Amos Burke

I was born in the 1960s and had never heard of this gem until I found it online recently. And I have to say that I'm very pleasantly surprised. It's about a Millionaire homicide Chief (inheritance from his father). Each episode takes us through a new killing where the Chief and his trusty chauffer and sidekicks solve a murder. There are so many of the old TV stars here. I've seen Sammy Davis Jr., Zsa Zsa Gabor, William Shatner, Annette Funicello, James MacArthur, and many others that I can't quite recall their names. It's a great watch for anyone who appreciated these classic series.

Before "The Mod Squad,",before "Charlie's Angels",and before "Fantasy Island",and "The Love Boat",a young producer named Aaron Spelling helped mount a fun and atmospheric early 1960's mystery show called "Burke's Law",which was basically a detective series based on the characters created by Frank D. Gilroy. "Burke's Law" was the granddaddy of mystery shows which depended on a weekly group of star cameos to keep it fun and interesting. "Burke's Law" had several gimmicks that made it successful. One was the premise: Gene Barry's Amos Burke was a Beverly Hills millionaire who also the chief of detectives for the Los Angeles Police Department.,who was chauffeured around to solve crimes in his Rolls-Royce. The show had stylistic similarities to Barry's previous series,"Bat Masterson",in which he had played debonair dandy Bat Masterson in the Old West.

During the opening credits,as the title flashed on screen,a woman's voice was heard seductively pronouncing the words,"It's Burke's Law!" The title also reflected the character Burke's habit of dispensing wisdom to his underlinings in a professional manner,e.g. "Never asks a question unless you already know the answer,Burke's Law." Each week's show would open with the discovery of a body,then cut to Burke at his mansion,romancing some gorgeous woman--whom he would leave behind to drive to the crime scene in his Rolls-Royce. The other gimmick that made "Burke's Law" successful was the suspension of whodunnit,with a weekly "great cast" of stars from which Burke would have to find the killer. It was a light and very sophisticated murder mystery that was more comedy than drama,and not to mention plenty of action. It was the first and one of the original "all-star" cast whodunits which was created by some of the people responsible for the success of this show: Richard Levinson and William Link,the creators who were also responsible for "Mannix","Columbo",but later on for "Murder,She Wrote" wrote many of the scripts for this series along with Ivan Goff and Ben Roberts,and Harlan Ellison. The suspect mix was basically consisted of old-time movie actors(Steve Cochran, Gloria Grahame, William Demerest),and at the time newly minted people(Barbara Eden,Carolyn Jones,Paul Lynde,Anne Francis,and The Smothers Brothers),not to mention even Ronald Reagan was a suspect once. Out of the 81 episodes that were produced for ABC-TV from the premiere episode on September 20,1963 until it's demise on January 12,1966. All in classic black and white under Four Star Films.

For the first two seasons of "Burke's Law",each episode consisted of the title "Who Killed---?",and with each episode Burke provided assistance with his partner Detective Tim Tilson(Gary Conway,who would go on to become a bigger star later on in "The Land of the Giants,produced by Irwin Allen for ABC),Detective Les Hart(Regis Toomey),and Sergeant Ames(the lovely Eileen O'Neill). Only the first two seasons of the show were simply brilliant,but as the 1960's progressed,and this was during the show's third season,somebody(Was it Gene Barry? Aaron Spelling? ABC?)had the not-so-bright-idea to jettison all the guest stars and convert the show renamed "Amos Burke:Secret Agent" to compete with "The Man From UNCLE" and the like. During the 1965-1966 season the supporting cast from the first two seasons were dropped with Barry portraying a James Bond type character who worked for a secret government agency headed by someone whom they called The Man. The episodes were horrible which included "A Balance of Terror"(episode 65,airdate 9/15/65),and the series ended with a two-parter episode titled "Terror in a Tiny Town"(episodes 80 and 81,airdate: 1/5/66 and 1/12/66). The reason? During Season 3,the network put this show opposite the greatest of all spy shows, "I Spy",which was produced by Sheldon Leonard,filmed in locations all over the world and it was in color for NBC and also opposite the situation comedy series "Green Acres" which was on CBS. As a result,the show took a quick decline in the ratings thus having ABC to pull the plug after three seasons in January of 1966.

Burke's Law in the time it lasted had some great stories and well cast episodes with name guest star. The guests were usually the suspect in the murder that Captain Amos Burke caught the case for.

The gimmick for this show is that the homicide captain was wealthy. He drove to every crime scene in a Rolls-Royce with chauffeur Leon Lontoc and a roomy back seat complete with full bar.

Gene Barry was the elegant Burke and his associates were Gary Conway and Regis Toomey. Conway seemed always to be nonplussed around Barry but Toomey took it all in stride.

For reasons known only to God, the producers took the successful formula that worked, took Burke out of the LAPD and made him a secret agent. The show folded like a napkin.

30 years later Burke's Law was revived with widowed senior citizen,Barry back with the LAPD now solving cases with son Peter Barton. It only lasted a season.

But Burke's Law was memorable.

The earliest shows I remember watching were kiddie shows or things my parents liked. I was about age 10 when "Burke's Law" came on and it was the first show I decided I really liked after I began to form my own tastes. It was a light but sophisticated murder mystery show that was more comedy than drama. It was the first of the "all-star" cast whodunits and lead to the later "Murder She Wrote", "Matlock" and "Diagnosis Murder", which were created by some of the people responsible for "Burke's Law". Levinson and Link, the creators of "Columbo", also wrote may of the scripts for "Burke's Law". The show was Aaron Spelling's first big hit, so it has quite a pedigree.

What really made it interesting was the eccentric characters who made up the suspects. They were played by an eclectic group of character actors taken from the usual TV "repertory" group, the stars of other shows, former and even current movie stars, silent movie stars and even people from the independent film movement and the British theater and films, who were happy at the American TV exposure and quick paycheck they got for performing a few scenes on the show. You can see oddities like Basil Rathbone listening in pain to John Cassavetes doing a "beatnik Hamlet", Sterling Holloway trying to blackmail Cassavetes, William Demarest running a hotel for ex-Vaudvillians where an acrobatic act earns their keep by cleaning the chandeliers, a convention of police chiefs, each one modeled on a famous fictional detective, (it anticipates Neil Simon's "Murder by Death"), a fake Russian aristocrat who really isn't fake but figures that no one will believe him anyway so he pretends to be a fake, etc, etc.

Gene Barry, one of several Cary Grant imitators on TV at the time, (see Craig Stevens in "Peter Gunn", John Vivien in "Mr Lucky"), is perfect for the lead role, better than Dick Powell in the pilot, which was made two years before as part of Powell's anthology series. Powell would have played the lead in the show but died of cancer before he could undertake the role. They say acting is reacting and Barry is the greatest reactor in TV history, the perfect guy to play off of all the eccentrics. Gary Conway, who should have become a much bigger star, (he was later in "Land of the Giants"), Regis Toomey, the gorgeous Eileen O'Neill and Leon Lontoc offered excellent support.

Unfortunately, somebody, (Spelling? The network?), decided to junk the show by turning it into an under-financed, back-projected spy show. Burke suddenly abandoned LA and is mansion and Rolls-Royce to become a James Bond style agent who traveled the world for a secret government organization headed by someone called "The Man". It was a tepid version of "The Man From Uncle" and was placed opposite what turned out to be the greatest of all spy shows," I Spy", which was in color and filmed in actual locations around the world. The local ABC affiliate in Syracuse declined to even show "Amos Burke Secret Agent" and from what I saw of the episode in syndication, I can't blame them.

Amazingly, the program had a third incarnation and the by now fabulously successful Aaron Spelling brought it back in 1994. Burke was back in LA chasing crooks in his Rolls, but with a son to help him. they dusted off the old scripts for the new shows. Only occasionally did we see the old spark of creativity, such as a victim freezing to death on the hottest day of the year, an ambulance chasing lawyer getting run over by an ambulance, Ephraim Zimbalist Jr. as a greedy tycoon practicing his golf drive from the rook of his building, (who cares who it falls on?), and Brian Keith as an ex-marine turned romance novelist who puts on a dress to get in the mood to write. Still is was a lot better than the other new murder mystery which followed it, "Diagnosis Murder" with Dick Van Dyke. Unfortunately, the network kept the wrong one, (I doubt they cried about it, as it went on for years).

Without the original "Burke's Law", there would have been no "Diagnosis Murder". The original remains the best whodunit in TV history and one of the most entertaining shows of all time.

I actually laugh out loud watching this tongue-in-cheek cop show. It never took itself seriously and the guest stars loved hamming it up. A long list of Silver Age screen stars and future T.V. stars kept things moving at a brisk pace. Many you'll recognize just before they became TV', most famous stars. William Shatner, Elizabeth Montgomery, and many others. It even took pot-shots at it's own formula. For example in one episode the culprit makes a dash for the stairs to escape and is admonished by Amos Burke as 'Not that old cliché" or lines like "You've been watching too many cop shows on TV." A revival was attempted in 1984 but didn't hit all the right notes. Sexist by today's standards in the way Burke treated his lady friends, but it was a product of it's time. But of course if Burke ever became serious that would take away from his duties which Burke took very seriously. They couldn't make the show today without taking away it's dated charm. Don't forget Captain Amos Burke (Gene Barry) could SING too.