IMDb-BEWERTUNG
5,6/10
821
IHRE BEWERTUNG
Füge eine Handlung in deiner Sprache hinzuA family takes a long delayed trip to Europe and finds an unending series of comedy adventures.A family takes a long delayed trip to Europe and finds an unending series of comedy adventures.A family takes a long delayed trip to Europe and finds an unending series of comedy adventures.
- Regie
- Drehbuch
- Hauptbesetzung
- Für 2 Oscars nominiert
- 2 Nominierungen insgesamt
Howard Smith
- Judge Henderson
- (as Howard I. Smith)
Max Showalter
- The Tight Suit
- (as Casey Adams)
George Boyce
- Ship Passenger
- (Nicht genannt)
George Bruggeman
- Ship Passenger
- (Nicht genannt)
Empfohlene Bewertungen
Bon Voyage Let's See. On board for 'Bon voyage' is my mother's favorite actor 'Fred MacMurray'. There is actress and Ronald Regan's ex 'Jane Wyman'. Disney maverick's 'Tommy Kirk' and 'Kevin Anthony "Moochie" Corcoran' are on board as well. And then there is Deborah Walley, who I never heard of before, but she seems like she's a good actress.
OK, there is the wholesome Disney atmosphere, some wacky situations, one involving Fred getting lost in the sewers of Paris and other wacky things including Fred almost getting arrested from causing a scene at a restaurant. He has some other wacky conversations with some relatives who have never meet him, but think it's horrible that Jane Whyman's character has marred of all things 'A plumber'. He slyly reveals that he is the plumber much to their shocked snobbery surprise. Overall there is the interesting sitcom concept and premise of a family taking a vacation in Europe.
This concept was used in 'National Lampoon's European Vacation' and produced a rather funny film. The concept used in this film produced a rather dull and boring movie. Despite the cleaner friendly film, it isn't a Disney film worth adding to your collection and I would have to say it isn't worth renting either. NLEV is crude in parts and is not worth letting your kids watch unless you find a way to severely edit out all the inappropriate parts.
But 'Bon Voyage' is not the better equivalent. With Fred MacMurray you expect better work. His character is annoying. When a man hits on his wife instead of hitting him, he guzzles down booze and gets upset at his wife because a guy is flirting with her. He does finally sock the guy, so justice wins out in the end, even though you have to wait for it to happen while enduring his whining about it. The melodrama that bubbles up from this film is also annoying and leaves you wondering about the deeper storyline that they never reveal. Even if they did you probably wouldn't care anyway.
The Disney magic does not flow upon everything that it does. This is not the worst film ever made or the worst film Disney ever made, it's just a rather boring dull film. So I say Bon Voyage 'Bon Voyage ( and don't come back)
OK, there is the wholesome Disney atmosphere, some wacky situations, one involving Fred getting lost in the sewers of Paris and other wacky things including Fred almost getting arrested from causing a scene at a restaurant. He has some other wacky conversations with some relatives who have never meet him, but think it's horrible that Jane Whyman's character has marred of all things 'A plumber'. He slyly reveals that he is the plumber much to their shocked snobbery surprise. Overall there is the interesting sitcom concept and premise of a family taking a vacation in Europe.
This concept was used in 'National Lampoon's European Vacation' and produced a rather funny film. The concept used in this film produced a rather dull and boring movie. Despite the cleaner friendly film, it isn't a Disney film worth adding to your collection and I would have to say it isn't worth renting either. NLEV is crude in parts and is not worth letting your kids watch unless you find a way to severely edit out all the inappropriate parts.
But 'Bon Voyage' is not the better equivalent. With Fred MacMurray you expect better work. His character is annoying. When a man hits on his wife instead of hitting him, he guzzles down booze and gets upset at his wife because a guy is flirting with her. He does finally sock the guy, so justice wins out in the end, even though you have to wait for it to happen while enduring his whining about it. The melodrama that bubbles up from this film is also annoying and leaves you wondering about the deeper storyline that they never reveal. Even if they did you probably wouldn't care anyway.
The Disney magic does not flow upon everything that it does. This is not the worst film ever made or the worst film Disney ever made, it's just a rather boring dull film. So I say Bon Voyage 'Bon Voyage ( and don't come back)
BON VOYAGE (1962) is a curious, mildly entertaining live-action Disney artifact about a typical American family's long awaited trip to France, and an odd attempt at semi-sophisticated comedy from a studio not exactly known for the genre.
In the mom-and-pop leads are the Disney period Fred MacMurray, a long way from DOUBLE INDEMNITY, and the ex-Mrs. Reagan, Jane Wyman, whose dignity manages to hold up better than Fred's. As the two sons we have Disney protégés Kevin "Moochie" Corcoran in a relatively tolerable appearance, and Disney maverick, Tommy Kirk, in a buzz cut that does nothing for him.
For the young love interest daughter Deborah Walley and cynical playboy Michael Callen (Riff in the original stage cast of WEST SIDE STORY) are re-teamed after 1961's GIDGET GOES HAWAIIAN. As Callen's expatriate mother Jessie Royce Landis does her best to bring a touch of giddy sophistication to her Paris soirée sequence.
Around this time they used to say Disney got their live-action performers on the way up (Julie Andrews) or the way down (most of the cast here). It's also somewhat difficult to gage the target audience - adults, teens, family? - because there's not much here to hold a child's interest.
Certainly interesting is the authentic (if brief) footage of vintage ocean liners and their NYC piers (including a comically confused boarding and departure sequence), and location shots of an early '60s Paris.
Most curious sequence: MacMurray meeting what is subtly coded as a Paris street walker, played by the authentically French and rather grave Françoise Prévost, who seems to have inexplicably wandered in from a Godard film. Later she also picks up Kirk, an encounter dad is quick to defuse.
So it's no spoiler to mention that American Family Values triumph at the end in spite of a climactic trip to the decadent French Riviera. On the plus side the film presents a generally positive, even admiring view of French life and culture.
And Bunuel and Dali would surely love the extended sequence in which Fred MacMurray's wiggling finger protrudes from a street level Paris sewer lid.
In the mom-and-pop leads are the Disney period Fred MacMurray, a long way from DOUBLE INDEMNITY, and the ex-Mrs. Reagan, Jane Wyman, whose dignity manages to hold up better than Fred's. As the two sons we have Disney protégés Kevin "Moochie" Corcoran in a relatively tolerable appearance, and Disney maverick, Tommy Kirk, in a buzz cut that does nothing for him.
For the young love interest daughter Deborah Walley and cynical playboy Michael Callen (Riff in the original stage cast of WEST SIDE STORY) are re-teamed after 1961's GIDGET GOES HAWAIIAN. As Callen's expatriate mother Jessie Royce Landis does her best to bring a touch of giddy sophistication to her Paris soirée sequence.
Around this time they used to say Disney got their live-action performers on the way up (Julie Andrews) or the way down (most of the cast here). It's also somewhat difficult to gage the target audience - adults, teens, family? - because there's not much here to hold a child's interest.
Certainly interesting is the authentic (if brief) footage of vintage ocean liners and their NYC piers (including a comically confused boarding and departure sequence), and location shots of an early '60s Paris.
Most curious sequence: MacMurray meeting what is subtly coded as a Paris street walker, played by the authentically French and rather grave Françoise Prévost, who seems to have inexplicably wandered in from a Godard film. Later she also picks up Kirk, an encounter dad is quick to defuse.
So it's no spoiler to mention that American Family Values triumph at the end in spite of a climactic trip to the decadent French Riviera. On the plus side the film presents a generally positive, even admiring view of French life and culture.
And Bunuel and Dali would surely love the extended sequence in which Fred MacMurray's wiggling finger protrudes from a street level Paris sewer lid.
This turned out to be a good movie. Fred MacMurray and Jane Wyman finally take the European trip they've always dreamed of, including taking their three children along. Tommy Kirk and Doborah Walley are their teen-aged children and bring along their romantic escapades. On location shooting make for a better than average Disney film. Saw this on the Disney channel.
This Disney Romantic Comedy is just plain too long for its own good. Fred MacMurray and Jane Wyman star as an Indiana couple finally getting their trip to Paris, but with three "kids" in tow. They get involved in all sorts of complications, especially with the older kids.
Amy (Deborah Walley) has met a rich young man (Michael Callan) who is also taking the ocean liner trip. She's a cold fish and he's a neurotic pain. Elliott (Tommy Kirk) is a sullen little thing, but he perks up when he gets to Paris and meets some girls. Then there's little Skipper (Kevin Corcoran) who makes some trouble for Dad.
While this could have been a fun film, it's so slow and draggy, the pacing kills it dead. Wyman and MacMurray have very little chemistry but go through their paces as the pros they were. Wyman is further hampered by those hideous mid-century clothes and hats.
Jessie Royce Landis provides a punch of fun and color as Callan's flamboyant mother. Ivan Desny makes for a dreary masher. A few other familiar faces like James Milllhollin, Howard Smith, Doris Packer, Max Showalter, and Richard Wattis, don't have much to do. Carol White, a British actress famous (later in the 1960s) for gritty British films like POOR COW, is oddly cast as one of Kirk's girl friends.
MacMurray does have a few good comedy scenes, but there's not enough punch to make this more than an extended sitcom. The film won Oscar nominations for sound and the hideous costumes.
Amy (Deborah Walley) has met a rich young man (Michael Callan) who is also taking the ocean liner trip. She's a cold fish and he's a neurotic pain. Elliott (Tommy Kirk) is a sullen little thing, but he perks up when he gets to Paris and meets some girls. Then there's little Skipper (Kevin Corcoran) who makes some trouble for Dad.
While this could have been a fun film, it's so slow and draggy, the pacing kills it dead. Wyman and MacMurray have very little chemistry but go through their paces as the pros they were. Wyman is further hampered by those hideous mid-century clothes and hats.
Jessie Royce Landis provides a punch of fun and color as Callan's flamboyant mother. Ivan Desny makes for a dreary masher. A few other familiar faces like James Milllhollin, Howard Smith, Doris Packer, Max Showalter, and Richard Wattis, don't have much to do. Carol White, a British actress famous (later in the 1960s) for gritty British films like POOR COW, is oddly cast as one of Kirk's girl friends.
MacMurray does have a few good comedy scenes, but there's not enough punch to make this more than an extended sitcom. The film won Oscar nominations for sound and the hideous costumes.
Fred MacMurray, Tommy Kirk, Kevin Corcoran. 3 classic Disney stars that you can't go wrong with. But somehow this just missed. A good concept but just didn't have laughs. Its more about annoying love spats. I've been watching all of the late 50s and into the 60s live action Disney movies. Some of them are awesome. Some of them are good but a little slow and then by the time you get to the end, the music and the story have you captured. Others yet left a little to be desired but are still good family fare. This one, well it just doesn't make the cut. Well, if you are like me and want to watch every Disney live action movie from the time period, its OK, its not that bad, scenes in France will keep you interested.
Wusstest du schon
- WissenswertesThe Disney studio was aware of Tommy Kirk's homosexuality by this time. Kirk did not get along with Jane Wyman during filming, and his relationship with Fred MacMurray deteriorated as well. He recalled, "I thought Jane Wyman was a hard, cold woman and I got to hate her by the time I was through with Bon Voyage!. Of course, she didn't like me either, so I guess it came natural. I think she had some suspicion that I was gay and all I can say is that, if she didn't like me for that, she doesn't like a lot of people."
- PatzerThe SS United States was famously advertised as being totally fireproof, with wood furnishings banned from her construction and decor. In sound stage version of the ship's library, the space is decorated with wooden tables and chairs.
- Zitate
[on the beach at Cannes, Harry and Skipper are watching Elliott chat up a pretty French girl, as the girl's mother looks on disapprovingly]
Skipper Willard: How do you like Elliott's new moustache, Dad?
Harry Willard: I think I like the one on the girl's mother better.
- VerbindungenFeatured in L'ami public numéro un: L'usine à rêves (1962)
Top-Auswahl
Melde dich zum Bewerten an und greife auf die Watchlist für personalisierte Empfehlungen zu.
- How long is Bon Voyage!?Powered by Alexa
Details
Box Office
- Bruttoertrag in den USA und Kanada
- 11.990.000 $
- Laufzeit
- 1 Std. 53 Min.(113 min)
- Seitenverhältnis
- 1.75 : 1
Zu dieser Seite beitragen
Bearbeitung vorschlagen oder fehlenden Inhalt hinzufügen