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Doris Day's final musical role was in Jumbo which finally came to the screen almost 30 years after it played at the legendary Hippodrome Theater for 233 performances in 1935. Henceforth all of Doris's films would be screen comedies in which she may have sung a ditty or two in the film or over the title credits. But Jumbo was her last true musical.

Jumbo was directed by Charles Walters an old hand at musicals, his best known probably being High Society. But Walters had an even older hand working with him in Busby Berkeley. His touch is obvious as the second unit director in some of the musical numbers. Jumbo marked Berkeley farewell screen credit.

The plot is little changed from the 1935 show. Jimmy Durante who was repeating his role from the original Broadway cast is Pop Wonder a kindly circus owner who owes everyone in a 20 mile radius because of his gambling problem. He's the despair of his daughter Doris Day and Martha Raye who does a crystal ball act on the sideshow who Durante's been carrying a long term courtship of.

His show is in desperate straights with acts quitting him left and right, Doris is fulfilling several acts and jobs on the show, from high wire work to clown. One day handsome and muscular Stephen Boyd comes looking for a job. He seems like the answer to a prayer, but it turns out he's the son of rival circus owner Dean Jagger and doing a little espionage for the old man.

Durante's show has one real asset, the legendary circus elephant Jumbo whom as we know was the real life main attraction of Barnum&Bailey's real life circus in the 19th century. It's that which Jagger means to have.

Of course the boy/girl thing as usual gets in the way with Day and Boyd. Their romance is played out under the big top to the strains of one of Rodgers&Hart's best scores. Made even better by the addition of This Can't Be Love from The Boys From Syracuse.

So many good songs by Rodgers and Hart you hardly know where to begin. Doris gets to sing My Romance, This Can't Be Love, and one of the most plaintive ballads of heartbreak ever written, Little Girl Blue. Stephen Boyd if he wasn't dubbed, had a nice singing voice and does a good job on The Most Beautiful Girl In The World, with an obbligato done by Jimmy Durante.

I've seen stills of the technically off Broadway production of the original cast in 1935. With all the circus acts, no conventional Broadway Theater could have possibly housed this show. The Hippodrome which was located on Sixth Avenue and 43rd Street has been gone since before World War II, Jumbo was the last show of any kind done there. I wish I could have seen it live.

My guess is that producer Billy Rose drove a hard bargain in getting just compensation for the screen rights. It's why Jumbo took so long to come to the screen. Fortunately it made it there just as musicals were being phased out. I'm sure Rose's name in the title was another bit of vanity for him to get the show to the screen.

Despite what I consider an almost surreal ending, Jumbo still delights musical and circus fans of all ages and will continue to do so. You can never go wrong with a musical by Richard Rodgers and Lorenz Hart.

The usual circus fun: a determinedly old-fashioned big-top opus with animals, parades, high-wire attractions, songs by Rodgers & Hart. Doris Day manages a struggling traveling circus in the early 1900s, while pop Jimmy Durante gambles away their earnings and show-performer Martha Raye halfheartedly attempts to get Durante down the aisle. Ever-earnest Stephen Boyd shows up in need of a job, and quickly gets Day's heart racing, before it's revealed he's the son of their chief rival--and what he's really after is star-attraction Jumbo the Elephant! Good-looking hokum, if your tastes run to squeaky-clean backlot romps. Too bad the scenarists skimp on any colorful glimpses of the eccentric carny lifestyle (what drives these people so hard anyway?). In the 1960s, Doris Day mainly concentrated on her series of popular bedroom comedies; this effort (her last musical) broke up her routine and she's delightful as always. The piqued direction is by Charles Walters, who has his work bolstered a bit by Busby Berkeley, overseeing the circus sequences. **1/2 from ****

In 1962, Doris Day was the top box office star (male or female) in the world. "Billy Rose's Jumbo" opened in New York at Radio City Music Hall during a newspaper strike and a snow storm which made the film suffer at the box office.

It is a wonderful film with great music, good acting and some exciting circus acts. Steven Boyd was the latest actor/wanna-be star to utilize Miss Day as a stepping stone to fame. He was handsome and a good choice to play opposite Doris Day.

The story is secondary to the rest of the film. Simply, Doris' father, Jimmy Durante, owner of the Wonder Circus, was in deep financial trouble and about to lose his business. Boyd played the son of the owner of a rival circus who wants to take over the Durante organization including the main attraction, Jumbo, the wonder elephant.

Day, of course, falls in love with Boyd and the rest is music. Doris Day had some wonderful moments. She showed her mettle as a comedienne in a scene where she takes over a crap game from her father to win back the money he has lost.

Her singing of "My Romance" was very beautiful and I loved the part when she turns, with Boyd, and starts to walk as she sings. Her rendition of "Little Girl Blue" was dramatic and poinant.

Martha Raye, was, well, Martha Raye and Jimmy Durante was, err, Jimmy Durante!

The picture looks like they spent a lot of money on it, the color was sharp and the camera work superb. I also enjoyed the final, "Sawdust, Spangles and Dreams". Day and Raye were very funny as clowns.

This picture is often dismissed as being a flop, the only film which failed during Miss Day's run of box office bonanza. That's unfair because the New York Critics' reviews were not available to inform the public. Their words set the tone for the success or failure of a film. That was especially true in 1962.

Billy Rose's Jumbo is based on a play of the same name produced by Billy Rose. The play was adapted from the book written by Ben Hecht and Charles MacArthur, the screenplay here is written by Sidney Sheldon. Music is scored by George Stoll, with songs written by Richard Rodgers & Lorenz Hart. It's directed by Charles Walters, with Busby Berkeley on second unit duties, and stars Doris Day, Jimmy Durante, Stephen Boyd, Martha Raye and Dean Jagger. William H. Daniels photographs and it's a Panavision/Metrocolor production out of MGM.

The Pop Wonder Circus is suffering desperate financial problems, with rival Noble Circus circling like a vulture ready to strip it of its greatest assets. Then one day a stranger walks in and joins them as a wire walker and things start to pick up. But as romance blossoms and problems begin to ease, shocking news brings great disruption to the equilibrium.

It's the sort of musical production that can be picked apart to reveal many problems. Problems in length, quality of song execution and certain casting issues, they are there and undeniably stop the film being great. However, if one is just after a breezy piece of fluff, in the company of a delightful leading lady, then it's a film that does its job. Structured as a series of songs and circus routines, there is little room for an intelligent plot, it's a basic boy/girl romance played out whilst some bad guy lurks in the background threatening to drive a wedge between the lovers. Still, the foot tappers keep it charming, the production value is top notch and the Metrocolor used is very pleasing. While the actual circus performers are truly great at their art (wire walkers a favourite over here).

So, as shallow as a puddle in terms of story and character depth, but even tho it should have had better care and attention afforded it, it remains above average and of appeal to musical fans. 6.5/10

For all its merits, "Jumbo" was not a perfect entity as it was released upon the last rung of film musicals, and by the 60's only adaptations of Broadway shows like "West Side Story" and "The Sound Of Music" were being released. As a result a lot of folks have dismissed this one, but I find it to be one of the best exhibitions of a specialized art form- namely, the circus. Populated with many real circus headliners, its musical portions are quite stylish and joyful- especially "Circus On Parade," the equestrian-flavored "This Can't Be Love," and the gorgeous opening number "Over and Over Again-" which shows off 2nd unit man Busby Berkely's visual flourish. (Note, in particular, the final pullback shot which shows all of the acts rehearsing en masse at the same time.) Ms. Day, already a top box office star due to her romantic comedies with Rock Hudson, is gorgeous in the film and her voice can only be described as velvety. Listen especially to her solos "My Romance," "Little Girl Blue," and most impressive, a nighttime duet between Day and Martha Raye in a wagon caravan entitled "Why Can't I?" Portions of the film are directed too slowly and leading man Stephen Boyd is wooden (I would have preferred Harve Presnell or even Howard Keel), but circus owner Jimmy Durante is marvelous in every scene he's in- especially where he's trying to hide an elephant!! The finale, with the cast dressed for a double wedding and dancing to "The Most Beautiful Girl In The World" is truly lovely. If you've never seen a circus you could watch this and be satisfied that you spent an evening under the big top.