Das letzte Kommando

You have got to give a compliment to Chuck Connors for making this fine film...he was at the height of his popularity in 1961 when this film was made as "The Rifleman"...a very successful TV western....Connors checked in his rancher duds for an Indian wig and clothes and this is one of the very best westerns made in the 60s... The story concerns the Indian chief Geronimo who outfought, outwitted and outmaneuvered the US army for a few years during the 1880s in the western US and parts of Mexico. Geronimo, a fierce warrior reluctantly accepts a parcel of land for him and his warrior band as part of a peace treaty...Little did he know in this film that a crooked army captain and crooked reservation politician was scheming to sell off his land due to a crooked land deal that paid them a considerable amount of money. Geronimo learns of this crooked deal and escapes with his warrior band and goes on the run....outwitting and out fighting the US army at every turn. Pat Conway, who formerly starred as the "Sheriff of Tombstone Territory" is cast as the crooked and nasty army captain....look for a young Adam West a few years before his Batman days as a young army lieutenant with a conscience, who feels betrayed by his crooked army captain in the treatment of Geronimo and his band. A beautiful young Indian lady, Kahali Devi is the wife and lady love of Geronimo. Look for Ross Martin as the chief friend of Geronimo, Mangus......this film is nearly two hours of good solid western entertainment albeit Chuck Conners does not look the real part of an Indian, despite all the makeup. In the end the US government realizes that the Indians have been done wrong by the government and the army and submits a peace treaty with dignity that Geronimo can accept. You will really marvel at how devious in the film Chuck Connors is in making his warrior band live and learn off of the land to survive. This is a western you will not want to miss.

That's what the star Chuck Connors brings to this movie i.e. a respect for his character called Geronimo and he pulls it off quite nicely. You want to see a no nonsense leader who was forged by living off the land and does not fear life or death lead his people with dignity. You get that here. There is also an array of bad guys to hate and they really go all out to get you to do it. The hypocrisy, unfair treatment of Indians and the famous "fork tongue" of the white man all displayed very well here. Burt Lancaster took on a similar role in a movie called Apache just as entertaining too. However white men playing in non-white roles only takes us so far. Rock Hudson even tried it as did Charles Bronson and many others. Hey, it was a paycheck! There is some love relief, lots of horse-back riding, Calvary to make it a decent way to pass the time. Snack away, have a tasty drink and enjoy the Rifleman before he became Lucas McCain as Geronimo

Although this movie has stale writing, uninspiring acting, and a cheesy plot, an understanding of the Historical context of the film adds much to one's viewing enjoyment. The movie, by no means, claims to be historically accurate (Geronimo is played by a white guy with make-up!), but it is a socially commentary on a century of unmoral and assimilationist Indian Policy in the United States. During the early 1960s President John F. Kennedy proposed a revision of this policy, calling for the recognition of Native Americans as distinct Nations. Kennedy's proposition was a dramatic diversion from the Indain Policy of administrations before him. This movie highlights, the poor conditions of the reservations, the forced conversion of Aboriginals to Christianity, and the policy's attack on the Aboriginal culture and way of life. This historical context, coupled with Adam West (who rocks my socks!) adds to the enjoyment of this film.

The film begins with Geronimo (Chuck Connors) "surrendering" by agreeing on a treaty that gives his Apaches land on a reservation in Arizona. However, things quickly go wrong while on the reservation. Geronimo leaves with a band of warriors and declares war on the United States. The majority of the film is the story of this war, told from Geronimo's perspective.

While the script and direction are fairly pedestrian here (with the exception of a few fantastic shots of sunsets and landscapes), Geronimo works because of a number of excellent performances, including Connors, Ross Martin (as Mangus), Kamala Devi (as Teela), Pat Conway (as Captain William Maynard), and Adam West (as Delahay).

The film is also surprisingly complex in terms of sociological subtexts. With one clear exception (having to do with a subversive sale of land), there are no clear "bad guys" and "good guys" here. Rather, the conflicts of the film are portrayed as resulting from cultural dispositions, duty and necessity. Each character or group of characters is responsible for some behavior that is a fairly serious crime (legal or moral) in the eyes of other characters, and each is seeking an improvement of their lot, mostly with a desire that the other parties understand their position better.

However, there's no need to expect heavy-handed intellectualism from the film. On the surface, this is a quality western with a great deal of suspense, although perhaps too lacking in big battle scenes for some western fans. There are a number of smaller battles, but the focus is always on the strategy behind them rather than the battle itself, and in my eyes, that makes them interesting and suspenseful in a way that more clichéd action scenes wouldn't achieve. Geronimo is much more about a clash of cultures, and successfully spends a lot of time on Geronimo's relationships with Mangus and Teela. An 8 out of 10 for me.

On the Arizona-Mexico border in 1883, Apache warrior Geronimo surrenders himself and his tribe to the US Calvary in exchange for food and shelter on government land; naturally, the villainous, despicable whites sell the ground out from underneath the Indians after a greedy land baron sees they have turned the hard dirt into fertile soil for farming, leading to an unwinnable war between the fading Apaches and the Americans. Mixing "fact and legend", screenwriter Pat Fielder shamefully reduces history to textbook eye-for-an-eye business. Western-adventure from United Artists is further hurt by a TV cast and budget. Chuck Connors' Geronimo wages war on the Cavalrymen, though from what we can see it's really just Pat Conway's smirking Captain who's against him. Conway, decked out with an ostentatious neckerchief, unmercifully struts his way through this thing like a smug peacock...but, at least he wasn't forced to wear a ratty black wig like most of his co-stars. Some good scenes, such as an impromptu chicken dinner at the house of a strict widow, almost makes up for the general lack of story and character development. ** from ****