Im Safe wartet der Tod

"Strongroom" is a classic example of how a supposedly insignificant "B" film, can catch the viewers attention, and hold onto it like a vice. Of many such films produced in the UK, during the mid-50's/early 60's, it is quite probably the best. The story, outlined by other reviewers, is quite novel and the acting is generally top notch, given the film's limited budget. The script, and more importantly the direction, is absolutely first class and Vernon Sewell does an excellent job in cranking up the tension throughout the film. The ending is hard-hitting and unexpected. All-in-all, a super little movie that won't disappoint anyone who seeks it out.

i came across this old gem a couple of years back and taped it off the t.v. It's an old black and white bank robbery film. The robbers plan a one-off bank robbery, but it doesn't quite go to plan after they lock two hostages in a safe. Their guilty consciences get the better of them, and they return to the scene. Simple, exciting tale that i can watch time and again.

I first read about this film about fifteen years ago, but it never seems to have had a release on the home video market, and it's taken until now before I finally was able to catch one of its rare outings on television.

Considering it was a low budget affair made over fifty years ago, I thought it stood up very well as a tight drama and it managed to hold my interest throughout. But let me be clear: there are no big action scenes, no explosions, no car chases or bouts of fisticuffs in this crime thriller. There's no big crowd scenes and there's not even any incidental music. This is a film which succeeds through its sheer good telling of a story, through good characters, a strong cast and a clever, gradual cranking up of the tension from the very start to the very finish.

The plot is relatively simple: Three crooks (played by Derren Nesbitt, Keith Faulkner and Morgan Sheppard) realise their plan to rob the local bank. To give themselves the best chance of getting far away before the alarm can be raised, they strike just as the bank is about to close up on a Friday evening leading into a holiday weekend where the business isn't due to re-open until the following Tuesday. Hoping to catch the bank manager (Colin Gordon) alone, they have little choice but to execute their plan whilst another staff member (Ann Lynn) is also working late.

Their meticulously-planned scheme works perfectly – almost. Although they get away with the money, an unexpected event means that the crooks have to lock the bank manager and his female assistant into the bank vault (the 'strongroom' of the title) in order to evade immediate detection.

Both the prisoners and the crooks subsequently realise that the air in the sealed vault will be exhausted well in advance of the bank's scheduled re-opening for business. What follows then is a grim tale of humanity as the prisoners desperately seek a way out of their predicament and the crooks have to wrestle with their own consciences as precious time ticks away.

Nesbitt steals the show as the driving force of the villainous trio, a charismatic man who sees himself more as a roguish Robin Hood figure than a genuinely evil person and who meets resistance from his fellow conspirators when he suggests they risk their liberty and their newly acquired riches in order to go back and save the two bank employees from suffocating.

Another highlight is Colin Gordon's performance as the bank manager, a rather stuffy and professional man whom the situation forces to open up to his younger female colleague and also lumbers him with the unwelcome responsibility of trying to play the hero.

The juxtaposition of scenes of desperate plight with others depicting authority figures dallying and dithering plays out like a grim, serious version of Robb Wilton's famous 'fire station' comedy sketch and serves to maintain the tension while the plight of the bank robbers also takes some unexpected twists and turns. Even the very climax has one last crucial contribution to make.

Yes, there are a few things in the film which don't make too much sense. Could Nesbitt's character really not call the police to tip them off that there were people trapped in the vault? Or could he have called somebody else and told them if he was worried about the police tracing the call?

But when the end product is so good, I'm prepared to overlook a few shortcomings. Laced with lots of cameos by some of the best character actors of the day, Strongroom is a stark reminder to modern filmmakers that you don't have to be spectacular to succeed with your audience. I'm so glad this film was let out for air and wasn't kept locked away in a vault where nobody would ever find it again!

STRONGROOM is a simple and straightforward thriller that manages to pack oodles of tension into its brief running time. It was helmed by B-movie maestro Vernon Sewell who had a long career throughout the 1940s and beyond making B-movie thrillers before ending his career in schlock horror with the likes of CURSE OF THE CRIMSON ALTER and BURKE & HARE.

This tale is a simple one about the usual bank robber antiheroes who rob a bank and lock a couple of employees in a vault. However, the twists of the plot mean that they quickly realise that the employees will die if they don't rescue them, and this against-the-clock tale unfolds alongside a typical police procedural investigation.

STRONGROOM benefits from a compelling performance from Derren Nesbitt as the chief robber; he brings a ruthless, sweaty streak to the role and makes this quite compulsive watching. And there's always plenty of suspense to be had from a "running out of air" storyline such as this; the ending is particularly strong.

Strongroom is directed by Vernon Sewell and written by Max Marquis and Richard Harris. It stars Derren Nesbit, Colin Gordon, Ann Lynn, Keith Faulkner and W. Morgan Sheppard. Music is by Johnny Gregory and cinematography by Basil Emmott.

Three men enact a bank robbery and lock up the manager and his secretary in the vault. Upon making their getaway it dawns on them that the two in the vault could die from lack of oxygen and thus landing them as murderers should they be caught...

Every once in a while a "quota quickie" or "B" crime movie really strides out on its own to stand tall and proud, Strongroom is one such film. Originally the support feature to the George Chakiris film Two and Two Make Six, Sewell's picture went down well enough with the public that it often became the main feature in some theatres.

Compact at just 80 minutes in length, it's a picture heavy on claustrophobia and thematic stings, embracing that old noir devil of fate along the way. It's directed in a tight no-nonsense way by Sewell, who manages to keep things moving without it being at cost to nail biting suspense. Well performed by all involved, it's a film that never once cops out, right up to, and including, the quite brilliant finale. 8/10