Ein Affe im Winter

I have read a recent interview with Belmondo, saying that the veteran Jean Gabin hate all that new wave french cinema when he was asked to do this movie with young Belmondo, who was, at that time, an actor who was working with the New Wave directors (Godard, Chabrol, Truffaut). But a solid friendship was born when the two men work together on that movie. In fact, the respect and this friendship seems to be very easy to see when we look at this charming movie. It's full of a sense of poetry. It's a movie about friendship, dreams, nostalgia, sadness between two men from different generations. It's also a movie about alcool, in a sense that the beatniks of that era refers to. It's also very well written. Gabin and Belmondo gives a very warm performance. You must see this wonderful movie.

A splendid movie for everyone who had a dream and/or came back from it. About dream, excess, life, boredom, and going beyond what life gives you. And alcohol. To watch.

The actors are splendid, both at the best of their style, Gabin, an established, grounded man with a vision, Belmondo as a bold and hot-tempered, troubled young man. Suzanne Flon, Paul Frankeur and Noel Roquevert also strongly support the scenario in their 2nd roles.

The dialogues by Michel Audiard are just splendid. One liners that make you laugh and think beyond the action and that reflect on yourself.

It's a movie for people who dream further.

Albert Quentin (Gabin) is running a small hotel in a coastal town in Normandy. He and his wife (Suzanne Flon)have settled down to a dull, peaceful existence heading into old age, when Fouquet (Belmondo), a young man gifted in flamenco dancing and getting very drunk, erupts into their lives. Soon all is turned upside-down, the teetotalling Quentin starts drinking again, and the town is treated to the most spectacular impromptu fireworks display that I can recall seeing in a movie. And that's not all... The acting is good all round: Gabin and Belmondo play off each other very well, Suzanne Flon strikes the right wistful and optimistic notes, and Noel Roquevert is very funny as the owner of a boutique where you can buy just about anything, including fireworks. Gabrielle Dorziat (of Les Parents terribles) has a nice cameo as the director of a girl's school who insists on speaking English.

Henri Verneuil was a very popular director from the 50's to the 70's; without being a real auteur he had a talent for pleasing the audience. Un singe en hiver follows Mélodie en sous-sol with its fine Gabin-Delon pairing, and gave me a lot of pleasure.

Its lead virtue is to be more than a good comedy. a film about life. and its choices. about two men, in Tigreville. and about the result of that meeting who could change everything. a film about decisions, past strangers and...Spain. nothing new, but all useful in deep sense. because it is a simple film. about simple people. and about the fundamental meanings of existence. and sure, a fine motif for see it remains the presence of Gabin and Belmondo and their almost total seductive performances.

What could I add more besides everything that has already been told? That's the only picture between Jean-Paul Belmondo and Jean Gabin. Unfortunately. it was at this time the new generation vs the old one. You will have nearly the same scheme in 2009, with LE VIEIL HOMME ET SON CHIEN, where this time Belmondo will have a short sequence - too short for my own taste - with Jean Dujardin; Belmondo had this time the same position Gabin had with him more than forty five years earlier.

This movie: UN SINGE EN HIVER, is not only a film about drunk people and loneliness, absolutely not, but about the true meaning of life and friendship. And in this film, Jean Gabin plays a old sailor character, the nearly same he will have nine years later in LE DRAPEAU NOIR FLOTTE SUR LA MARMITE, a poignant movie too, even being a comedy written by Michel Audiard.