Das war der wilde Westen

I'm not a fan of westerns in particular, but this magnificent epic is an exception for me because it has all the wonderful elements of a sprawling historical epic that only Hollywood could do so wonderfully in the 50s and 60s. And yes, I embrace it for holding to a perspective that today's PC revisionists who see evil in everything associated with the rise of America as a great nation are always so quick to condemn. While this is by no means a flawless look at history, it is only those who dare to liken the American pioneers with "Nazis" as one reviewer did who end up "creating history" more than a film like this does.

I have loved this movie since I saw its original theatrical release. The new (2009) DVD release finally does it justice. Digital stitching technology has made the 3-part Cinerama image almost literally seamless. In fact there is less distortion where the frames meet than there was in the original theatrical screening. And for the first time in a video release the full width of the Cinerama screen has been captured. About a third of each of the two side images was missing in previous video versions. This version is so wide that a wide-screen HDTV still requires black bars at top and bottom to fit the image on the screen.

Yes, there are moments we wish we could re-write, such as the narrator's reference to "primitive" people. This is balanced, however, by an unusually fair (for the time) treatment of the plight of the plains Indians. The movie holds up remarkably well, thanks to a well- written script and strong performances by a large A-list cast. With the exception of a scene in which Debbie Reynolds breaks into a song-and- dance number in a wagon-train encampment (the excuse being that her character is a singer) there is almost nothing that betrays the era when the film was made. Well, there is the fact that most of the cast members are long dead.

As a professional historian, I have to say that the almost complete absence of reference to specific historical events (except the battle of Shiloh) is part of the secret of the film's success. This is a movie that captures the myth of the American west, a myth that is still alive and powerful.

This movie was made for the biggest screen ever, prior to the Imax era. The absence of true close-up shots (a limitation of the Cinerama process) is more noticeable on a smaller screen. It deserves to be seen on the biggest wide-screen TV you can find. And it does deserve to be seen.

Underrated . This is one heck of an epic film . Loaded with many favorite stars James Stewart, John Wayne, Gregory Peck, Carroll Baker, Lee J. Cobb, Henry Fonda, Carolyn Jones, Karl Malden, George Peppard, Debbie Reynolds, Richard Widmark, Robert Preston, Eli Wallach, Brigid Bazlen, Walter Brennan, David Brian, Raymond Massey, Agnes Moorehead, Harry Morgan, Thelma Ritter, Mickey Shaughnessy, Russ Tamblyn, Spencer Tracy ...Narrated by (voice) Just rap your brain around these actors .

Filmed in panoramic Cinerama, this star-studded, epic Western adventure is a true cinematic classic. Three legendary directors (Henry Hathaway, John Ford and George Marshall) combine their skills to tell the story of three families and their travels from the Erie Canal to California between 1839 and 1889. Spencer Tracy narrates the film, which cost an estimated $15 million to complete. Westward expansion shows scenes of the Indian's sorrow, the white man's greed, river pirates, outlaws, lawmen, and life and death on the Western plains. Dozens of marquee names worked with over 12,000 extras, 630 horses, hundreds of horse drawn wagons, and a stampede of 2,000 buffalo. The human cost of the concept of Manifest Destiny is revealed in all its colorful and violent glory. How the West Was Won garnered three Oscars, for screenplay, film editing, and sound production.

A story as big, as brash, and as exciting as the west itself. You have to hand it to everyone involved, this is one mammoth viewing experience. This covers generations as well as historical events like no other movie has attempted to do. I think the wisest decision was having multiple directors so each time period has a different feeling and vision. There is no denying the spectacle, the adventure, and the romance in How the West Was Won. It really is true to say they don't make them like this any more.

One of the last great epic movies to come out of MGM that was a roaring success, How the West Was Won still has enough quality about it to warrant high praise. The story that drives the film on was suggested by the series of the same name that featured in "Life" magazine 1959. Narrative is formed around one family, the Prescott's, who set out on a journey West in 1839. They and their offspring fill out five segments of film that are directed by three different men, "The Rivers", "The Plains" & "The Outlaws" is under the guidance of Henry Hathaway, and "The Civil War" by John Ford and "The Railroad" by George Marshall.

Filmed in the unique Cinerama format, which in a nutshell is three cameras filming at once to project a fully formed experience for the human eye, the production has an all star cast and four supreme cinematographers aiding the story. To name all the cast would take forever, but in the main all of the major parts were filled by stars who had already headlined a movie previously. The cinematographers are naturally key since such a sprawling story inevitably has sprawling vistas, they come up trumps with some truly special work: William H. Daniels, Milton Krasner, Charles Lang Jr. & Joseph LaShelle, four great names who help to make the film a poetic beauty.

As a whole it's undeniably far from flawless, complaints such as it running out of steam towards the end (the irony of it since a steam train features prominently), and the plot contrivances, are fair enough. However, when the film is good, it's real good: raft in the rapids, Cheyene attack, buffalo stampede and train robbery, each of them are good enough to be a highlight in separate movies. Even the songs are pleasant, particularly when they revolve around the effervescent Debbie Reynolds, while home format transfers are now finally up to a standard worthy of investment, time and cash wise.

Hard to dislike for a Western fan, and carrying enough about it to lure in the casual viewer, How the West Was Won really is a case of they don't make them like they used to. 8/10

I still remember seeing How the West Was Won in Cinerama when it made it into general release back in 1962. A motion picture theater equipped for Cinerama is the only way this one should be seen. The formatted VHS copy I watched tonight can't come close to doing it justice.

James R. Webb's original screenplay for the screen won an Oscar in 1962 and it involves an episodic account of the Presscott family and their contribution to settling the American west in the 19th century. We first meet the Presscotts, Karl Malden and Agnes Moorehead going west on the Erie Canal and later by flatboat on the Ohio River. They have two daughters, dreamy romantic Carroll Baker and feisty Debbie Reynolds. The girls meet and marry mountain man James Stewart and gambler Gregory Peck eventually and their adventures and those of their children are what make up the plot of How the West Was Won.

Three of Hollywood's top directors did parts of this film although the lion's share by all accounts was done by Henry Hathaway. John Ford did the Civil War sequence and George Marshall the sequence about the railroad.

The Civil War piece featured John Wayne and Harry Morgan in a moment of reflection at the battlefield of Shiloh. Morgan did a first rate job as Grant in his brief cameo and Wayne was playing Sherman for the second time in his career. He'd previously played Sherman in an unbilled cameo on his friend Ward Bond's Wagon Train series. I'm surprised Wayne never did Sherman in a biographical film, he would have been good casting.

If any of the stars could be said to be THE star of the film it would have to be Debbie Reynolds. She's in the film almost through out and in the last sequence where as a widow she goes to live with her nephew George Peppard and his family she's made up as a gray haired old woman and does very well with the aging. Debbie also gets to do a couple of musical numbers, A Home in the Meadow and Raise A Ruckus both blend in well in the story. Debbie's performance in How the West Was Won must have been the reason she was cast in The Unsinkable Molly Brown.

Cinerama was rarely as effectively employed as in How the West Was Won. I well remember feeling like you were right on the flatboat that the Presscott family was on as they got caught in the Ohio River rapids. The Indian attack and the buffalo stampede were also well done. But the climax involving that running gun battle between peace officers George Peppard and Lee J. Cobb with outlaw Eli Wallach and his gang on a moving train even on a formatted VHS is beyond thrilling.

There is a sequence that was removed and it had to do with Peppard going to live with buffalo hunter Henry Fonda and marrying Hope Lange who was Fonda's daughter. She dies and Peppard leaves the mountains and then marries Carolyn Jones. Lange's part was completely left on the cutting room floor. Hopefully there will be a restored version of How the West Was Won, we'll see Hope Lange and more of Henry Fonda.

And it should be restored. All those Hollywood legends in one exciting film. They really don't make them like this any more.