Kairo - Null Uhr

George Sanders, fresh out of prison, has developed a plan to steal King Tut's jewels, worth a fortune. He enlists an old friend and then gets in contact with a small group of men. Unfortunately for these guys, there are lots of pitfalls along the way because of the human element, mostly that of greed. The guy who is going to finance the operation and the fencing of the artifacts, turns out to want the whole thing. The deed is done but a stray bullet takes out one of the men. There are others who want in and we also have an unstable man who is explosive and dangerous to himself an others. When it's all over, one wonders why he bothered. Even Sanders is sort of blah.

The "major" has been released from prison, and has plans to steal artifacts from the national collection in cairo. He's putting a team together of his old cronies to do the job. But once they get the goods, will they be able to get them out of the country? Egypt does not take kindly to people removing the archaeological items from the country. And of course, some of the major's gang gets greedy along the way. Is there any way out of this? Will any of them survive the heist? George sanders always was adept at playing a guy with a dark, evil side. Ie... eve, rebecca, and so many others. And of course, he married TWO of the gabor sisters! Keep an eye out for kuchuk, in the white tuxexo, about twenty minutes in... that's the director's father, walter rilla. Richard johnson supporting; he's probably best known for the haunting. It's quite good! We follow along as the coppers try to figure out what happened in this heist film. Directed by german born wolf rilla. He left germany for the safety of london during world war two. Based on the book by prolific writer william burnett.

A b&w crime caper starring George Sanders, Richard Johnson, and several leading Egyptian movie stars, including Faten Hamama, Ahmed Mazhar, Kamal El Shinawi, Shwikar, Salah Nazmi, Nahed Sabri, Ezzat El Alaili, Yousuf Shaaban, and Said Abu Bakr.

Sanders is a British thief who comes to Cairo to recruit and lead an international team of villains to rob a collection of King Tut jewels from the Cairo Museum. The team includes a Brit lock-busting expert who has settled in Cairo and married a local girl; a Greek underground gambling-joint operator, a Turkish import/export businessman, an Egyptian driver, and an young Egyptian hashish addict.

Each character on the team is attached to a subplot.

Not a bad production. Filming took place in Cairo. Rewarding scenes from bazaars, marketplaces, cabarets, inner city streets; as well as rural scenery. Some claim that the film is a nearly scene-by-scene remake of John Huston's "The Asphalt Jungle". Available on YouTube. Rated a weak to fair 5.4 on IMDb.

One of the greatest strengths of filmmaker John Huston was that he knew great source material when he read it and, just as importantly, not to change anything for the sake of change alone. This is a virtue also shared by the makers of ‘Cairo' – a very faithful adaptation of W. R. Burnett's wonderful novel ‘The Asphalt Jungle'. The only problem, of course, is that Huston got there thirteen years earlier.

The switch of locale from the brooding, empty streets of downtown America to the teeming bazaars and markets of Egypt's capital works surprisingly well but in every other department the film is vastly inferior to the Huston version. There is a slight switch of emphasis from the role of the hired gun (Richard Johnson instead of Sterling Hayden) to the criminal mastermind (played with typical cool detachment by George Sanders) and the object of the robbery this time is nothing less than Cleopatra's jewels in the Cairo Museum! Beyond that, however, it's almost a scene for scene remake of the earlier film.

Sanders and Johnson do surprisingly well, even though Johnson is hopelessly miscast as an Arab. The supporting cast is poor at best. ‘Cairo' compares favourably against the other two versions of the tale, ‘Cool Breeze' (1972) & ‘The Badlanders' (1958) – a western with Alan Ladd! – but that's not really saying too much.

Stick with the Huston version or, better still, find a copy of the novel – it's one of the outstanding works of 20th Century American literature.

"Cairo" (1963) is notable for being set in Cairo (duh...), but otherwise it's a routine caper film. It's quite leisurely - the caper doesn't start until halfway through the running time - and when it does get to the caper, it's totally unbelievable (the crooks enter the barely guarded Egyptian museum in a thoroughly noisy and indiscreet way!). On-location shooting and a good cast are the strongest assets; Faten Hamamah, reportedly the most popular Egyptian actress of all time, has a rather thankless role in her only Hollywood film, but still manages to give a charming performance. **1/2 out of 4.