actresses of the last fifty years; her public private life has always overshadowed her acting ability. But it is not her notoriety that puts her in the same league with other two time Oscar winners like Jane Fonda, Sally Field, Tom Hanks, etc. In Cleopatra, as in George Stevens' Giant, she runs the gamut from adolescent to matriarch, from calculating queen to devastated lover, and rings every bell in between. But her performance alone does not make the movie. Not only is she supported by Burton, in one of his best screen performances, and Rex Harrison, in one of his best, Taylor's old friend Roddy McDowall gives the performace of his lifetime (how sad that a clerical error cost him his Oscar); we see a young Martin Landau, a young Carroll O'Connor, a young Jean Marsh, give performances worthy of anything they've ever put on screen since. The documentary points out that the original Mankiewicz cut of the film was 6 1/2 hours long and that Fox is currently trying to reassemble the film as originally cut. If they ever succeed in doing so, I would stand in line to see it in theatres and buy it on DVD the first chance I got. As a history freak, it more than satisfies; as a fan of brilliant acting, it wows! Everyone should see it at least once!