Die Legende des Zatoichi

The Tale of Zatoichi is the first in a long series of samurai movies centered around the blind gambler and masseur turned lowly yakuza who has a strong moral compass and makes us feel empathic not because he is blind and underestimated but because he is brave and honest as he always tries to do the right thing. This first movie is one out of two shot in black and white and has a unique atmosphere that makes life in rural Japan come to life in an authentic manner. This film shows how Zatoichi gets caught up in a war between two rival gangs. Even though he isn't respected by the gang he is supposed to represent and uncovers unfair gambling methods, misogyny and murder, he has accepted the fate that he has to live the life of a lowly criminal that he never really wanted. He develops a profound friendship with the rival's ronin who suffers from tuberculosis as they have similar values and share a passion for fishing and sake. However, one day, the two friends know they must face each other in a decisive battle.

There are several elements that make this movie so outstanding. First of all, the film's authentic settings bring the culture and history of rural Japan to life in a very authentic way. Secondly, the protagonist convinces as a man who relies on his moral compass and cleverness first and foremost and only draws a sword if he doesn't have any other choice. Thirdly, the numerous side characters are quite interesting as well, especially Zatoichi's wise opponent Hirate, the ruthless criminal Tate and his proud but desperate sister Otane who ends up falling in love with Zatoichi. Fourthly, the dialogues are really to the point and add something to characters and plot unlike many contemporary martial arts flicks. Fifthly, the few fight sequences in the movie are carefully choreographed and would go on to inspire any other genre film that would follow this movie.

By today's standards, The Tale of Zatoichi might not be the most vivid genre film but it's crafted in an artistic, detailed and intellectual manner that still stands out far over five decades after its initial release. Any martial arts fan should give this movie a chance. I would highly recommend the stunning Criterion Collection of the Zatoichi movies that truly offers value for money. Movies of this quality are rarely made nowadays and should be hold in high regard.

Just discovered this film series and have now viewed the first three. Outstanding entertainment!

The story of a blind, meek master swordsman "Zatoichi" is very well done, just a notch below Seven Samurai in excellence. The lead actor who plays "Ichi" in almost all the films, Shintaro Katsu, later wrote and directed some entries.

The plots are interesting and characters well-drawn. Anyone who enjoyed the Samurai films of Akira Kurosawa with Toshiro Mifune should enjoy this film and its sequels. "Ichi" is similar to the Mifune characters in his deliberately unprepossessing appearance and aversion to violence, but when he is pushed too far, watch out! Also, despite his blindness and poverty, he is something of a chick-magnet for some very attractive Japanese women.

You can find considerably more detail on Shintaro Katsu and these films on Wikipedia.

"Zatôichi Monogatari" aka. "The Tale of Zatoichi" (1962) is the fantastic start to the longest and most famous series of Samurai films, the wonderful "Zatôichi" series about the eponymous blind swordsman, gambler and masseur impersonated by the great Shintarô Katsu. Katsu is one of my personal favorite actors, and I am equally an admirer of the brilliant director he often worked with, the great Kenji Misumi. This first film in the series, as well as several more to come, was directed by Misumi, in my opinion one of the greatest Japanese directors of all-time. My personal favorite films by Misumi will always be the brilliant "Kozure Okami" (aka. "Lone Wolf And Cub") films (1972-1974) starring Shintaro Katsu's equally great brother Tomisaburo Wakayama (four out of the six films were directed by Misumi). The outrageous Samurai-Exploitation classic "Hanzo The Razor - Sword Of Justice" (OT: "Goyôkiba") starring Katsu himself also has a special place in my heart. It was the "Zatôichi" films, however, that made Misumi a known director and brought Katsu to stardom, and the series has long obtained an enormous cult-status. In total, Katsu played the role of Zatoichi in 26 films as well as in a 100-episode TV-series that ran between 1974 and 1979. Misumi directed six of the films, as well as many episodes of the series.

The reasons why the Zatôichi franchise enjoys such an enormous cult-status are numerous, but I will stick to the most important ones. The eponymous hero, Zatôichi must be the most likable character ever in cinema to work as a hired sword. Zatôichi, a blind masseur, has obtained his sword skills because he was tired of being looked down upon by others, as usual for blind people in Feudal Japan. Due to his excellent sword-skills, he makes a good living as a hired swordsman. His senses of smell and hearing are as excellent as his swordsmanship, which makes him one of the most powerful swordsmen. Even so, Zatôichi is a kind, gentle and humorous man by nature, who will rather solve problems otherwise than having to kill someone. Shintaro Katsu is brilliant in the role of his life, and I cannot imagine for anyone else to fit the role like Katsu did. Cult-filmmaker Takeshi Kitano (of whom I am a great fan) took a new turn on the role in 2003 - Katsu had passed away in 1997 - and did so greatly. Yet, to me, the only true Zatoichi will always be Shintaro Katsu. This first film in the series is one of only two that were filmed in black and white, and it already epitomizes what makes the brilliance of the series. "Zatôichi Monogatari" mixes Smurai Action with Comedy, Drama and philosophical elements. The film begins with the crafty Zatôichi, who tricks a bunch of fellow gamblers into underestimating him... The film marks the beginning to a great and highly successful series that may not be missed by any lover of Japanese cinema. I had seen several other "Zatôichi" films with Katsu, as well as the 2003 film with (and by) Kitano before seeing this one. The action is great in this first film, but it is the plot that outweighs the fighting by far. Overall, "Zatôichi Monogatari" is a fantastic piece of cult-cinema and everybody even remotely interested in Japanese films must see it.

A tale of warring townships and two strong characters who cant help but being pawns in a horrible game of carnage. Set in rural Japan in feudal times the setting is beautiful.

Too bad the camera works don't quite follow up. The scope is 70mm (or close to it), but I could settle with less if the cameraman (I suspect they didn't have one) didn't cut off the heads all the time. The use of zoom-lens sometimes works and sometimes don't. One time zooming in on Tane-san for instance was very dramatic. Intense was also the battle scenes. Very good.

Zatoichi is a good character and the actor playing him is fitting. The story is good and makes for an intriguing film despite some flaws. In all respects I think its inferior to Sanjuro though.

This is my first Zatoichi and I will check out other entries in the series for sure (at least the Kitano "Zatoichi" from 2003 is easy to get hold on).

I DID like this, the first of the series of blind swordsman movies. Ichi doesn't draw his sword for the first half of the movie; moreover, he seems a lot more bitter than in later movies. This being said, it was an excellent movie.

Others have described this movie well, so, I will only add something that I noticed while watching the scene of Ichi fishing with the ailing samurai. What made the scene so compelling was not what was said, but, the effective use of silence between them. The pauses in dialog were masterful, especially the long lull at the end of the sequence. It reminded me of some of Kurosawa's work.

I recommend this movie, not as the first Zatoichi that you see; but, rather as something to experience after a few of the more exciting movies...after you've developed a relationship with the character.