Füge eine Handlung in deiner Sprache hinzuIn 1881, in Algeria, Michael Denning and Hector Servadac are fighting a duel when a comet brushing Earth takes the two men to the Moon where they discover a prehistoric civilization.In 1881, in Algeria, Michael Denning and Hector Servadac are fighting a duel when a comet brushing Earth takes the two men to the Moon where they discover a prehistoric civilization.In 1881, in Algeria, Michael Denning and Hector Servadac are fighting a duel when a comet brushing Earth takes the two men to the Moon where they discover a prehistoric civilization.
- Regie
- Drehbuch
- Hauptbesetzung
Lon Chaney Jr.
- Patoo (edited from 'One Million B.C.')
- (Archivfilmmaterial)
- (Nicht genannt)
Chester Hayes
- Neanderthal
- (Nicht genannt)
Irvin 'Zabo' Koszewski
- Tribesman
- (Nicht genannt)
Carole Landis
- Deena (edited from 'One Million B.C.')
- (Archivfilmmaterial)
- (Nicht genannt)
Victor Mature
- Hector (edited from 'One Million B.C.')
- (Archivfilmmaterial)
- (Nicht genannt)
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One of the cheaper adaptions of Jules Verne for the big screen occurs with this film Valley Of The Dragons. Unless those ancient pteranodons are the dragons, there's really no mention of them.
Sean McClory and Cesare Danova are a pair of 19th century adventurers ready to fight a duel over the affections of a woman who no doubt as they figure later on was egging it all on. An earthquake erupts and these two are swept up in it and transported to the head of a comet upon which a prehistoric society still thrives complete with other animals of the Cenozoic age.
In no time flat these two wind up leading a pair of feuding tribes and bring them together. And they both get a pair of women companions as there is little other recreational activity.
The footage from One Million BC is once again recycle for another imitation film. Valley Of The Dragons is even shot in black and white no doubt to better integrate the prehistoric footage.
It's an interesting concept, but brought to the screen in a cheap knockoff manner. The science is also quite suspect a little below the standard of Jules Verne.
Sean McClory and Cesare Danova are a pair of 19th century adventurers ready to fight a duel over the affections of a woman who no doubt as they figure later on was egging it all on. An earthquake erupts and these two are swept up in it and transported to the head of a comet upon which a prehistoric society still thrives complete with other animals of the Cenozoic age.
In no time flat these two wind up leading a pair of feuding tribes and bring them together. And they both get a pair of women companions as there is little other recreational activity.
The footage from One Million BC is once again recycle for another imitation film. Valley Of The Dragons is even shot in black and white no doubt to better integrate the prehistoric footage.
It's an interesting concept, but brought to the screen in a cheap knockoff manner. The science is also quite suspect a little below the standard of Jules Verne.
I grew up in a tiny little town that had nothing going on except a run down movie theater. I recall somebody taking me to see this movie when I was a little kid. I'm guessing that Valley hit our screen around 63 or 64, a good two years after its release. Anyhow, I loved every second of it and still have vivid memories of the movie to this day. (I caught it one or two other times on TV during the seventies) It had a very dramatic opening scene: two duelist were suddenly swept away just before they were about to kill each other. Then they find themselves on a strange world filled with huge dinosaurs doing battle with each other. As if that wasn't enough they soon are under attack by savage primates. I'm guessing it sorta goes downhill after that but this film was a major event in my very ordinary little life back in the early sixties. I will always be grateful for that no matter how this holds up in comparison to today's stuff. It was pure cinema magic back then.
I cannot believe you guys! All this claptrap and no mention of Joan Staley's infamous underwater swimming scene?!?
I saw this movie when it was first released and I was barely pubescent at that time. The audience was quietly taking in the Verneian antics of our shanghaied duo, until one of the main characters (I forget which) runs off for a swim with the Joan Staley character (Deena).
OK, so Deena takes off her prehistoric sunsuit and lo and behold she is wearing a Stone-Age bikini! OK, nothing to get excited about --- pretty chaste even for 1961. No elastic in prehistoric times, though, so the top fits rather loosely.
So the couple jump in the lagoon and start playfully swimming and diving underwater. The decent underwater cinematography lingers on each of the characters as they cavort about.
It quickly becomes evident that Deena's bikini top is not going to hold her fairly ample anatomy securely in hiding from the voyeurs in the audience.
I will never forget the eruption of hoots and whistles from the darkened theater as the camera continued to follow Ms. Staley from such a point of view as to make it all too evident that Deena would have no trouble feeding any of her progeny, especially considering the equipment on display.
Granted, this sort of thing hardly rates the consideration of a PG rating today, but in 1961, it was dynamite. I was at a point in my development where the fuss being made by the male members of the audience only served to make me embarrassed and uncomfortable. The scene seemed to go on forever.
I was elated to be able to get recently a VHS copy of the movie (recorded, believe it or not, from a TV presentation), and waited breathlessly for the scene burned into my mind as a young lad.
And there it was in all its glory. And every bit as provocative as it was in that little Galveston, Texas theater back in '61.
One of the best bits of vintage, unexpected cinematic cheesecake I have ever had the pleasure to encounter.
I saw this movie when it was first released and I was barely pubescent at that time. The audience was quietly taking in the Verneian antics of our shanghaied duo, until one of the main characters (I forget which) runs off for a swim with the Joan Staley character (Deena).
OK, so Deena takes off her prehistoric sunsuit and lo and behold she is wearing a Stone-Age bikini! OK, nothing to get excited about --- pretty chaste even for 1961. No elastic in prehistoric times, though, so the top fits rather loosely.
So the couple jump in the lagoon and start playfully swimming and diving underwater. The decent underwater cinematography lingers on each of the characters as they cavort about.
It quickly becomes evident that Deena's bikini top is not going to hold her fairly ample anatomy securely in hiding from the voyeurs in the audience.
I will never forget the eruption of hoots and whistles from the darkened theater as the camera continued to follow Ms. Staley from such a point of view as to make it all too evident that Deena would have no trouble feeding any of her progeny, especially considering the equipment on display.
Granted, this sort of thing hardly rates the consideration of a PG rating today, but in 1961, it was dynamite. I was at a point in my development where the fuss being made by the male members of the audience only served to make me embarrassed and uncomfortable. The scene seemed to go on forever.
I was elated to be able to get recently a VHS copy of the movie (recorded, believe it or not, from a TV presentation), and waited breathlessly for the scene burned into my mind as a young lad.
And there it was in all its glory. And every bit as provocative as it was in that little Galveston, Texas theater back in '61.
One of the best bits of vintage, unexpected cinematic cheesecake I have ever had the pleasure to encounter.
This movie was on fairly regularly when I was a kid; my cousin and I would frequently watch it together (she didn't share my enthusiasm for the animal skin-clad women, but she loved a scene where one of the cavemen gets eaten by a dragon).
It was years later that I saw One Million B.C. for the first time; I knew it was hailed as a classic, but while I found it enjoyable (I fell in love with Carole Landis), VOTD still held more of a mystique for me.
I have since looked for it in various video rental places with no success. It seems that these days even the networks aim for more sophisticated fare and overlook simpler joys like this. Just because the movies have graduated to Jurassic Park shouldn't mean that we can't suspend our disbelief for a brief period. VOTD should not be allowed to become extinct!
It was years later that I saw One Million B.C. for the first time; I knew it was hailed as a classic, but while I found it enjoyable (I fell in love with Carole Landis), VOTD still held more of a mystique for me.
I have since looked for it in various video rental places with no success. It seems that these days even the networks aim for more sophisticated fare and overlook simpler joys like this. Just because the movies have graduated to Jurassic Park shouldn't mean that we can't suspend our disbelief for a brief period. VOTD should not be allowed to become extinct!
Okay, I admit it...this little film holds a special place in my heart. It is the absolute first movie I can ever remember watching on television. I remember watching it on a Saturday morning after cartoons, and looking at the TV Guide to see that it was actually classified as a "melodrama". All I really remember from that initial viewing was the fight between the two lizards and the attack by the giant spider.
I recently managed to obtain a copy of the movie and finally re-watched it after what was probably thirty years. First of all, I never knew it was based on a Jules Verne novel, who is one of my favorite authors of all time. Too bad it was based on one of the few Verne books I haven't read.
Cesare Danova is great as the French duelist who is picked up with an American who had affronted him in a disagreement over a woman. What follows turns into your standard caveman/regular-lizards-pretending-to- be-dinosaurs type film. The two end up becoming the leaders of opposing prehistoric tribes and things continue from there.
The movie is nothing really that great, but it's a fun little movie that's on a par with any 1950's programmer.
I recently managed to obtain a copy of the movie and finally re-watched it after what was probably thirty years. First of all, I never knew it was based on a Jules Verne novel, who is one of my favorite authors of all time. Too bad it was based on one of the few Verne books I haven't read.
Cesare Danova is great as the French duelist who is picked up with an American who had affronted him in a disagreement over a woman. What follows turns into your standard caveman/regular-lizards-pretending-to- be-dinosaurs type film. The two end up becoming the leaders of opposing prehistoric tribes and things continue from there.
The movie is nothing really that great, but it's a fun little movie that's on a par with any 1950's programmer.
Wusstest du schon
- WissenswertesThis 1961 release is believed to be the final wide general release feature to use stock footage from "One Million B.C." (1940) to supplement the special effects.
- PatzerWhen Hector is mixing up the gunpowder, he puts it in a tin can, not too common in prehistoric times.
- Zitate
Michael Denning: It's amazing how a Frenchman always finds a woman.
- VerbindungenEdited from Tumak, der Herr des Urwalds (1940)
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Details
- Laufzeit
- 1 Std. 22 Min.(82 min)
- Farbe
- Seitenverhältnis
- 1.85 : 1
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