Das Haus der 1000 Schreie

Definitely one of the better takes on the classic Poe story. The acting in this version is simply fantastic. A moody little piece with some risqué' scenes to be of such an early caliber. A very interesting rarity.

The quality of the print isn't great, but has still held up well throughout time, considering... It's a wonder that someone still had the negative.. I was really surprised,as a lot of times, films like these can really be tedious, but not this one.

A welcomed attempt is what this is. One gets the sense that even tho it had been done to death (even previously from 1960) the filmmakers took their approach seriously, with an end result that is creepy and risky.

I'm surprised that more people haven't seen this film, given the fact that it's pretty readily available on a one buck DVD alongside Chiller.

When Edgar sees his girlfriend Betty getting up close and personal with his best friend Carl, he murders Carl in a jealous rage and hides the corpse under the floor of his piano room. Comes the night, and Edgar begins to hear strange sounds coming from under the floor...

The problem with this film is that it apparently fell into the public domain, so the DVD copies floating around are pretty rough, and make the film look much cheaper than it really is. A better version (which may never happen), might reveal this to be a lost classic, actually predating Roger Corman's Poe films by a few years.

The costumes and such are very nice, and the story is well-written to build up to the part that Poe covered. While this is obviously a Poe tale, the writer (Brian Clemens) deserves much credit, as the bulk is his creation.

This low budget Gothic movie is an adaption of an Edgar Allan Poe short story. I'm not sure if I ever read this one but other reviewers have stated that it isn't the most faithful adaption in any case. Going by what I know of Poe, this isn't exactly surprising as most of his stories were very sparse and to-the-point. The basic premise has a man murdering his best friend through a fit of jealousy due to the said friend copping off with his girlfriend. The murderer is then haunted by the sound of the dead man's beating heart, leading him to madness. While the story is very simple and the cast is very small, I thought the film as a whole was well handled. Laurence Payne is good as the central character Edgar. He seemed to be a somewhat troubled character even before the murder and Payne depicts the man well. I was also pleasantly surprised to see some scenes of gore and violence in such an old movie – the central murder is quite vicious, Edgar later cuts out the dead man's heart and we even have a character fall from a balcony onto a spike! This all adds a welcome schlock factor to proceedings.

While The Tell-Tale Heart may not be anything overly special, it does entertain and it has a fairly effective atmosphere at times. For anyone who doesn't mind cheap Gothic productions or who is a Poe completist then this is a film you may enjoy.

The original murder of an old man is not seen in this movie, but a more interesting and prolonged plot involving love and betrayal. The main character, named Edgar Poe, seems a bit unstable from the very beginning, if not just plain creepy. The theme and feel of the original work is alive in this picture as our main character slowly progresses into psychological deterioration. Good climax and plenty of classic gore for a black and white film.

I think Poe would have liked this one.

I too bought this as part of a double feature for $1 at Wal-Mart, and tax free in New Hampshire no less. Great find if you happen upon it!

The fifth version of the venerable Poe horror tale I have watched: two shorts, one cartoon and two full-length adaptations; the latter both emanated from Britain: for the record, I had watched the 1934 version at London's National Film Theatre in January 2007 during their "Quota-quickie" season. This one, then, is not very well-thought of – but the result (though departing from the original text in most respects) is interesting and decidedly underrated. It starts out with a prologue involving a cocaine-sniffing Poe (also played by suitably austere lead Lawrence Payne) having the story come to him in a nightmare. The anti-hero of the main narrative itself, then, is also called Edgar and he lives in the Rue Morgue(!!): an introvert, he falls for sensuous neighbor Adrienne Corri; however, when he introduces her to his best friend, they start an affair behind his back and, when he finds out, his jealousy turns homicidal.The plot (as reworked by Brian Clemens of "The Avengers" fame) has therefore been fleshed out but also rendered somewhat ordinary; that said, the stylized approach successfully evokes the author's psychological 'landscape' – most memorably, the 'pulsating' carpet above the floorboards where the body is hidden.