Charade

Let's see: what we got here is one of the best romantic-comedy/thriller scripts ever made, one of the best Hollywood directors from 50's and 60's, the more elegant and classy actress ever (Audrey Hepburn), the more elegant and classy actor ever (Cary Grant), two of the best "tough guys" from the big screen (G. Kennedy and James Coburn), one of the best comedy actors ever (Walter Matthau), and the city of Paris. Nothing could possibly go wrong, don't you think?

Audrey Hepburn is Reggie Lambert, an American girl married to a swiss guy called Charles Lambert (at least that's what she thinks)... She's spending her holidays in some ski resort with her best girlfriend Sylvie and the son of hers. Reggie has decided to divorce her husband, so she gets back to Paris. Once there she found out that her husband's been killed. From this moment on she gets involved in the funniest spy plot ever.

Watching Charade you'll have an smile on your face from the beginning till the very end. And you'll burst out laughing in many moments of the movie. Stanley Donen gets out of every sequence very skillfully and, as he did before in Seven Brides or Singin' In The Rain, he probes he's an outstanding filmmaker. There're two names that come into my mind every time I watch this movie: Alfred Hitchcock and Blake Edwards. In Charade, Stanley Donen merged suspense and romantic-comedy in the best possible way. Actor's selection is just perfect, the chemical between Hepburn and Grant is simply unbeatable. One more perfect couple to add to Hollywood's Couple's Hall Of Fame: side by side with Katharine Hepburn-Spencer Tracy, Katharine Hepburn-Cary Grant (him once again!), Lauren Bacall-Humphrey Bogart... It's not easy to find two actors so compatible. What to say about George Kennedy or James Coburn? Best known for their roles in action movies, they do their best as CIA agents. And least but not less, we got Walter Matthau, one of the best comedy actors ever (I should've put Walter Matthau-Jack Lemon in my Couple's Hall Of Fame!) doing the best he can (that is a lot!) as (in principle) an American Embassy employee.

So if you liked North By Northwest or Breakfast At Tiffany's, if you think that there's never been a more classy actress than Audrey Hepburn, if you do believe that Cary Grant's been one of the more talented actors ever (and one of the funniest ones)... please, don't miss Charade. You'll spend one of the times of your life.

Aur Voir, Mon Amis!

My Rate: 10/10 or even higher.

Terrific movie that can be perceived both as a first-rate piece of straight entertainment, and as a meditation on the thin line separating truth and lie. Ingenious script, dialogue filled with funny interplay, great chemistry between the two charismatic stars, vivid and fast-paced direction by Stanley Donen. Not quite in the league of "North By Northwest", but still a very entertaining and recommendable picture. (***)

I was one of those people who was convinced this was a Hitchcock movie when I first saw "Charade". I think this is because the idea of the plot, some of the set pieces and the style of direction are remarkably similar. The director here is Stanley Donan(co-director with Gene Kelly of "Singin' In The Rain"), and I thought he did a great job directing.

The real stars of this classy, entertaining and I think underrated Hitchcockian-like comedy thriller are the clever plot(with an ingenious McGuffin) and the marvellous romantic score from Henry Mancini. The cinematography is skillful enough and the Parisian locations are ravishing. Not to mention some truly wonderful set pieces such as Grant taking a shower fully clothed, Grant and Hepburn falling in love on a river boat, a hair-raising cliffhanger on the roof, the priceless funeral scene and the sequence under the stage.

The acting is marvellous, with charming, brooding and urbane Cary Grant and lovely and equally charming Audrey Hepburn making a dream pairing and making the most of a crisp, funny and sophisticated script. James Coburn makes a star-making turn, Ned Glass is deliciously obnoxious and Walter Matthau, a wonderful comic actor in his time, in an understated performance here that I personally think is the strongest one of the film. In fact, while I have nothing against George Kennedy, I did feel as though he was slightly phoning in his performance here, but considering how good this film is that is a minor criticism.

Overall, this film is terrific, not the best movie ever made but a long way from the worst. It is such a shame people have to be so derogatory to not only this film in general, but also about Grant, Hepburn and other movie stars like James Stewart when they have a lot more talent than most of the actors working today and that is a fact. Not trying to sound opinionated, but I'd rather watch any Hitchcock or this than any of the Friedberg-Seltzer spoofs or Steven Seagal's most sloppily paced, lazily acted film. 9.5/10 for "Charade". Bethany Cox

When I first saw "Charade", I was convinced for the longest time this was a Hitchcock movie. Small wonder; Hitchcock all but set the standard for quality mystery films. Still, I give director Donen my sincerest apologies. Anyway, where did this film go?? Its tasteful humor, colorful characters and intelligent plot make "Charade" one of the best mystery movies ever made, but it's not well known even among classic films.

"Look for it. Look as hard and as fast as you can." This film ranks with "Clue", "The Name of the Rose" and "The 39 Steps" as one of the most enjoyable mysteries of all time. Makes a great dating/party movie.

If you're in the mood for a clever mixture of suspense, romance, humor and some fantastic location shots, treat yourself to CHARADE. Audrey Hepburn was never more appealing than she is here--badly in need of help to discover the whereabouts of the hidden money her late husband's enemies want to find. With her life hanging in the balance, she enlists the aid of Cary Grant--but since all is not what it seems, you're in for some surprising plot twists along a very merry ride.

Just relax and let Cary and Audrey do all the work--with the help of a great supporting cast including Walter Matthau, superb in a surprising supporting role. Stanley Donen keeps it all moving at a brisk pace and Henry Mancini's music is a sheer delight.

Highly recommended as an expert, elegant mixture of humor and suspense, even if it does seem to imitate the Hitchcock way of filmmaking.