Füge eine Handlung in deiner Sprache hinzuIn this weekly drama show, George C. Scott plays a dedicated social worker trying to solve the problems of his clients in the fascinating mix of cultures that makes up New York City.In this weekly drama show, George C. Scott plays a dedicated social worker trying to solve the problems of his clients in the fascinating mix of cultures that makes up New York City.In this weekly drama show, George C. Scott plays a dedicated social worker trying to solve the problems of his clients in the fascinating mix of cultures that makes up New York City.
- 1 Primetime Emmy gewonnen
- 2 Gewinne & 7 Nominierungen insgesamt
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I saw one episode of this show during the 1990s at the NYC Museum of TV & Radio. I couldn't even tell you what it was about except that, considering it was done in the early 1960s, it was way ahead of its time. It had to do with a family's trouble facing the fact that it had serious trouble, and featured, I think, a self destructive daughter but it was probably something more shockingly specific. By the 1990s, what was shocking in 1963 almost seemed tame. By the way, who said George C. Scott played a *young* social worker? Did the Great Scott ever play somebody young? Along with other great shows of long ago (such as "Slattery's People"), this is one I wish that somebody would release on video/DVD.
Beautiful series-- a one-season long experiment that tried to reflect a tumultuous time-period (its single season encompassed JFK's death, the Civil Rights Bill, killings of Civil Rights workers in Alabama, escalation of fighting in Vietnam). George C. Scott played a social worker in Manhattan, Cicely Tyson his secretary, and before they softened the series toward the end toward whimsey, they produced at least three episodes that have stuck in my head for nearly 40 years: 1. social services take-away the child of a prostitute, who was portrayed as a devoted mother-- her grief was seismic; 2. a young black father who loses a baby to a rat's attack gets a weapon and wanders through Harlem looking for someone to kill; 3. a middle-class black couple moving to the suburbs sets off a calculated real-estate stampede, and even the liberal whites who sponsored them finally rebukes them. The second of these episodes was blocked-out in Georgia-- am surprised we got to see the other two; criticism at the time inevitably used the killing word "grim". Actors were drawn from the NY casting-pool, and shooting was done in the streets of the city.
I have nurtured a fond memory of George C Scott's performances in East Side/ West Side since I first watched the series over 40 years ago. Although I obviously recall its power through the prism of nostalgia, I would definitely love to see some of the episodes again. I now live in the CBD of an Australian city, nowhere near as animated as the Big Apple of course, but ES/WS has local resonances for what it is like to interact with the homeless and disadvantaged on a daily basis, and to engage in their stories.I have noted somewhere on this site that old episodes have been digitally restored and available somewhere, but I guess I will be unlikely to follow this through, preferring to wait for an archival DVD production.
This was not George C. Scott's only television series, as someone stated elsewhere. While "East Side/West Side" is a brilliant drama with intelligent stories and an incredibly talented cast, George C. Scott was the lead in an abysmal FOX Channel series called "Mr. President" (1987). Both Mr. Scott and FOX would have liked to forget this programme.
Also, as far as "Naked City", that series often did not have neatly tied-up endings. Often, the endings were left deliberately ambiguous to make the audience think. While certainly not the poster child for civil rights programming, "Naked City" did show a multi-ethnic NYPD, and there were often Hispanic and African-American characters/actors with sizable parts in individual episodes. I can't say that the episode "The Contract", about Chinese-Americans and the conflict of cultures was the greatest representation of Asians on television -- especially with James Shigata, Khigh Dhiegh and Abraham Sofaer all playing Chinese -- but the characters were treated with respect, and not as stock figures.
Also, as far as "Naked City", that series often did not have neatly tied-up endings. Often, the endings were left deliberately ambiguous to make the audience think. While certainly not the poster child for civil rights programming, "Naked City" did show a multi-ethnic NYPD, and there were often Hispanic and African-American characters/actors with sizable parts in individual episodes. I can't say that the episode "The Contract", about Chinese-Americans and the conflict of cultures was the greatest representation of Asians on television -- especially with James Shigata, Khigh Dhiegh and Abraham Sofaer all playing Chinese -- but the characters were treated with respect, and not as stock figures.
This was one of the best shows on TV. I recall watching it back when, well i guess i was 12 or 13 judging by the date. it was riveting and unlike so many dramas today, featured a dedicated social worker, George C. Scott with his face of reality and character. Thirty years later, Judging Amy, another fine show, featured Tyne Daly in a similar role, but a shared one within a family including the judge daughter, writer son, etc. Ido not recall individual episodes and came upon this looking for something else, but if i recall, the stories would be as relevant and fresh as good tales representing true life dramas often are. I suspect that the sociological wave of movies and TV shows of the early to mid 60's helped influence those of us at that vulnerable and suggestive age(teenage-young adult) the ideals and aspirations of humans as good, fixable and misunderstood, but with potential with a little dedication and hard work. Over the following decades, the entertainment industry's refocused its emphasis, and maybe coincidentally, so did the nation's ideals. Anyway, they were good shows with top notch acting-don' remember ever being bored with that one.
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- WissenswertesNeil Brock is a young social worker in the slums of New York City.
- VerbindungenFeatured in TV Guide: The First 25 Years (1979)
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- Laufzeit1 Stunde
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By what name was East Side/West Side (1963) officially released in Canada in English?
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