Sie sind verdammt

Very intriguing film to watch. One must consider it was made during the era of the Cold War to begin with so the situation implied probably didn't seem as implausible in its time. One of the earliest films to portray a secret government organization up to no-good unawares to ordinary citizens. Would have benefitted if more time had been given to the children involved here as then their plight might affect us as and audience even more. Still it's a nice if not fully successful effort to put a thoughtful science fiction tale on film. Teen Gang side-story works mostly to take away the focus from the kids and was probably a mistake although it did give Oliver Reed a good role.

The middle-aged American Simon Wells (Macdonald Carey) sails in his boat to Weymouth and stumbles with the twenty year-old Joan (Shirley Anne Field) on the street. He believes that she is a prostitute but she is actually part of a scheme of a motorcycle gang to rob tourists. Simon is brutally beaten up by her brother King (Oliver Reed) and his gang. The policemen find the wounded Simon and take him to a bar to recover, where he meets the military Bernard (Alexander Knox) and his mistress Freya Neilson (Viveca Lindfors). On the next morning, Joan challenges King and meets Simon in his boat, and King and his gang hunts Simon down. Joan and Simon spend the night together in an isolated house and on the morning, they are located by the gang. They try to flee and stumble in a top-secret military facility managed by Bernard. They are helped by children and brought to their hideout in a cave. King falls in the sea while chasing the couple and is also helped by a boy and brought to the same place. Soon Joan finds that the children are cold as if they were dead. What is the secret of the children and the military staff?

"The Damned" is a creepy sci-fi with a very dark and hopeless conclusion in the summit of the Cold War. In this period, people were paranoid with nuclear attack and the British research in understood by those that lived in that period. My vote is seven.

Title (Brazil): "Malditos" ("Damned")

A delightful piece of Cold War cynicism about a small group of radioactive children being raised by the British government to repopulate a future post-nuclear Earth. It opens with some beautiful footage of 60s Dorset, with Teddy Boys ruling the streets and the instant hit "Black Leather" blaring on the soundtrack. Even the mandatory love story has a cynical edge – the hapless middle-aged burnout falls for the shill who sets him up to get his arse kicked by the Teds, and she, hopeless and soapless herself, can't find anything better to do than fall for him. No one is right in this movie, and ultimately, we are all the Damned.

Older Yank Simon Wells (Macdonald Carey) is vacationing on the south coast of England. He is lured by the lovely 20 year old Joan (Shirley Anne Field) into a mugging by her brother King (Oliver Reed) and his gang of black leather clad bikers. Wells is badly beaten. Meanwhile there is a top secret mysterious military plan going on. There is a group of nine children hidden away living in isolation. Wells takes to his boat. Joan jumps on board after getting tired of her domineering brother. They return to shore to find an empty cliff top house. They are chased by King and his gang to a military base. They escape with the kids' help to their underground hideout. Then the kids rescue King as well.

It takes way too long to get to the heart of the movie. The first part almost feels like a fake out on the audience. I don't really understand the need to take that long to set up the characters. It is excruciating to sit through. It picks up a little when the kids get on the screen. At least the mystery of the kids is interesting. It helps to keep the last half of the movie watchable. However that's all that could said about this movie.

(THESE ARE) THE DAMNED is now being seen in the U.S. in a restored print that has been making the rounds (I caught up with it at the 27th Annual Boston Science Fiction Film Marathon & Festival (for info go to: www.sf.theboard.net) on February 17th.

After having seen it only in edited form on late night TV decades ago, it was fascinating to see the exquisite B&W photography on the big screen (with footage not in the TV prints). Although it was made under the Hammer Films banner, THE DAMNED is not a typical SF picture by any means. Expatriate director Joseph Losey set out to make a social parable more than an SF thriller. He succeeds in showing how society's increasing violence and callousness on the streets could lead to the horrible thought of "breeding" radioactive children in the government in order to survive an inevitable (?) nuclear war. The moral is both, of the time & time-less. Of course, modern audiences may feel that the end of the Cold War makes such a tale outdated and even silly - but are we only fooling ourselves?

"Black Leather, Black Leather....."