Der Gefangene von Alcatraz

John Frankenheimers 1962 film about a convicted double murderer who turns his half-life into something meaningful by becoming an expert on the diseases of birds. Although this is not a completely accurate tale of Robert Stroud who became known as The Birdman of Alcatraz the performance of Burt Lancaster makes it a classic film of the human-interest story genre. Genuine WWII hero turned actor Neville Brand likewise turns in a strong performance as a stern yet sympathetic guard at the Leavenworth Penitentiary. Karl Malden is cast as the by the book bureaucratic prison official who's life continues to cross paths with the incarcerated Stroud. Veteran character actress Thelma Ritter is Strouds over protective mother who will do anything for her loving son realizing that where he is is probably the best place for him.

The film strangely shows the mental capabilities of a person and how much someone can achieve when one wishes to. The Stroud character has only an elementary school education at the films beginning yet applies himself to obtain knowledge equal to that of a college educated individual.

Although the story takes place in a prison this is not just a prison picture but more of a story of one man conquering his own ignorance by reaching into himself and casting out the demons that put him in the situation that he must live with. There are perhaps many such people in this countries prisons who have done similar as the main character in this movie.

This is a loose telling story of Robert Franklin Stroud (Burt Lancaster) who became known as The Birdman Of Alcatraz.

Have to say I have avoided this film for years purely because of its leading man, but before you Burt Lancaster fans jump on me let me say here and now that I'm now very much a convert these days. A dear on line friend of mine convinced me to check out some of his work last year after they found out I wasn't all that impressed with him, so after watching Atlantic City and his supreme film noirs, I was quickly back in line. This one landed from the rental folk strangely after me enjoying Lancaster in The Unforgiven only last week.

A strange thing with prison films is that few of them actually capture the oppressive feel of incarceration, so when I see one that does, then I'm very over the moon. Director John Frankenheimer manages to put the viewer in with Stroud because the pace is perfect, it's meant to be slow, prison time is slow time, the film is always close and intimate to give you the feel of being there. This film, much like two other greats from the genre in Papillon & Escape From Alcatraz, needs its lead actor to be restrained yet brood with menace, and Lancaster delivers from the top draw here. How unfortunate for him that he should turn in a fantastic turn in the same year that Atticus & Lawrence were dazzling cinema goers. The film never veers into over sentimental slumber because there is much more going on with Stroud, be it his Mother, business acumen, or the political fall out of this murderous man's time in prison.

Watching such macho men like Lancaster & Savalas grow fond of our feathered friends is priceless and brings about scenes that are both touching and poignant at the same time. Whatever the distortion of the facts as regards Robert Stroud's penal life, one thing we do know is that he made an official impact and it makes for one hell of a story. Added bonus here is that you've got Frankenheimer directing deftly in his black & white style, aided considerably by the smart cinematography from Burnett Guffey. And of course from a memorable performance from Big Bad Burt.

I was so impressed I ordered it for my own collection. 9/10

BURT LANCASTER seldom had a role that he connected with more than his portrait of an embittered man who must spend his life in prison after murdering a prison guard. His muted performance of this stoic man is under close scrutiny by the camera as he gradually redeems himself through a chance encounter with a fallen sparrow.

Everyone in the cast is superb--Karl Malden as a hard-nosed warden, Telly Savalas as a fellow prisoner, Betty Field as the widow who becomes close to Stroud through a mutual interest, and particularly Thelma Ritter as an over possessive mother. The refusal of a prison guard to permit Lancaster to see his mother is the catalyst that sends Stroud into solitary when the guard is fatally stabbed.

The scene where Stroud breaks down and actually apologizes to a prison guard (Neville Brand) is one of the most powerful moments in the film with Brand speaking up to the defiant prisoner who treats the guards with contempt.

All of the scenes showing Stroud taking care of his birds are startlingly realistic. Through brilliant black and white photography and a compelling script--and under the superior direction of John Frankenheimer--the film will move you to tears on more than one occasion and provides a vast range of emotions for the viewer. Burt Lancaster's finest achievement as an actor.

Interesting to note that only Burt Lancaster and Thelma Ritter were nominated for Oscars. Karl Malden and Neville Brand also deserved Oscar nominations--as did the film.

What a beautiful film portrayal. Though this movie is slow-paced it is worth the effort to get involved viewing it. Lancaster and Malden are perfect antagonists on screen. The tenderness and gentleness shown to the birds by the inmates in the prison contrasts not only the harsh prison environment accompanied by the violent existence of everyday life but also the inner characters' of the prisoners' themselves whose tough exteriors mask the gentle love that surfaces when the birds are introduced into Robert Stroud's cell. Telly Savalas is in his element when this coarse and tough brute is elevated to tender emotions he thought did not exist in himself anymore after spending most of his life behind prison walls. This film has had a direct impact on my life as Robert Stroud's book on Bird diseases and their treatments have cured my own flock from ailments from time to time and I am so grateful for his brilliant common sense approach to disease and medicine. This is a brilliant film that I thoroughly enjoy each time I watch it. John Frankenheimer - where are you when we need you?

"Birdman of Alcatraz" depicts a fictionalized version of the life of Robert Stroud, a real prisoner who served a life sentence in various American prisons, including Alcatraz.

As other viewers have commented, the film fictionalizes the life of the real Robert Stroud, who was a murderer and who has been accused of being a pedophile, as well.

This fictionalization should not interfere with an intelligent viewer's enjoyment of a fine film.

Too, this fictionalization doesn't change the key features of Stroud's case -- a bad man, a man who is shown on screen to be a real murderer, was condemned to death by the state. That much is true from Stroud's real life story, and that much is shown in the film.

Stroud was a difficult person who did not treat other people decently. That much was true of the real Stroud and that is shown in the film.

Stroud's mother pled for his life and President Woodrow Wilson commuted his sentence to life. A warden, aware of how difficult Stroud was to control, declared that Stroud be kept in segregation. That much is true in Stroud's real life story, and that is depicted in the film.

Finally, Stroud became noteworthy for his research and writing on canaries, after he found an injured bird in the recreation yard. That much was true in Stroud's life, and that is shown in the film.

Those who argue that the film is not as accurate as it could be have a point, but the film does follow the facts outlined above.

The film is quiet, and black and white, and yet riveting.

It is an example of a kind of film-making that is sadly lost today. The film attempts a serious discussion of serious issues: the value of a man, the death penalty, the role of prisons, their wardens and guards, the possibility of human connection, even under conditions of relative isolation. Stroud makes some human contact with his guard, and with a fellow inmate he communicates with via tapping.

The film is riveting because its entire cast has a kind of star power that is hard to find today. Even given his quiet, surly performance in this black and white film, you can't take your eyes off of Burt Lancaster. The supporting cast is equally excellent.

This film is a must for anyone interested in cinematic treatments of prisons, of the death penalty, of questions of human worth, even the worth of persons who display their lack of worth in, almost, their every act, and, the kind of films of the late fifties and early sixties that provided intelligent discussions of social issues.

It's also a great movie if you just want to be entertained.