Zwei Ritten Zusammen

The cynical and corrupt Marshal Guthrie McCabe (James Stewart) has a comfortable life in Tascosa, receiving percentages of deals. His lover Belle Aragon (Annelle Hayes) owns a saloon with a brothel and has just proposed to marry him. However, Guthrie is summoned by the US Army Major Frazer (John McIntire) that sends a troop commanded by his friend First Lt. Jim Gary (Richard Widmark) to bring him to the Fort Grant.

When Guthrie meets Major Frazer, he explains that the relatives of prisoners of the Comanche tribe are pressing the army to bring them back home, but the soldiers can not trespass the Indian lands due to a treat with the Comanche. The mercenary Guthrie demands a large amount to negotiate with Chief Quanah Parker (Henry Brandon) the freedom of the white captives. Guthrie travels with Lt. Jim Gary and they rescue the two last captives, a teenager that has been raised by the Comanche and a young woman, Elena de la Madriaga (Linda Cristal), who has been the woman of the leader of the Buffalo Shields Stone Calf (Woody Strode) for five years. Once in the white society, they are outcast by the "civilized" white society and their reintegration is almost impossible.

"Two Rode Together" is another great western by John Ford, with a different story about the difficulty of reintegration of captives of Indians into the civilized society of the white man. The plot entwines comical and dramatic situations with powerful dialogs. James Stewart is fantastic, as usual, performing an unethical greedy man that changes his behavior after meeting Elena, performed by the gorgeous Linda Cristal. Both characters find redemption in the end. Richard Widmark shows a magnificent chemistry with James Stewart and Shirley Jones. In the end, it is hard to point out the civilized and uncivilized societies. My vote is eight.

Title (Brazil): "Terra Bruta" ("Raw Land")

Desperate relatives spend years searching for their loved beings abducted by Indians in this lengthy Western . The US Army is under pressure from the families of white captives of the Comanches . A Texas marshal, Guthrie McCabe (James Stewart), is persuaded by an army lieutenant (Richard Widmark) and a Major (John McIntire) to negotiate with the Comanches to secure their rescue and for the return of captives . But the expedition results to be a flop. However, just two prisoners are released ; their reintegration into community proves to be highly difficult , and complications , problems ensue .

This nice Western contains interesting characters , full of wide open space and dramatic moments . Outdoors are pretty good and well photographed by Charles Lawton Jr , story first-rate and powerful told too. Good Western with James Stewart sort playing himself as corrupt and cynical marshal who takes a percentage on his works . Entertaining film thanks to James Stewart for his cynical character and ironic point of sight . Also Widmark is excellent , while a great featured-role acting by veteran John McIntire . Solid support cast leads some eye-catching performances which include Andy Devine ,Jeanette Nolan ,John Qualen, Ken Curtis , Woody Strode, Henry Brandon as Quanah Parker and many others . ¨Two rode together¨ has a similar plot to ¨The searchers¨ though the Ford's vision about West is pretty cynical and less idealist. This classic picture ranks as one of the main of John Ford's works . It contains Ford's usual themes as familiar feeling , a little bit enjoyable humor, friendship and sense of comradeship but also lots of cynicism . Thought-provoking screenplay portraying in depth characters and brooding events with interesting issues running beneath script surface is written by Frank S. Nugent based on a novel by Will Cook , titled ¨Comanche captives . This may not be Ford or Stewart's best Western , as many would claim , but it's still head ad shoulders above most big-scale movies . You'll find the final terrible or over-melodramatic according to your tastes , though it's lovingly composed by John Ford who really picks up the drama towards the ending . Rating : Better than average .

No wonder director Ford considered the movie "crap". That may be a little too strong, but the results are definitely sub-par for the legendary filmmaker. If The Searchers (1956) dealt with whites kidnapped by Indians, the plot here is a reversal: Whites raised as Comanches are ransomed back into the white world, and in the process of reintegration, settler bigotry is exposed. That's a good thoughtful premise but the screenplay can't seem to provide a focus on anything. As a result, the story meanders from event to event in generally unfocused fashion. For whatever reason, writer Nugent can't seem to organize the elements into a coherent, effective narrative.

Then there's the miscasting, especially Widmark as a 45-year old West Point lieutenant, who's supposed to romance a 26-year old Shirley Jones, who looks and acts like she just stepped out of a malt shop. And shouldn't forget poor 55-year old Andy Devine, a very un-cavalrylike cavalry sergeant. Somehow, his grossly over-weight figure is just not that funny. On the other hand, Stewart's not miscast, but this may be the only movie where his usual low-key style gives way to some serious over-acting, which unfortunately overshadows his low-key co-star Widmark. His character is, however, surprisingly dark and combative, an interesting feature.

At the same time, for a western, there's little action, mostly just palaver and clumsy stabs at humor. However, the lynching scene is well staged and a real grabber. Anyway, it's pretty clear that director Ford's heart wasn't really in the production for whatever reason. Unfortunately, the end result is one of the least of his many fine Westerns.

This is not your typical John Ford Western. The usual cast of Ford characters is on hand. Henry Brandon reprises his role as the Comanche chief Scar, which he played so well in the "Searchers". This time he plays a more sympathetic role as the real life Comanche chief Quanah Parker. The evil Clegg clan from "Wagonmaster" is also on hand. They are not quite as evil this time around. The Comanches are played by the usual Navajos recruited for countless Ford Westerns. The awesome arid scenery of Monument Valley has been appropriately replaced by rolling grass covered plains country.

The two protagonists in the film are played by James Stewart and Richard Widmark. Stewart plays a gunfighter serving as sheriff of the Texas town of Tascosa. Widmark is the cavalry officer who summons him to Fort Grant to rescue Comanche captives. They ride together on this mission, which is relegated to a small part in the plot. Although they are friends, their partnership is uneasy from the start. Stewart is going on the mission for money. Widmark is ordered by the colonel (played by John McIntyre) to go. The tension between the two leads at one point to Stewart drawing, but not firing, his gun.

This film contains elements of "The Searchers". Like the other film the theme is captivity by the Indians. Just as in "The Searchers" captivity is viewed as degrading. Linda Cristal plays the captive in this film. "I am not worth fighting for", she says. Ford goes one step further here. Captivity by the Indians is depicted as extremely arduous. The protagonists find few living captives to rescue. The captives they do find are shown as prematurely old and savage. Cristal is an exception. Although she has been a wife to the Comanche chief Stone Calf for five years, she retains something of her aristocratic Mexican upbringing. Perhaps her strong Catholic faith enabled her to avoid the complete degradation typical of captives. Like Debbie in "The Searchers", she has the prospect for redemption. In "The Searchers" it is the strength of the family which provides redemption. Here it is a stagecoach to a new life in California.

The pace in this film differs from many Ford films. There is only one action scene. Much of the film is spent in quiet moments. In the opening scene McCabe (Stewart) is relaxing on the porch of the saloon. It is obvious that he has his law enforcement duties well in hand. In another scene he and Lieutenant Gary (Widmark) are resting on the banks of a river. There is also a significant interlude as the wagon train camps at Oak Creek. There is also a dance at the fort. At the end of the film McCabe returns to Tascosa to find someone else relaxing in his place.

McCabe is an interesting character. His ethics are questionable. He owns 10% of everything in Tascosa, he says. He'll do almost anything for money. He makes it clear to the colonel that he figures that each captive he brings back is worth $500. He then makes a deal with Henry J. Wringle (played by Willis Bouchey) to bring back a boy, any boy, for $1000. Wringle wants to get on with his business and can't afford to waste more time looking for his wife's son. McCabe is more than happy to oblige him, bringing back a boy whose savagery is unquestioned.

In the end there is redemption for both Stewart and Cristal. Both of their characters are interesting and well acted. It is a pity that so many other characters in this movie are wasted. Woody Strode's part as Stone Calf is particularly disappointing. The script gives him very little to say and do. He is around only long enough to go against Stewart in the film's only action sequence. Andy Devine provides much of the film's humor, but is not really credible as what McCabe calls "that hippopotamus of a sergeant".

I wish the film had spent more time focusing on Stewart and Widmark's mission to the Comanche camp as the film's title suggests. Unfortunately, it's only a footnote. Despite the flaws, the leisurely pace and Stewart's portrayal of the amoral McCabe make this film a treat.

John Ford's last traditional western was his first with either James Stewart or Richard Widmark; with Stewart first appearing balancing on a chair like Henry Fonda in 'My Darling Clementine' and several of Ford's repertory company still present (including a very eccentric cameo by Mae Marsh).

At first the tone recalls Stewart's subsequent farcical Dodge City interlude in 'Cheyenne Autumn'. But despite the title there's far more talk than riding, and despite a superficial resemblance to 'The Searchers' - from which Henry Brandon returns as a very saturnine Indian chief - Ford plainly wasn't really interested, and the film - as Allan Eyles later wrote - lacks "any real sense of urgency or purpose".

As attractively shot by Charles Lawton in Eastman Color it looks good, however, and it's always good to see either Stewart or Widmark; or Shirley Jones for that matter.