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Cleo - Mittwoch zwischen 5 und 7

Originaltitel: Cléo de 5 à 7
  • 1962
  • 16
  • 1 Std. 30 Min.
IMDb-BEWERTUNG
7,8/10
29.949
IHRE BEWERTUNG
Cleo - Mittwoch zwischen 5 und 7 (1962)
Bande-annonce [OV] ansehen
trailer wiedergeben1:31
1 Video
99+ Fotos
Psychologisches DramaDramaKomödieMusik

Eine hypochondrische Sängerin macht sich Sorgen, dass sie Krebs haben könnte, während sie auf die Testergebnisse ihres Arztes wartet.Eine hypochondrische Sängerin macht sich Sorgen, dass sie Krebs haben könnte, während sie auf die Testergebnisse ihres Arztes wartet.Eine hypochondrische Sängerin macht sich Sorgen, dass sie Krebs haben könnte, während sie auf die Testergebnisse ihres Arztes wartet.

  • Regie
    • Agnès Varda
  • Drehbuch
    • Agnès Varda
  • Hauptbesetzung
    • Corinne Marchand
    • Antoine Bourseiller
    • Dominique Davray
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,8/10
    29.949
    IHRE BEWERTUNG
    • Regie
      • Agnès Varda
    • Drehbuch
      • Agnès Varda
    • Hauptbesetzung
      • Corinne Marchand
      • Antoine Bourseiller
      • Dominique Davray
    • 110Benutzerrezensionen
    • 84Kritische Rezensionen
    • 87Metascore
  • Siehe Produktionsinformationen bei IMDbPro
    • Auszeichnungen
      • 2 Gewinne & 1 Nominierung insgesamt

    Videos1

    Bande-annonce [OV]
    Trailer 1:31
    Bande-annonce [OV]

    Fotos116

    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
    Poster ansehen
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    + 109
    Poster ansehen

    Topbesetzung26

    Ändern
    Corinne Marchand
    Corinne Marchand
    • Florence 'Cléo' Victoire
    Antoine Bourseiller
    • Antoine
    Dominique Davray
    Dominique Davray
    • Angèle
    Dorothée Blanck
    Dorothée Blanck
    • Dorothée
    • (as Dorothée Blank)
    Michel Legrand
    Michel Legrand
    • Bob, le pianiste
    José Luis de Vilallonga
    José Luis de Vilallonga
    • José, l'amant de Cléo
    • (as José-Luis de Vilallonga)
    Loye Payen
    Loye Payen
    • Irma, la cartomancienne
    Renée Duchateau
    • La vendeuse de chapeaux
    Lucienne Marchand
    • La conductrice du taxi
    Serge Korber
    • Maurice, dit 'plumitif'
    Robert Postec
    Robert Postec
    • Le docteur Valineau
    Jean-Luc Godard
    Jean-Luc Godard
    • L'homme aux lunettes noires…
    Anna Karina
    Anna Karina
    • Anna, la fiancée blonde…
    Emilienne Caille
    • La fiancée noire…
    Eddie Constantine
    Eddie Constantine
    • L'arroseur…
    Sami Frey
    Sami Frey
    • Le croque-mort…
    Danièle Delorme
    Danièle Delorme
    • La vendeuse de fleurs…
    Yves Robert
    Yves Robert
    • Le vendeur de mouchoirs…
    • Regie
      • Agnès Varda
    • Drehbuch
      • Agnès Varda
    • Komplette Besetzung und alle Crew-Mitglieder
    • Produktion, Einspielergebnisse & mehr bei IMDbPro

    Benutzerrezensionen110

    7,829.9K
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    Empfohlene Bewertungen

    slowpoke_98

    Cléo de 5 à 7's black and white Paris is an elegant backdrop to this moving, unique story of self-discovery.

    As the title reveals, Cléo de 5 à 7 takes place between 5pm and 7pm. In this time, we follow a beautiful young singer, Florence 'Cléo' Victoire, as she walks the busy streets of Paris all the while awaiting a dreaded test result from her doctor.

    Director Agnes Varda, nicknamed "Grandmother of the New Wave", combines fluid camera movements with sporadic 'jump cuts' to casually glide us through the streets of Paris, allowing us to delve deep into the scenery. The mobile camera provides a realistic and intimate experience.

    Florence 'Cléo' Victoire begins her journey embodying a cliché. She is consumed by materialism and almost hypnotized by her own beauty. She is selfish and ignorant to her surroundings. From 5 to 7, Cléo peers deep within herself and in result experiences a kind of enlightenment. She begins to open her eyes to the outside world, observing the hectic streets of Paris, visiting old friends, and in a twist of fate meets a fascinating young soldier preparing to leave for Algeria. The soldier is a beautifully written character.

    With subtext involving serious topics such as classism and more specifically impoverishment of Algerians (1954-62), one would predict that the film's message was multifaceted, and perhaps intended to serve a cause.However, after watching the film, I've come to that conclusion that Cléo de 5 à 7 is meant to be a celebration of life. The film encourages us to appreciate our blessings without the use of any clichés and without being preachy.

    Cléo de 5 à 7's black and white Paris is an elegant backdrop to this moving, unique story of self-discovery. If you are a French New Wave lover or just someone who adores Paris, I'd encourage you to watch this film. It is simply stunning.

    -Joanna C.T. http://addictivefilm.blogspot.com/
    8sara-34

    An existential film about looking on the bright side (ironically).

    To me, this is a movie about looking on the bright side of life... from the point of view of someone who isn't. We follow Cleo, a beautiful singer, through a day of her life (from 5:00 to 7:00) as she waits to find out if she has cancer. It's a very simple plot, and I think this simplicity is what allows the film to show Cleo's inner turmoil so well. This movie has strong existential undertones. In the beginning of the film, Cleo believes her fate is just that: fate. She is superstitious to the point of paranoia. Through the course of the film, she discovers that she is in control of her own life, and even in something that seems out of her control -- like cancer -- she has the freedom to decide how she will look at it and whether or not she will let it ruin her life.
    scip111

    Why I love French Film

    This film is a perfect example of why I love French film. In a word, realism. In many words, the desire to capture life's most important, daring, fanciful, yet haphazard moments with the faith that by doing so you are illustrating a timeless notion. Cleo from 5 to 7 plucks a single string from a singer's life and by pulling at it, illustrates the fabric of the beautiful and unique, but predetermined world that it is woven into. What illustrates this best is the third scene of the movie when the heroine flits about a local shop browsing hats. The camera shows her shopping but also captures many reflections that expose the larger world around her. The window pane showcases soldiers marching by, foreshadowing the war in Algiers. The mirrors take snapshots of Cleo with different head-dresses all be-speaking a future she won't choose. In the background, her maid sits disapprovingly. Small details like these, that are often neglected in other movies, are the backbone of this work of art. Cleo from 5 to 7 is a movie about much more than two hours in the lead character's life. It is about the character's whole life as illustrated by two hours. Like Joyce's Uylsses, it finds parallels between the struggles of a day with the struggles of a life.
    10dbdumonteil

    From ignorance to enlightenment.

    First scene (shot in color):Cleo visits the fortune-teller:ignorance,confusion.Last scene:Cleo is a responsible woman now,she's ready to cope with a not-so-rose future:enlightenment. Between the scenes ,one hour and a half (the title is a misnomer).Historically,it's not the first film whose story unfolds in real time (see Robert Wise:the set up).But the concept is here totally mastered. At the beginning of the movie,Cleo is a precious,soft ,selfish young girl.The fortune-teller epitomizes naïvete,a non-scientific attitude.And however,the lady says something important when Cleo draws a skeleton from the tarot pack:"do not panic,the arms and the legs are still covered with flesh.Your own being is about to change deeply." The fortune tells that to comfort Cleo -later she'll tell her husband "cards say "death!",and as for me I've seen cancer"-and the end would prove she was right though. After leaving the fortune-teller,Cleo meets some people ,most of them indifferent,she cannot communicate her anguish to any of them.Everybody' s busy about himself.They listen to her,but they can't hear her. Then she takes her black glasses off!It's a symbol,now she's ready to see the world as it is.She meets Antoine ,he's a soldier about to return to Algeria to fight in a dirty war.Both are afraid,both have found the comfort they needed so!Now Cleo has opened up,she can face the terrible illness."I'm not afraid anymore,she says,I think that I'm happy"
    9Liza-19

    A fabulous film, totally engrossing

    I loved this film. I wasn't expecting to, but from the very beginning you are drawn into Cleo's world. You understand a woman whom nobody understands, something that is extremely hard to do but Agnes Varda carries it off beautifully. Her coworkers don't care for her, her lover isn't really in-tune with her life, and her best friend likes her, but is busy with her own life. It isn't until she meets the someone new, someone who like herself is about to face a real danger, that she not only faces her problem, but can in a sense conquer it. It's not an easy film to explain, but it's beautifully done and a true winner. I heard that they want to remake it with Madonna. It would be nice for it to be in English, but a remake isn't necessary. They certainly got it right the first time.

    Handlung

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    • Wissenswertes
      Jean-Luc Godard, Anna Karina, Emilienne Caille, Eddie Constantine, Sami Frey, Danièle Delorme, Yves Robert, Alan Scott, Georges de Beauregard and Jean-Claude Brialy all make uncredited cameo appearances as the actors in the silent film shown to Cléo and her friend. In the extras on the Criterion Collection DVD, the movie is called "Die Verliebten von Pont Mac Donald (Man hüte sich vor schwarzen Brillen) (1961)".
    • Patzer
      The dolly track used in the final shot can be seen as the actors walk away from the hospital. Agnes Varda recounts in the much later documentary 'Anecdotes and Memories' how devastated she was to see the track and convinced the producers to allow a re-shoot at great expense. However none of the retakes matched the emotional quality of the original take so she retained it despite the goof.
    • Zitate

      [last lines]

      [in French, using English subtitles]

      Florence, 'Cléo Victoire': Why?

      Antoine: I'm sorry I'm leaving. I'd like to be with you.

      Florence, 'Cléo Victoire': You are. I think my fear is gone. I think I'm happy.

    • Verbindungen
      Edited from Die Verliebten von Pont Mac Donald (Man hüte sich vor schwarzen Brillen) (1961)
    • Soundtracks
      La Belle Putain
      Music by Michel Legrand

      Lyrics by Agnès Varda

      Performed by Corinne Marchand

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    Details

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    • Erscheinungsdatum
      • 8. Juni 1962 (Westdeutschland)
    • Herkunftsländer
      • Frankreich
      • Italien
    • Offizieller Standort
      • Ciné Tamaris (France)
    • Sprache
      • Französisch
    • Auch bekannt als
      • Cléo de 5 a 7
    • Drehorte
      • Escalier, Rue des Artistes, Paris 14, Paris, Frankreich(Stairs when Cléo says goodbye to Dorothée after taxi ride scene)
    • Produktionsfirmen
      • Ciné-tamaris
      • MK2 Films
      • Rome Paris Films
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    Box Office

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    • Weltweiter Bruttoertrag
      • 9.929 $
    Weitere Informationen zur Box Office finden Sie auf IMDbPro.

    Technische Daten

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    • Laufzeit
      1 Stunde 30 Minuten
    • Farbe
      • Black and White
      • Color
    • Sound-Mix
      • Mono
    • Seitenverhältnis
      • 1.66 : 1

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