Die Abenteuer in Zeit und Raum einer Person, der sich selbst nur "Der Doktor" nennt, und in Wahrheit ein Außerirdischer, ein "Timelord" ist und in wechselnder Gestalt mit unterschiedlichen m... Alles lesenDie Abenteuer in Zeit und Raum einer Person, der sich selbst nur "Der Doktor" nennt, und in Wahrheit ein Außerirdischer, ein "Timelord" ist und in wechselnder Gestalt mit unterschiedlichen menschlichen Begleitern das Universum erforscht.Die Abenteuer in Zeit und Raum einer Person, der sich selbst nur "Der Doktor" nennt, und in Wahrheit ein Außerirdischer, ein "Timelord" ist und in wechselnder Gestalt mit unterschiedlichen menschlichen Begleitern das Universum erforscht.
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- 5 Gewinne & 2 Nominierungen insgesamt
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After a wait of almost sixteen years and with only just over a week to go before the new series of "Doctor Who" begins, let's hope that some classics are on the way to warrant all the hype and, above all, that the show remains true to its original spirit and is as fun as it always was. With that in mind, I thought it might be an opportune time to reflect on some of the great stories of the past.
From First Doctor William Hartnell's era, my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming enhances its atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial's shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford's departure from the series after playing the Doctor's granddaughter, Susan, for ten stories...
So many perfect serials from Second Doctor Patrick Troughton's time on the show! "Fury from the Deep" is my choice because it frightened me more than anything else I'd ever seen. It has several excellent cliffhangers and I'll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever.
I love the first six serials of the Jon Pertwee era because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton's other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men's minds is so much more frightening than some lumbering monster!
My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will always stay with me.
Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison's Doctor and new companion Peri are shot dead at the end of the first episode I didn't foresee the resolution. It's a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story's close.
"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker's Doctor doesn't really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which may account for why she is one of my favourite companions. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!
Finally, from Sylvester McCoy's three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn't all played for laughs as is often suggested. One of the scariest things in this serial isn't the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realised. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord"?
And, if I was only allowed just one of the seven to take to my mythical island it would have to be, if it still existed in the BBC's archive, "Fury from the Deep". I don't think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.
From First Doctor William Hartnell's era, my choice of favourite story would have to be "The Dalek Invasion of Earth". The use of extensive location filming enhances its atmosphere greatly. I know that, forty years on, the Robomen look and sound silly and the flying saucer is obviously dangled from a piece of string but the serial's shortcomings are compensated by the imagery of the Dalek rising from the River Thames and a group of them patrolling Trafalgar Square, not to mention crossing Westminster Bridge in the trailer. And then there is the sensitive ending marking Carole Ann Ford's departure from the series after playing the Doctor's granddaughter, Susan, for ten stories...
So many perfect serials from Second Doctor Patrick Troughton's time on the show! "Fury from the Deep" is my choice because it frightened me more than anything else I'd ever seen. It has several excellent cliffhangers and I'll never forget one of the characters walking out to sea and not stopping as she becomes totally immersed by the water or Victoria trapped in a locked room as the seaweed and foam threaten to engulf her. I long to see this story again but, alas, it seems gone forever.
I love the first six serials of the Jon Pertwee era because they are complex and challenging. Of the six, "The Mind of Evil" is my favourite though writer Don Houghton's other serial, "Inferno", comes a close second. The reason I like it is because the idea of a parasite feeding off the fear in men's minds is so much more frightening than some lumbering monster!
My favourite Tom Baker serial is "Genesis of the Daleks" despite the BBC always falling back on it for repeat seasons! Writer Terry Nation, creator of the Daleks, devised the character of Davros in order to raise the standard of dialogue between hero and enemy, succeeding here in discussing many moral issues. Sarah Jane Smith seemingly falling to her death from the rocket scaffolding, as she tries to make her escape, and the freeze frame is another moment that will always stay with me.
Cliffhangers play an important part in making a good serial and "The Caves of Androzani" boasts two of the finest. When Peter Davison's Doctor and new companion Peri are shot dead at the end of the first episode I didn't foresee the resolution. It's a shame it took until the last story of this era to get it right but director Graeme Harper presents us with a thoroughly gripping tour de force. Christopher Gable is electrifying as Sharaz Jek and I love the scene of the dying Doctor, coat caked in mud, struggling to carry his companion back to the TARDIS in an act of self-sacrifice that leads to his premature regeneration at the story's close.
"Revelation of the Daleks" is "Doctor Who" for adults. Writer Eric Saward presents us with an alternative take on the Doctor through the character of Orcini, and his sidekick with personal hygiene problems, which is why Colin Baker's Doctor doesn't really enter the fray until over halfway through. Nicola Bryant, as Peri, is lucky to have worked with Harper on both his serials which may account for why she is one of my favourite companions. There are moments of real pathos in this serial such as Natasha discovering what has really become of her father and the death of Jobel, which is no mean feat when you consider the ghastly nature of his character!
Finally, from Sylvester McCoy's three years on the show, my choice has to be "The Curse of Fenric". This period has come in for much criticism when, certainly during the last two years, the show was actually beginning to find its feet again. It wasn't all played for laughs as is often suggested. One of the scariest things in this serial isn't the Haemovores or the rather placid Ancient One but the transformation of the two girls into vampires because the allegory, equating loose morality with bodily decay, is far more frightening than any monster could be, even when those monsters are well-realised. The story contains some very memorable dialogue too. Who can forget the chilling menace of "We play the contest again... Time Lord"?
And, if I was only allowed just one of the seven to take to my mythical island it would have to be, if it still existed in the BBC's archive, "Fury from the Deep". I don't think I would be disappointed, given the opportunity to see it again, as anything that can leave such an indelible mark on the memory has to have been an extremely powerful piece.
Doctor Who ran for 26 years, and its last episode was as fresh and imaginative as its first.
The show chronicles the adventures of a time-and-space traveling alien who wanders the universe battling evil conquerors, ruthless corporations, and other exploiters of the innocent and oppressed. Every few weeks, the Doctor would travel to a different planet or time, allowing the show's cast, setting, and tone to constantly change. Even the Doctor himself was periodically replaced by a new actor, "regenerating" his body whenever he was on the verge of death. This format gave the show an amazing freshness and allowed it to last for over a quarter of a century without becoming stale.
Since the show's cancellation, Doctor Who has been sustained by hundreds of books and radio shows. Although the concept is beginning to seem a bit old now, great "Who" stories are still coming out all the time.
Television remains the ultimate format for Doctor Who, however, and the series has something to offer for just about everyone. The early episodes, starring William Hartnell, were mysterious and realistic in tone, and are terribly underrated by the show's fans. Tom Baker, the most popular Doctor internationally, had a succession of wild and colorful adventures that are more entertaining and a lot funnier than most of the sitcoms on TV today. In its dying days, when Sylvester McCoy was in the lead role, Doctor Who became highly allegorical and politically charged.
Every Doctor's era has some merit, though some are obviously more inspired than others. In the early 70s and early 80s in particular, the show suffered from some poor production values and repetitive plots, but even the bad episodes are fun to watch and often redeemed by some strength good performances, an interesting plot twist, etc.
Lovers of modern, flashy science fiction will probably laugh Doctor Who off the screen because of its modest special effects, but nevertheless it remains one of the most visually inventive TV shows ever made. Episodes like Tomb of the Cybermen and Remembrance of the Daleks contain unforgettable images that stack up to anything Hollywood produced on a 100x bigger budget. If you want to pick the show's visuals apart, you can, but you'll be doing yourself a disservice if you don't suspend your disbelief and allow yourself to be drawn into the Doctor's universe.
I may be in the minority, but I enjoyed the 1996 TV Movie that attempted to resurrect Doctor Who years after its cancellation. I don't buy the argument that Doctor Who couldn't survive in today's big-budget entertainment arena. The intelligence of the X-Men and Spider-Man movies has convinced me that a slick, cerebral version of Doctor Who could be produced today that would be faithful to the not-so-slick, cerebral original. But regardless of whether Doctor Who returns or not, it remains one of the great TV shows of all time. It still wins awards even today, and enjoys widespread popular and critical acclaim. Even Doctor Who's detractors only serve to prove that the show is famous enough to draw criticism!
In short, Doctor Who is smart, fun, and endlessly creative. It has kept me entertained for over fifteen years, and my enthusiasm for it has barely waned. Science fiction is in a dumb rut right now, so you could do a lot worse than look back at this show, one of the genre's crowning achievements.
The show chronicles the adventures of a time-and-space traveling alien who wanders the universe battling evil conquerors, ruthless corporations, and other exploiters of the innocent and oppressed. Every few weeks, the Doctor would travel to a different planet or time, allowing the show's cast, setting, and tone to constantly change. Even the Doctor himself was periodically replaced by a new actor, "regenerating" his body whenever he was on the verge of death. This format gave the show an amazing freshness and allowed it to last for over a quarter of a century without becoming stale.
Since the show's cancellation, Doctor Who has been sustained by hundreds of books and radio shows. Although the concept is beginning to seem a bit old now, great "Who" stories are still coming out all the time.
Television remains the ultimate format for Doctor Who, however, and the series has something to offer for just about everyone. The early episodes, starring William Hartnell, were mysterious and realistic in tone, and are terribly underrated by the show's fans. Tom Baker, the most popular Doctor internationally, had a succession of wild and colorful adventures that are more entertaining and a lot funnier than most of the sitcoms on TV today. In its dying days, when Sylvester McCoy was in the lead role, Doctor Who became highly allegorical and politically charged.
Every Doctor's era has some merit, though some are obviously more inspired than others. In the early 70s and early 80s in particular, the show suffered from some poor production values and repetitive plots, but even the bad episodes are fun to watch and often redeemed by some strength good performances, an interesting plot twist, etc.
Lovers of modern, flashy science fiction will probably laugh Doctor Who off the screen because of its modest special effects, but nevertheless it remains one of the most visually inventive TV shows ever made. Episodes like Tomb of the Cybermen and Remembrance of the Daleks contain unforgettable images that stack up to anything Hollywood produced on a 100x bigger budget. If you want to pick the show's visuals apart, you can, but you'll be doing yourself a disservice if you don't suspend your disbelief and allow yourself to be drawn into the Doctor's universe.
I may be in the minority, but I enjoyed the 1996 TV Movie that attempted to resurrect Doctor Who years after its cancellation. I don't buy the argument that Doctor Who couldn't survive in today's big-budget entertainment arena. The intelligence of the X-Men and Spider-Man movies has convinced me that a slick, cerebral version of Doctor Who could be produced today that would be faithful to the not-so-slick, cerebral original. But regardless of whether Doctor Who returns or not, it remains one of the great TV shows of all time. It still wins awards even today, and enjoys widespread popular and critical acclaim. Even Doctor Who's detractors only serve to prove that the show is famous enough to draw criticism!
In short, Doctor Who is smart, fun, and endlessly creative. It has kept me entertained for over fifteen years, and my enthusiasm for it has barely waned. Science fiction is in a dumb rut right now, so you could do a lot worse than look back at this show, one of the genre's crowning achievements.
It is now wonder this show has run for as long as it has. I'm reviewing the classic series only, although why it's split into two I've never fathomed out. Seven actors held the mantle of being the Doctor, credit to William Hartnell, for being the hook, for gripping the initial viewers, and credit to Patrick Troughton for doing the unthinkable and taking over the lead role.
I love how each generation of my friends had a 'Doctor,' and how passionate they felt towards theirs. I grew up with Sylvester as mine, and sadly by then the show was in a huge decline and subsequently ended up being axed.
Purple patch of the show for me Series 13, Tom and Lis on supreme form, fantastic production values, and writing to match, the whole Gothic horror format worked amazingly well. Such a shame that the quality went out of the show during the late eighties for the most part, but there are definite hidden gems in there, Remembrance of the Daleks being a prime example.
I'm sure we all know parts of the series inside out, so doing a general review is quite difficult, all I can say is that I've loved this show since I was young and continue to do so.
Highlights, Caves of Androzani, Genesis of the Daleks, Pyramids of Mars, to name but a few.
Legendary 10/10.
I love how each generation of my friends had a 'Doctor,' and how passionate they felt towards theirs. I grew up with Sylvester as mine, and sadly by then the show was in a huge decline and subsequently ended up being axed.
Purple patch of the show for me Series 13, Tom and Lis on supreme form, fantastic production values, and writing to match, the whole Gothic horror format worked amazingly well. Such a shame that the quality went out of the show during the late eighties for the most part, but there are definite hidden gems in there, Remembrance of the Daleks being a prime example.
I'm sure we all know parts of the series inside out, so doing a general review is quite difficult, all I can say is that I've loved this show since I was young and continue to do so.
Highlights, Caves of Androzani, Genesis of the Daleks, Pyramids of Mars, to name but a few.
Legendary 10/10.
This is perhaps one of the finest sci-fi series ever made. The idea is simple; a timelord who travels through time and space in a TARDIS (in the shape of an old Police Box)with various companions to fight the forces of evil in the Universe.
The budget was never large, but the ideas and effort were outstanding. It started going downhill after Peter Davison finished his turn as the Doctor, mainly due to poor stories and weaker scripts, but with the right budget and some seasoned writers, this show could be very great again.
Well worth watching for the ideas alone - especially some of those in the Tom Baker era, this has a massive worldwide following and deservedly so.
The budget was never large, but the ideas and effort were outstanding. It started going downhill after Peter Davison finished his turn as the Doctor, mainly due to poor stories and weaker scripts, but with the right budget and some seasoned writers, this show could be very great again.
Well worth watching for the ideas alone - especially some of those in the Tom Baker era, this has a massive worldwide following and deservedly so.
Doctor Who was my childhood. This show was, and still is, awesome. Right from the start, it was set apart from sci-fi shows at the time. This show was originally intended to be educational. But all that changed one fateful day in 1963. Yes, that's right, I'm talking about... the Daleks.
These monsters were one of the few things from sci-fi that could illicit pure, unadulterated terror in me. Other monsters eventually cropped up over the years, like the Cybermen, Sontarans, Silurians, Sea Devils, the Master, the list goes on...
In short, there is a reason this show has spawned countless spin- offs, a TV movie, and has lasted for 50 years.
It is because it is a staple of British television. Even cancellation couldn't stop this gem.
After 16 years in development hell, barring the aforementioned movie, Doctor Who returned.
These monsters were one of the few things from sci-fi that could illicit pure, unadulterated terror in me. Other monsters eventually cropped up over the years, like the Cybermen, Sontarans, Silurians, Sea Devils, the Master, the list goes on...
In short, there is a reason this show has spawned countless spin- offs, a TV movie, and has lasted for 50 years.
It is because it is a staple of British television. Even cancellation couldn't stop this gem.
After 16 years in development hell, barring the aforementioned movie, Doctor Who returned.
Wusstest du schon
- WissenswertesThe original pilot episode was rediscovered in 1978 in a mislabeled film can. After an archive purge by the BBC between 1972 and 1978, the film survived by chance and was originally thought lost forever.
- PatzerPeri Brown is American, but often pronounces words in Nicola Bryant's English accent.
- Zitate
The Doctor: "Eureka" is Greek for "this bath is too hot."
- Crazy CreditsThe tradition of showing The Doctor's face in the opening titles was not introduced until Patrick Troughton's tenure with the program was under way. During Jon Pertwee's era, the producers experimented with changing the opening credits and music. One of the rejected opening credits was accidentally included on some prints of the story "Carnival of Monsters" that were broadcast overseas.
- Alternative VersionenThe original videotape prints of 1960s-era episodes no longer exist. As a result, all later broadcasts of these episodes (PBS, Sci-Fi Channel, BBC) have used film and kinescope transfers. When these early episodes began to be issued on DVD in the early-2000s, computer technology was used to restore the video look to these episodes. In addition, other restorations and corrections to the original broadcasts were made. (For example, the sound mix is altered to remove background noise and accidental sounds like coughs in the studio, in one episode a boom shadow was digitially removed). These restorations are particularly apparent in the box sets Lost in Time and The Beginning which compile surviving episodes from the early years of the series.
- VerbindungenEdited into BBC Future Generations (1998)
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