Das Gasthaus an der Themse

A serial killer named The Shark is terrorizing London by killing his victims with a speargun and then, dressed in a scruba-diver's wetsuit, using the city's sewer tunnels to make his getaway.

Atmospheric thriller that has a great sea setting with an inn on the harbour and plenty of fog and murky underwater scenes. The villain here is a menacing killer donned in a scuba diving outfit and his tool of the trade is a spear gun - this is reminiscent of the slasher films where the fiend is donned in an outfit and uses a particular weapon. Matching him is a very determined police inspector played by Joachim Fuchsberger. Other undesirables are Klaus Kinski who plays a seedy character and stealing the scene is Elisabeth Flickenschildt as the creepy innkeeper who is low enough to sell her niece to an old man. There's plenty to enjoy here- it's fast-paced, focused and has some tense scenes. The killer's identity came as a surprise.

This is another in the series of German krimi's based on the works of Edgar Wallace.After sitting through several less than average of these this one rises above the water(pun intended) a bit.

There is a killer called The Shark terrorizing the Thames.He has a propensity to shoot folks with a spear gun.The Shark is also the criminal mastermind behind a gem smuggling ring that is driving Scotland Yard up the wall.Inspector Wade of the River Police is put in charge of the case.

Most of the action centers around a waterfront dive called Mekka.The owners smuggle in contraband whiskey and are tied up with the Shark somehow.Red herrings and double indentities are as usual plentiful.There is also a plot to attain one of the greatest inheritances in England.

The black & white photography adds a lot of flavor to this film. The Thames at night looks to be a place that you don't want to be. The use of night fog is pretty eerie.The sets are well done. You do feel like you're in a very seedy waterfront dive.The plot moves along well and the movie is ably directed. You have to take the acting at face value as you can never really tell with the dubbing.The same stable of actors is used from film to film which is always fun to see them in different roles.

As usual there are some drawbacks. The opening title theme is hysterically funny. It is punctuated with yells, screams and a cuckoo clock.In fact there are so many badly done songs in the first ten minutes you think you're watching a musical. As usual Eddie Arndt plays the broad comic relief which while a staple in this series never fails to irritate.

All in all a small cut above the average in this series.

This 1962 mystery is the first exposure I've had to the Edgar Wallace krimi adaptations. I enjoyed it quite a bit although the mystery was a bit too convoluted. There is even a "So and so did this because..." explanation towards the end but I still have a few questions. Anyway, the film is about a killer named The Shark who is killing people in London with a speargun. He is able to get away because he dresses in a scuba outfit and uses the city sewer lines to escape. Inspector Wade (Joachim Fuchsberger) of Scotland Yard is on the case.

The film has a lot going for it, especially in the Theremin themed bits involving The Shark. The image of the killer in an all black wetsuit is atmospherically shot and suitably creepy. Dick Maas was definitely impressed by it because he used it to similar effect in the 80s action thriller AMSTERDAMNED. Another plus is a young Klaus Kinski in a major supporting role as sleazy French businessman. On the downside, the film features some awkward comic relief in the form of the bumbling Barnaby character. And, as I mentioned earlier, it does get confusing for a bit. At one point three men in black scuba suits are running around. However, the end revelation of who The Shark is pretty unexpected and director Alfred Vohrer does his best to send you off the track.

Shot entirely at Hamburg in Germany as if it was in London, this movie portraits in smallest details the atmospheric London's fog nearby the Thames river, just using old stock footage in some sequences only, this turn the Scotland Yard's Inspector Wade (Joachim Fuchsberger) has to face an unexpected enemy intitled as Shark, due he acts disguised of scuba diver who has been perpetrating several robberies, murders and disappearing thru sewage network until Thames river.

Inspector Wade starts at harbor area where a famous lodging-Tabern-nightspot Mekka is set, looking for some clues to take on the unknown killer, there are many suspects as the owner of Mekka the cynical Mrs. Nelly Oaks (Elisabeth Flickenschildt) his bleak bartender Big Willy (Rudolf Fenner), an obscure Ship's owner Mr. Broen (Heinz Engelmann), the scarface thug Roger Lane (Jan Hendriks) and slippery lodger Gubanow (Klaus Kinski), otherwise in other pictures the funny character played by Eddi Arent now is a flamboyant water sports as Barnaby.

Aiming for spice up the story the Inspector Wade has a romantic affair with the gorgeous teenager Leila Smith (Brigitte Grothum), meanwhile he has a support of the police forensic Doctor Collins (Richard Munch), it sounds a complex plot about a supposed daughter from a wealthy British family that actually was dead in tender age, indeed a absorbent thriller.

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First watch: 2024 / How many: 1 / Source: DVD / Rating: 7.5.

The last 'Krimi'/Edgar Wallace adaptation I watched was "Der Hexer" (a.k.a. "The Magician"), and since that was great, I'm slightly worried the next couple of ones won't live up to its standards. This is already noticeable with "The Inn on the River". Although my expectations were set quite high, based on the plot synopsis of a serial killer in a diving suit terrorizing London and eliminating his/her victims with a harpoon, I found the film rather dull and predictable.

The disappointment mostly comes from the fact our scuba diver isn't a serial killer at all, but merely just the mysterious leader of a smuggling ring. And, with that, we're back in an overly familiar and derivative Edgar Wallace terrain. The regular Krimi-actors star in their usual roles, like Joachim Fuchsberger as the tough Scotland Yard inspector, Eddi Arent as the pointless comic relief, and Klaus Kinski as the sinister guy creeping around the crime scenes and popping up everywhere. Speaking of Klaus, I must say he never looked so good! With his fancy white suits and subtle beard, his character here is the handsomest of all the Krimi-characters he depicted... And there are many! Regarding the climax (as in: the revelation of the culprit), if you pay close attention and think logically, it's fairly simply to guess who's inside the wetsuit.