Ein Toter spielt Klavier

This is quite possibly the best of the Hammer films, it's labeled as 'horror', but is more of a classic psychological thriller. The plot revolves around Susan Strasberg's visit to her father's estate after a decade of estrangement. Her physical condition (in a wheelchair, unable to walk after a horseback riding accident) and the recent death of her long time companion set her up to be the 'perfect victim'.

Her step mother, Ann Todd, and the family chauffeur Ronald Lewis are oh-so accommodating and thoughtful, explaining that her father is out of town. But, Strasberg starts to see dead dad popping up all over, while Todd, Lewis, and family doctor Christopher Lee try to persuade her she's just stressed and overly-imaginative. Is she crazy? Are they gas-lighting her? Although the viewer will remain suspicious, we are wisely kept in the dark as to motives (of all the characters..) until the final twist. The black and white photography is really well done -moody, shadowy - and is probably as important as the characters which is not the usual Hammer screamer in intense shades of red.

Any fan of Hitchcock(ian) suspense and/or horror should track down this film...you won't be disappointed. This is one film where the actors really seemed to love being in their perspective roles...this is full of unexpected thrills! unpredictable twists and turns...this one will keep you guessing and watching. Don't miss it!

Scream of Fear aka Taste of Fear (1961) is a marvelous, unknown (at least to me) Hammer film. The story concerns a girl in a wheelchair going to live with her Dad whom she hasn't seen in years. Upon arrival, she meets her stepmother for the first time and is informed that her Dad is away on business. That night, she investigates a strange light in the summer house and discovers here dead father. In her horrified state, she falls into the pool. After she's revived, an investigation of the summer house reveals nothing. As the strange events continue to occur, the local doctor begins to doubt her sanity. But, with the help of the chauffeur, she's determined to get to the bottom of the mystery before she is either killed or driven insane. Anymore of the story would ruin it for anyone who hasn't seen the movie.

I've seen some call Scream of Fear "predictable". While I agree to a certain extent, there are enough twists and turns in the plot to keep most anyone guessing. While I may have seen some of the events coming, I could have never guessed the ending. To me, it was an "edge of the seat" movie from start to finish.

The acting is first rate. All four of the major characters are brilliantly played. Susan Strasberg is convincingly fragile as the wheelchair-bound Penny Appleby. Ronald Lewis and Ann Todd are perfect as the chauffeur and stepmother, respectively. And, although all he does is come to dinner and talk psycho mumbo jumbo, Christoper Lee is mysterious and convincing as Dr. Gerrard.

Everything else about this film, from the beautiful black & white photography to the creepy score, is perfect. I've really got nothing bad to say.

Whenever I think of Hammer Horror, I think of bright colourful camp films; but Hammer also made a handful of black and white mysteries, and many of these stand up as some of their best films. Hysteria, Nightmare and Paranoiac are all very good films; but Seth Holt's Taste of Fear tops the lot! This suspenseful mystery draws the viewer in from the start and doesn't let go until the credits role. The film introduces the wheelchair bound character Penny Appleby; an amiable young girl who strives for independence in spite of her disability. The story picks up upon her return home to the French Riviera for the first time in ten years at the request of her father. Her nightmare starts when she begins seeing the corpse of her father at random places around the house and grounds of the place where she's staying. The friendly chauffeur Bob decides to help the girl get to the bottom of the mystery, but everything is turned upside down when it becomes obvious that nobody in the film is what they appear.

Initially, the film plays out like it's going to be quite predictable; and indeed, my prediction for what is going to happen actually does happen...but director Seth Holt doesn't show his hand too early, and there is a major twist at the end that I certainly didn't see coming. Director Seth Holt does a really good job with this film, as he gets good performances out of all his cast, the twists are well worked; and best of all, the atmosphere is scintillating! Holt continually imposes an oppressive air of foreboding over the film, and the creepy house provides a fantastic location for a film like this to take place. The film features a relatively small role for Hammer regular, Christopher Lee, who gets to don a silly accent while remaining mysterious. Lead actress Susan Strasberg is the pick of the cast, however, as aside from being stunning; she's not a bad actress either. The film works principally because it keeps the focus on the mystery, and this means that it retains its thriller intentions throughout. Overall, this might be a lesser known Hammer film; but it's not lesser in quality, and I wouldn't hesitate to name this as one of the best films the studio ever produced.

Considering the movie is essentially a single set, 4 actors, and a "dead man", it's a heck-uva good little thriller. Credit should go to writer Sangster, director Holt, and 4 excellent performances, especially Strasberg's vulnerable young woman. Okay, the whole story is pretty contrived with a number of unexpected twists, but the measure of a thriller is how well you're glued to your seat, and this one uses epoxy.

So, what's up with Penny's (Strasberg) dad. He keeps turning up in odd places like the bottom of a pool. For a guy who looks dead, he sure gets around. And what's with step-mom Jane (Todd) always fussing around in the background, along with her friend the doctor. If I were Penny, I wouldn't let Christopher Lee's doc anywhere near my neck. Good thing Penny has the handsome chauffeur Bob (Lewis) on her side, because that wheelchair keeps going off- track. For some reason, the movie, especially the rancid pool, kept reminding me of the French classic Les Diabolique (1954).

I'm rather curious, however, about actor Ronald Lewis, a strong presence, and perhaps the only actor of the period to appear in a male bikini. He was a suicide at a relatively young age, suggesting a backstory of some kind—too bad IMDb couldn't provide more. Anyway, the movie manages to prove that sunny new mansions can be just as creepy as old dark ones, and that the ritzy French Riviera may not be a good place to vacation, especially if you're trying to get an ocean view from the cliffs.