Der Herrscher von Cornwall

Jack The Giant Killer is a unique film in its own right. Personally, I think it is a far nicer film than The Seventh Voyage of Sinbad (although I still have fond memories of that film, rest assured)and its one that I enjoy watching again and again and again. All the cast (Kerwin Matthews, Judi Meredith, Torin Thatcher, Anna-Lee, Walter Burke, Don Beddoes, et al) give fine performances and the special effects (most notably, the stop-motion animation, the cartoon-style animation) stand up well to the test of time. The story is nice and straight forward and easy to understand.

However, for me it is Judi Meredith who really made the film. The scenes where Pendragon (Torin Thatcher) uses that jewelled staff to turn her from a beautiful, kind princess into a beautiful, cold and icy witch had a real effect on me when I saw the film for the first time on BBC1 in the summer of 1976. Even more effective was when she showed Jack (Kerwin Matthews) her reflection as a wicked witch in the mirror and said "Gaze upon my true form. Am I not beautiful?" then she laughed an evil laugh! It was good that Jack managed to break the spell afterwards. On the other hand, I wish I could have seen a little more of Elaine as a witch, in this film.

I had no idea that this film was released as a musical until a few years ago. I haven't seen the musical so I cannot really comment on it. However, perhaps it's just as well as I have heard that the musical numbers are lousy. I saw the film again on Channel Four at Christmas 1997 and it was wonderful to see it again.

Jack The Giant Killer offers an enjoyable story, great action scenes, competent direction, great special effects and a professional cast. Its a must for anybody who likes fantasy films.

MATTHEW HYATT

The story line is familiar and, yes, it does seem to be a hodge-podge of a variety of legends and myths, but what's to complain about? Many films borrow from a host of differing source material, often with surprisingly good results.

One very important comment about the animation-- If you're the type that poo-poo's anything less than 21st century computer generated effects, then stick to films made after 2000 and stop knocking 40-year old films because their special effects aren't the same as you saw in "Independence Day". That's like knocking a '63 Corvette because it won't take you to the Moon.

Frankly, I thought the fiery and colorful animation sequences were sort of pre-psychedelic-era psychedelia (if I may coin a phrase). I was pleasantly surprised by the almost bizarre look of it all, and felt a keen sense of having 'discovered' a lost treasure. As an avid film buff, with thousands of titles in my film library (both VHS & DVD), I'm quite aware that there are always new (to me) films to be discovered, regardless of how long ago they were made.

And-- yes, after seeing this film on cable a few months ago, I purchased the DVD for my collection. I rated this film 9- almost entirely for it's visual impact.

Highly recommended viewing.

I always fancied myself a connoisseur of classic sword and sorcery movies, but this gem has some how slipped by me for decades. I was very glad I caught it recently on cable. Keeping in mind its 40 plus year old release, I'd have to say this film was pretty solid. Its antiquated effects only heighten its nostalgic value and fantastic feel, but i caution you to still watch this movie with a bit of mercy and leeway.

Surprisingly, the 'demons' in the castle were rather authentic and creepy in a very contemporary sense (check them out), as well as the marching dragon men guards on the bridge, and the make up of the evil witch alter-ego of the princess (complete with way ahead of their time Micheal Jackson Thriller giant yellow demon contact lenses) all of which came off with an eerie modern vibe.

I absolutely love how there were so many unique creatures always lurking about, like the Star Wars cantina scene or a Power Rangers episode. Kudos to the relentless onslaught of evil magical spells and fantastic beasts that were constantly thrown at the heroes until the end credits rolled. If modern screenplays/films of this genre were made with such attention to monsters and battles and true fantasy action versus all the other crapola thrown in to attract non fantasy fans... we'd be in good shape... and maybe even be privy to a simple great fantasy flick that is packaged in an actual 90 minute movie (remember those?)

A non stop eclectic mixture of characters from every conceivable fantasy realm and fairyland mythos intertwine in this flick for a most interesting watch indeed. Also, plenty of fun over the top dialogue about witches and demons and dragons and little people, plus more cheesy stop animation and I Dream of Jeannie dissapearing acts than you can shake your plastic Viking sword at.

A real treat that had previously escaped me, as well as an obvious pre-cursor to the pinnacle godfather of stop motion sword and sorcery movies... Clash of the Titans... all hail.

As a fun bonus, watch for the strange (real?) almost handicapped limp of the evil wizard Pendragon, as well as what appears to be some flaws in the colorization proccess during the demon vs. ship scene.

Sure you could rip this movie to shreds and pick it a part at will, but why? Its older than your mamma and a lot more fun. So grab a beer, gather the kiddies, and sit back and enjoy... and just keep thinking to yourself how this thing screams modern REMAKE!!!

Recently reminded of this little gem after visiting its origins in St Michael's Mount, Cornwall. Loved this film as a kid. The attack on the ship was especially effective (I recall it being quite scary when I first saw it). The fact that there were 'scary' elements probably set it apart from the likes of the Sinbad and Jason films, and I guess this is this reason why its my favourite film of its genre and age. Admittedly the effects may look a little ropey nowadays but that doesn't get in the way of a very entertaining film. As much as I enjoyed it though, I can't help but admit that I wouldn't mind someone having a stab at a remake (this version will always be there if it goes pear shaped)

On the birthday of Princess Elaine (Judi Meredith), the evil warlock Pendragon (Torin Thatcher), who is exiled from the Kingdom of Cornwall, and his minion Garna (Walter Burke) come disguised to the court and he gives a gift to Elaine. During the night, his gift becomes a giant that abducts the princess. However the farmer Jack (Kerwin Mathews) vanquishes the giant and rescues Elaine. Jack becomes a knight and Elaine and he fall in love with each other. King Mark (Dayton Lummis) assigns Jack to protect Elaine and to travel by ship with his daughter posing of peasants to a distant convent where she would be safe. However Pendragon's spy Lady Constance (Anna Lee) warns the sorcerer and he sends witches to bring Elaine to his castle. They kill the captain of the ship and the crew throws Jack overboard that is left behind with the captain's son Peter (Roger Mobley) in the sea. However they are rescued by the Viking Sigurd (Barry Kelley) that shows the Leprechaun Imp (Don Beddoe) to Jack. The Imp grants three wishes to Jack and together with Jack, Peter and Sigurd, they head to the island where the castle of Pendragon is to save the princess. Will they succeed in their mission?

"Jack the Giant Killer" is one of those naive adventures that are delightful matinée. The entertaining story is full of action, magic and evil creatures. Princess Elaine is gorgeous and the hero Jack is a farmer capable of fight like the most skilled swordsman. The special affects are dated in the present days but part this is one important component of these wonderful movies from the 60's. My vote is seven.

Title (Brazil): "Jack, O Matador de Gigantes" ("Jack, The Giant Killer")