Im Bann der Puppe

I've seen 10-12 Crown International Pictures now and this is by far their most polished work. It plays like an episode of the Twilight Zone, and I would not be surprised if the writers pulled this story from a similar source as Mr Serling himself. It's very short, at just an hour and 10 minutes, and is definitely worth a watch for anyone looking into campy horror stories from the 50s (even though this was made in the 60s it doesn't have the free-love feel and was shot in black and white). Appropriate music, good acting, and surprisingly good cinematography all work in concert to make an enjoyable film.

As a side note, the DVD that Mill Creek put out has a cool feature where you can watch this in 'Drive Thru' mode and has everything from an animated short to a few commercials. Nice little bit of nostalgia!

Rating: 24/40

The Devil's Hand: Rick is your average guy with a nice, average fiancé except for one thing: he's having wildly lucid dreams about a sexy blonde. The dreams inexplicably bring him to a doll shop in the middle of the night, where he spots a doll resembling his dream woman in the window. Disturbed, he returns the next day during normal business hours with his fiancé and things get weirder as they stumble into a world of voodoo, devil worship, and more dolls! This film could have been subtitled "Deus ex machina," but it's mostly entertaining, and scores an extra point or two for having a totally retro-cool surf guitar opening credits tune.

I was introduced to this film when I stumbled across a VHS copy at a well known video retail store. At the time I was buying up and devouring as many B-movies as I could find. I think that in the same trip I purchased The Wasp Women, and Catwomen of the Moon in 3D.

The first couple of times I watched this movie, I didn't feel it was that spectacular, but I did particularly like the opening sequence theme music, a definite nod to Dave Allen and the Arrows. I was however, not able to quite pin down the plot at first because, admittedly, I fell asleep the first few times I saw it.

After several more viewings though, the film began to take on a strange, almost psychedelic feel and I realized that all of the confusion really lends itself to the themes of hypnotism and mind control in cults, which is I think the heart of the film. Whether or not this effect was obtained on purpose by the director, I can't say. It doesn't really matter. I still enjoy watching this one years later.

An early effort from Crown International Pictures, The Devil's Hand stars Robert Alda (Alan's dad) as Rick Turner, who is visited nightly in his dreams by a beautiful blonde woman. After finding a doll in a shop window that is the exact likeness of the mysterious woman, Rick is able to track down his nocturnal visitor, Miss Bianca Milan (Linda Christian), but, hypnotised by her beauty, finds himself lured away from his longtime girlfriend Donna (Ariadne Welter) and into a devil worshipping cult run by sinister doll-maker Francis Lamont (played by Neil Hamilton, TV Batman's Commissioner Gordon).

A cheap and cheerful piece of '60s Satanic horror, The Devil's Hand is undemanding drive-in fodder that benefits from a brisk pace (and a not-too-long running time), reasonable performances, and a fun plot that includes voodoo, bongo drums, a traitor in the cult's midst, ritualistic gyrating, Russian roulette with swords, and a fiery demise for the baddies at the end. All this and a cool twangy surf guitar number during the opening credits make for a reasonably fun, if not all that memorable, time.

Favourite moment: when Rick sneaks into the doll shop, a front for the cult, and proceeds to make a total racket whilst bumbling around their place of worship. Way to go, twinkletoes!

"The Devil's Hand" is a slick little B-film that moves at an amazingly fast clip. Don't look for deep characterizations, or explorations of motives, or anything else that would make the story stumble.

This flick takes itself seriously. It's established at the outset that the Gamba cult is real, and several scenes indicate that it has actual power. And there's never a nudge or wink from any of the characters to indicate otherwise.

The acting may not be top-notch, but it's credible enough. The opening theme is quite cool, too, and would be a good addition to a surf rock collection; unfortunately, it's never identified.

And the overall theme is still relevant today—how easy it can be to get sucked into a cult (religious, political, philosophical—take your pick) because of one's hopes of improving his lot. Look at the worshipers; by and large they look just like you'n'me. No wild-eyed zealots, no borderline personalities, just…ordinary people.

My only real quibble is the casting of Neil Hamilton as the villain. He seems to have been rather a one-note talent; his demeanor throughout the movie, whether fronting the doll shop or presiding over potential human sacrifice, is rather bland. Or maybe I just can't accept Commissioner Gordon being on the wrong side of the law!