Bitterer Honig

During the late fifties and early sixties a feature of the British film industry was what have become known as "kitchen sink" films- social-realist pictures focusing on the lives of ordinary working-class people. Tony Richardson was one of the key figures in this movement, and "A Taste of Honey" is one of a number of such films directed by him; others include "Look Back in Anger" from 1958 and "The Loneliness of the Long-Distance Runner" from 1962. All of these films are based upon literary sources, in the case of "A Taste of Honey" upon a play by Shelagh Delaney.

The main character is Jo, a working-class Manchester teenager. The plot is a fairly simple one and charts Jo's relationships with her sluttish mother Helen, her sailor boyfriend Jimmy, Helen's car-dealer lover (and later husband) Peter and Geoff, the young man who befriends Jo after Jimmy disappears back to sea leaving her pregnant. There are a number of fine performances, from Murray Melvin as the gentle, sensitive Geoff, Dora Bryan as the promiscuous Helen and from Robert Stephens as the relatively affluent but coarse and vulgar Peter. The best is probably from the nineteen-year-old Rita Tushingham, making her screen debut as the naïve and vulnerable yet determined and strong-willed heroine. She was to become a well-known figure in the British cinema of the sixties and seventies, even though she was far from having classic "film star" looks.

The film contains a number of elements which would have been highly controversial in the early sixties, in particular its non-judgemental attitude towards premarital sex and pregnancy and the mixed-race love affair between Jo and Jimmy. The British cinema was, in some respects, more liberal than its American counterpart at this period. I cannot imagine the Hollywood of 1961 making a film about a sexual relationship between a black man and a white woman. Still less can I imagine a Hollywood film about a sexual relationship between a black man and a white teenage girl, a theme which would probably still be off-limits in 2008.

There were, however, limits to British liberalism. A number of reviewers have assumed that Geoff is gay. Certainly, Melvin plays him with what might be seen as stereotypically gay characteristics- he is, for example, rather effeminate in his voice and gestures. He is also much more "domesticated" than Jo, being better than her at cooking, needlework and housekeeping. He is never, however, identified in the script as a homosexual; there is no reference to his having sex with, or being sexually attracted to, other men. Indeed, it is suggested that Geoff is romantically in love with Jo, and he even proposes marriage.

It should be remembered that, at the time this film was being made homosexuality was still illegal in Britain and there had never been a British film with an explicitly gay theme; the first such was "Victim", which opened in August 1961, only a month before "A Taste of Honey". When "The Trials of Oscar Wilde" came out the previous year it refused to admit that Wilde actually was a homosexual, but rather tried to give the impression that he was the victim of unfounded gossip, of a deliberate conspiracy to blacken his name and of perjured evidence.

Like a number of "kitchen sink" films, it has a strong sense of place, conjured up by its atmospheric black-and-white photography of Manchester scenes, especially the terraced houses of the working-class districts. We see recognisable landmarks such as the city's Town Hall, the Ship Canal and Blackpool Tower (Like many working-class Mancunians from this period, Jo and Helen take their holidays in Blackpool).

Another notable feature of the film is the presence of children. The film opens and closes to the accompaniment of the nursery rhyme "The Big Ship Sailed on the Alley-Alley-O", and in several scenes we see children playing outside. (Among them, apparently, is the future Government minister Hazel Blears). Richardson's intention was presumably to contrast the innocence of childhood with the cares of adult life and to stress that Jo is little more than a child herself. Indeed, when the film opens she is still a schoolgirl, probably aged fifteen, that being the age when most pupils left school in the early sixties, unless they were intending to obtain formal educational qualifications such as O-levels. Delaney herself was only seventeen when she wrote the play on which the film is based.

"A Taste of Honey" perhaps lacks the dramatic power of some of the social-realist films of this period, such as J. Lee Thompson's "Tiger Bay" or John Schlesinger's "A Kind of Loving". It is, however, a sensitive, well-acted and occasionally humorous look at human relationships and one of the better British films from this period. 8/10

Rita Tushingham is excellent as an unhappy girl. Her mother (Dora Bryan) is a slattern. The mother is interested primarily in her dubious good looks and gives almost no attention to daughter Jo (Tushingham.) In one of the few heart-to-heart talks -- in which she tells Jo that her (Jo's) father was a simpleton -- she says that we always remember our first.

Jo's first is indeed a very handsome sailor. He's black.

I'm not going to give anything beyond this away other than to say that Jo becomes best friends with a gay man Murray Melvin. He is the best thing that ever happened to her.

Shelagh Delaney, who wrote the play as a very young woman, wrote the screenplay with director Tony Richardson. It's opened up but not in an annoying manner. I think it's one of Richardson's very best.

I saw this when it first came out. I was a kid and very impressionable. I haven't seen it since but find I'd forgotten little. And that includes the wonderful music. I had never heard the song children sing at the beginning, about a big ship sailing, before nor have I heard it since (until tonight when I watched it again.) But I have never forgotten it.

'A Taste of Honey' provides a grim slice-of-life look at the working class poor in early 1960's England. Teen pregnancy, an openly homosexual companion, a negligent single mother and homelessness are featured- mainstream topics in today's movies, but this was released in 1961, folks (beats me how they got it past the censors). This sensitive, remarkable film should be required viewing for junior high schools.

Shelagh Delaney's screenplay for "A Taste of Honey," based on her play of the same name, remains a moving period drama. Beautifully directed by Tony Richardson, this film evokes all the stark realism of the famed English "New Wave/kitchen sink" dramas (made popular by John Osborne) of the late 50s/early 60s.

Rita Tushingham is striking as an working-class adolescent girl, growing into maturity--first through her pregnancy by a young sailor, played by Paul Danquah, and then by her association with a sensitive man, played by Murray Melvin. Dora Bryan is impressive Tushingham's mom.

The sparse photography, sets and score, all combine to make an unforgettable statement.

Taste of Honey is evocative of life in Lancashire in the 1960's. The scenes of what were called the "Whit Walks" must bring back memories to many Lancashire folk, as must the scenes of England's most famous seaside resort; Blackpool. The film made Rita Tushingham a houshold name. Her portrayal of the the schoolgirl "done wrong" is second to none. Her large wide eyes show the fear and her innocence at the same time. Dora Bryan is magnificent as the "couldn't-care-less" mother who's quest for a good time is at the expense of all others. The film is well worth a watch, particularly if you are a fan of British films of the 60's. Watch out for a continuity gaff in the scenes on the pier!