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Stanley Baker made some excellant crime films in this period.Made on location,with an authentic feeling.Lots of well known actors appear in small parts.Excellent black and white cinematography,aided by tight editing.

Turin a former officer in the British Army who was dismissed from the outfit sixteen years earlier decides to take his revenge on the military by planning and carrying out a payroll robbery at his former barracks

British films from this period tended to lag behind their American counterparts on many levels and a common criticism was that "British cinema was radio with pictures" . It's interesting this film was released a couple of years before ZULU which even today is probably the epitome of what can be termed British Hollywood and that several cast members , Baker ,Magee and Edwards featured in both films , but in its own way A PRIZE OF ARMS is low key but an involving heist thriller

Now heist thrillers are rather formulaic and often rely on double cross and triple cross . Not so here where the characters are stealing money for themselves and are therefore reliant on themselves . Made in the early 1960s when National Service had just ended in Britain it's set in a time when people had an ambiguous mindset towards the military . You can see both viewpoints from this film . Pilfering was a common occurrence in a conscript army and the trio of thieves seen here are just taking things one step further , but at the same time the military isn't shown as stupid or inept either . Perhaps most tellingly there's little violence used and the heist is carried out via very careful planning just like you'd get in the military and just like in conflict the careful plans go out of the window as the first boot lands on hostile territory . This is what makes A PRIZE OF ARMS a memorable heist thriller - it's well written with several points where you gasp "How are they going to get out of this one ? " and when a film makes you worry that a bunch of spivs might get caught red handed this must be viewed as a success

I love a good heist film and this is a good one. Those understated Brits make these quiet (note the lack of music to pump up the action) thrillers look easy. Great script, great acting, clever plot. What is it about crime films that make you root for the bad guys?

This film grabs you from the very start. Its simple bare-bones approach emphasises the clever plot, and engaging character development. The lack of soundtrack actually heightens tension appropriately, along with deft camera work, and tight dialog.

The plot itself is clearly the major player in this ensemble, not to denigrate the cast, who do a superb job of tense interaction, with appropriate support from typical British aloofness, and clipped military tones.

The plot ducks and weaves as it unfolds before your eyes. At times you wonder the significance of a particular action, only to later admire its genius as you appreciate its subtle significance. The tension is magnificently maintained throughout.

As another reviewer has commented - the movie has you rooting for the anti-heroes right to the end!! What a splendid achievement. Worthy of the 8 stars!!

The long awaited DVD release cover gives equal billing to Rodney Bewes and Fulton McKay. Why? Bewes only has one line and I cannot recall Fulton McKay at all. Surely Patrick Magee should have taken a billing slot? Apart from that I consider this film to be on a par with the likes of Hell Drivers, Hell is a City, Villain and Robbery - all finely cast gritty crime dramas of that era. The tight direction, army camp locations, vehicles used and military discipline & bull all add to the reality. The film is gripping throughout and keeps you in suspense. Although Stanley Baker and Tom Bell are again typecast as villains, it would be difficult think of other actors who could have carried this off, except say for Michael Craig. Well recommended.