Durchbruch auf Befehl

Post Battle Of Britain there were two campaigns of the second world war that were almost exclusively British led and British fought . One was the North African campaign and the other was the Burma campaign , and unlike the inaccurate American flag waver OBJECTIVE BURMA the production team of MERRIL`S MARAUDERS have taken the time and effort to point out the British contribution of the campaign . A British patrol is spotted " A five hundred mile hike and the eighteeneth Japanese imperial army are waiting for them , I`m glad I ain`t in that British Army - Amen to that " and later General Stilwell points out " That the British have been fighting alone here for three years " , so a big thank you to Sam Fuller and co for pointing out a few truths that American didn`t win the war single handed . If only Spielberg , Hanks and Ambrose had done the same with BAND OF BROTHERS

The fact that the film has no discernable introduction is entirely in keeping with Sam Fuller's B Movie style direction. It jumps straight into the action, with Merrill's army platoon stationed somewhere in the middle of the Burmese jungle. While it was quite hard to suddenly have to familiarise oneself with about 20 different characters, and determine the complicated relationships between them, it allowed for an epic war movie to be refreshingly condensed to a bite-sized 95 minutes.

Merrill, his respected lieutenant, Stockton, and the rest of the boys spend the majority of the film in a sweat-drenched feverish confusion, which is so convincing, that you wonder what the director had to do to in order to produce such a performance from his actors. I have never seen so much agony and despair on the screen, as Merrill's men struggle through the seemingly endless swamps and mountains. Fuller adds to the attention by way of silent close-ups and good use of the location which suggests that anything might be around the corner, and it usually is.

The film truly shows the horrors of war and the effects on the minds of the people who fought it. If there is a fault, it comes in the form of a patriotic voice-over commentary which bookends the film at the start and the finish. Otherwise, this makes for thrillingly uncomfortable yet exhilarating viewing.

"This is not the best war movie I've ever seen, but it is certainly not the worst. (I prefer Sam Fuller's The Big Red One myself.) It certainly uses most of the movie clichés of the day.

For me, the film is a sentimental favorite more than anything else. My father served with the Marauders in Company "L" and we always enjoyed watching it together.

Probably the best thing which I could say about it is how Fuller sets the emotional tone of the life of the soldiers. Watch this movie if you want to see what it was like to fight in the jungles of Burma without enough food or rest."

Merrill's Marauders isn't the best WWII film by a long shot. However, it does have several things going for it. Director Sam Fuller had plenty of army infantry service under his belt from his own WWII experiences. That in itself makes it difficult to argue with his portrayal of the trials of Merrill's foot soldiers. I notice this movie turns on the breaking point of the Marauders, especially how these American infantrymen transcended it in order to win. this is a hallmark of the special forces tradition, but I think Fuller is less interested in the origins of the US special forces than in defining the qualities of physical and mental fortitude necessary for successful soldiers. There is more than the stoicism of normal Hollywood heroes here, these characters do reach the end of their ropes, but fall in for another fight, time and again. The other noticeable production element is the apparent use of active duty personnel as extras. This shows in scenes like the assault on Wallabum, with the men charging in squad rushes (one of the best battle scenes of the movie). Other parts of that same battle scene, and others, aren't so impressive, but This flick isn't about the action. It is Fuller's biggest war production, if not quite his best, and while it may not be his best film, a close viewing may redeem the effort.

Myitkyina, pronounced "Mitchinah"--remember the name. this is the objective in this gritty, tough-minded, mostly-authentic and unforgettable war movie. There is little Hollywood gilt about the film, as many viewers have noted; it was not made to be thrilling, event-filled or filled with speeches. Its theme is the limits men have, and how approaching or exceeding such limits of mind, body and emotions can affect men in an emergency or wartime situation--in this case the volunteers of Frank D. Merrill's unit in world War II fighting in the jungles of Burma.The unit is first discovered in the midst of a nasty and fatiguing jungle combat with Japanese soldiers; credit, as several reviewers have noted, is given to the brave British troops are carrying the main battle. But this unit has a single mission--to take Myitkyina, crawling there over mountains and through malarial jungles, fighting fierce opposition all the way. Not your average war film, this is the dramatic story of men in combat told by a man who had been there, and whose films are always short on gimmicks and long on the demand for courage--and made about the man who can answer that call the best. Writer-director Samuel Fuller used other writers, notable Charlton Ogburn III and Milton Sperling, but the main part of this late war film is his own. Jeff Chandler, wearing steel-rimmed glasses, played Brigadier General Merrill . He had died of a botched operation in hospital by the time the film was out, at the end of an illustrious career than should have had many more years to run. This is an award caliber performance in any year. As his second, there is Ty Hardin, good enough in the best role of his career as a strong young soldier. Andrew Duggan narrates and plays the unit's doctor with his usual skill; others in the nearly-all-male cast include dependable Claude Akins, Peter Brown, Will Hutchins, John Hoyt as General Stilwell, and Pancho Magalona. William Clothier gets the credit for the very atmospheric outdoor cinematography, and Howard Jackson for the music, which used additional older works by Max Steiner and Franz Waxman. There are prettier war films, and films about war with a more of a varied choice of scenes. But this Spartan production is among the most harrowing looks at the harsh realities of war ever put onto the screen. "They took Myitkyina", says the narrator simply at the end; cue the closing music. Some few films tell us what men are capable of achieving by showing them being tested to the limit. This films tells us that there were men once in British and United States uniforms who passed a severe test with flying colors. And that is quite a lot for any film to accomplish, especially one as engrossing as is this unrelenting narrative of combat.