IMDb-BEWERTUNG
6,6/10
5358
IHRE BEWERTUNG
Eine Familie verlässt L.A. für einen Campingausflug - kurz bevor eine Atombombe die Stadt zerstört. Während die Stadt im Chaos versinkt, muss der Vater um das Überleben seiner Familie kämpfe... Alles lesenEine Familie verlässt L.A. für einen Campingausflug - kurz bevor eine Atombombe die Stadt zerstört. Während die Stadt im Chaos versinkt, muss der Vater um das Überleben seiner Familie kämpfen.Eine Familie verlässt L.A. für einen Campingausflug - kurz bevor eine Atombombe die Stadt zerstört. Während die Stadt im Chaos versinkt, muss der Vater um das Überleben seiner Familie kämpfen.
Neil Burstyn
- Andy
- (as Neil Nephew)
Chet Brandenburg
- Roadside Diner Customer
- (Nicht genannt)
Ralph Clanton
- Radio Announcer
- (Synchronisation)
- (Nicht genannt)
Kelton Crawford
- Looter
- (Nicht genannt)
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Sure it didn't have a huge budget or major-league stars, but it's a bleak and realistic little drama that has an authentic tone and a sense of desperation that feels utterly genuine. There's undoubtedly a "you-had-to-be-there" reaction that I had to it, being from Los Angeles and knowing the mountain area and easily being able to imagine seeing that mushroom cloud in my own mind. I was eight when this originally came out -- not sure if I saw it in the theater but it's possible -- and that creepy Conalrad radio tone is still in my head after all these years.
Nobody -- except maybe Charlton Heston -- can look quite so anguished and masculine and bearing-the-weight-of-the-world-on-his-shoulders-in-the-face-of-civilization 's-downfall as Ray Milland does in this movie.
It looks like we dodged the nuclear war bullet back in the 1960s, but I'm sure that anybody living today can still identify with the terrifying prospect of a devastating nuclear war and what could happen if you were one of the lucky/unlucky survivors. This may not be "The Day After" but it's a plucky low-budget version of the same theme and worth seeing alongside other 60s nuclear nightmare movies.
Nobody -- except maybe Charlton Heston -- can look quite so anguished and masculine and bearing-the-weight-of-the-world-on-his-shoulders-in-the-face-of-civilization 's-downfall as Ray Milland does in this movie.
It looks like we dodged the nuclear war bullet back in the 1960s, but I'm sure that anybody living today can still identify with the terrifying prospect of a devastating nuclear war and what could happen if you were one of the lucky/unlucky survivors. This may not be "The Day After" but it's a plucky low-budget version of the same theme and worth seeing alongside other 60s nuclear nightmare movies.
American International pics are pretty consistent lesser-grade pleasures. If you have a taste for them, there is a vast library of reasonably entertaining AIP movies out there. And occasionally they even outdo themselves. Panic in Year Zero is one of those better than average movies. Working with a typically low AIP budget, Milland, as director, concentrated on getting really fine performances out of the actors and telling his post-atomic war story by focusing on one family trying to find safety in isolation. Overall, it worked well and makes this a film worth seeing.
A family struggles to survive the anarchy in a world devastated by nuclear war. This is a believable story by the standards of the time it was produced; the possibility of a nuclear winter had not yet been considered. There are no bands of mutants roaming around eating the survivors, just ordinary criminal types. Yes, I'm afraid that circumstances like that do bring such people out of the woodworks. Ray Milland's character makes intelligent, and sometimes hard, decisions to ensure his family's survival.
Los Angeles family vacation is interrupted by nuclear war. Now they must escape into the mountains to avoid the radiation, the panic, and the rapists.
Despite the insipid nuclear holocaust effects (looks more like a thunderstorm), this is a surprisingly effective movie. Milland elicits effective performances from each and every member of his cast (Frankie Avalon has never been better). The menace, humiliation and sheer terror of rape has never been more poignantly depicted on the screen, and all without nudity. A minor classic.
Despite the insipid nuclear holocaust effects (looks more like a thunderstorm), this is a surprisingly effective movie. Milland elicits effective performances from each and every member of his cast (Frankie Avalon has never been better). The menace, humiliation and sheer terror of rape has never been more poignantly depicted on the screen, and all without nudity. A minor classic.
Nice little gem here on what it would be like to have to handle family safety and security in case civilization failed. The movie is believable and holds up even though it was made in the 50"s. The survival themes don't change and it does get realistic to see how far a civilized person will go when faced with tough choices. This movie takes you there. I got some stomach wrench meaning tension during some scenes where you might find yourself rooting and taking sides. The question of what would you do just ropes the viewer in and the movie itself takes us there when the two main players disagree on main issues. I couldn't help but think that I would become a little more ruthless than portrayed but then again, everyone handles emergency differently. Check yourself out while watching. It is important to note that food, shelter and clothing become extremely important in a crisis with money and certain material items becoming near worthless until order is restored. This is a good reminder of that subject. There is rape, killing and theft plus more handled very well allowing the viewer to know what happened instead of seeing it. That's the way it was back then in the movies. Today, they go all out leaving this viewer in a tight spot. I don't like to see in your face certain subjects for the thrill factor. I am more supportive in this as long as what takes place is critical to the story-line and to keep in credible but with class not crass. Enjoy Ray Milland and his supporting actors who do the job fairly well. Good movie to snack with and of course have a tasty drink on standby. Sandwich works too. Enjoy and don't "panic"....
Wusstest du schon
- WissenswertesWhen the family is in the car at the beginning of the film and suspect something is happening, they cannot pick up any "CONELRAD" stations on the car's radio. CONELRAD (COntrol of ELectromagnetic RAdiation), established in 1951, was the first nationwide system for emergency broadcasts in the United States. All radios made between 1953 and 1963 were required to have marks on the AM dial at 640 and 1240 MHz where citizens were expected to tune to obtain civil defense information. CONELRAD was succeeded by the Emergency Broadcast System in 1963 (which did not use dedicated frequencies) and it, in turn, was replaced by the Emergency Alert System in 1997.
- PatzerIn the scene where the bridge is pulled down, to the left you can see bushes and the bridge pilings being pulled quickly in the opposite direction.
- Zitate
Dr. Powell Strong: Now, you stay on the back roads. And you keep your gun handy. Our country is still full of thieving, murdering... "patriots."
- Crazy CreditsOther than the title, all credits are at the end of the movie.
- VerbindungenFeatured in Aweful Movies with Deadly Earnest: Panic in the Year Zero (1969)
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Details
- Erscheinungsdatum
- Herkunftsland
- Sprache
- Auch bekannt als
- ¿Habrá otro mañana?
- Drehorte
- Produktionsfirma
- Weitere beteiligte Unternehmen bei IMDbPro anzeigen
Box Office
- Budget
- 225.000 $ (geschätzt)
- Laufzeit
- 1 Std. 33 Min.(93 min)
- Farbe
- Sound-Mix
- Seitenverhältnis
- 2.35 : 1
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