Der Mann, der einen Mord vergaß

This is quite an engaging story of a man "Logan" (William Franklyn) who comes to on a bombed-out Wapping waste ground with a bloody head. On returning home, he discovers from wife "Julie" (Moira Redmond) that he has been AWOL for three weeks - and he has no idea what happened in the intervening time. It soon becomes clear that his mysterious disappearance is connected with his business - he designs and instals safes - and he must try and piece to gather what happened. Neither the writing (it's a bit repetitive) nor Franklyn are great, to be honest, but Nigel Green and Leonard Sachs (with Tony Booth) help chivvy things along now and again. It's pretty obvious why "Logan" was the target, but the perpetrators remain a mystery til quite near the end and as low budget Butcher's efforts go, this is up in their upper echelons with a smidgen of psychology injected into the plot, too. Could have done without Ronnie Hall and his crooning, though....!

Thanks to a reasonably interesting story and strong cast, this is one of the better films from ultra low budget Butcher's Films. The paucity of resources does show up a little however in the rushed climax - presumably there wasn't enough money to stage a big action scene.

Casting cognoscenti will appreciate the fact that two of the villains are played by "The Good Old Days" impresario Leonard Sachs and the Prime Minister's father-in-law, Tony Booth!

William Franklyn is a normal, middle-class fellow. He's got a business installing extra-secure safes for jewelers. He's got a pretty staff, a wife and a mistress. His trouble is he just woke up in the middle of an old bomb site with no memory of what he's been doing for a long time. His wife, Moira Redmond, says he's been missing for weeks. His girl friend agrees to meet him at their cottage. When he gets there, it blows up.

It's an interesting start that suggests D. O. A., but Franklyn, alas, is no Edmond O'Brien, and despite some nice camera work by Basil Emmott, it turns into a rather ordinary crime thriller, decently directed by the competent Lance Comfort. The ubiquitous Nigel Green and Michael Balfour have reasonable supporting roles.

I found "Pit Of Darkness" a reasonable film to watch but with several plot holes, not least no-one wondering if there was a connection between William Franklyn being missing for three weeks and one of his firm's safes being robbed by an expert. And the partner in the firm didn't even mention the incident when Franklyn did turn up. The gang that held him must have been very considerate in allowing him to buy some smart new clothes after they'd messed up those he'd been wearing when they captured him!

It wasn't very bright of Franklyn to accept the blonde hostess's invitation to her flat after her previous invitation to a cottage had nearly led to his death. And then the gang, after several attempts to bump him off, suddenly realised that they needed him to crack another safe.

As another reviewer has suggested, the makers seem to have taken bits of plots from other films and untidily cobbled them together.

Franklyn acted well enough and there were several interesting names in the supporting cast.

PIT OF DARKNESS is another decent British B-film written and directed by Lance Comfort. He seems to have a good run of them in the early 1960s, making every penny of his low budgets count, and as a result this densely-plotted story is one of the better Butcher's Film Service outings in existence.

The film features everyman lead William Franklyn as a kind of proto Bourne, waking up with no memory after suffering a violent assault. The last three weeks of his life are a blur, but it soon transpires that he's been involved with some dodgy characters who haven't quite finished with him. Comfort keeps you guessing as to the outcome of the story, and all is eventually revealed via a lengthy flashback.

This is one of those films where everything just gels together quite nicely. It's certainly not the best of its kind but it's also hard to fault. Franklyn is a dependable lead but the supporting cast is even better. Nigel Green is the authoritative and a youthful Anthony Booth a spiv type. Nanette Newman makes an impact as a woman caught up in the plot. Leonard Sachs is a slimy villain and the delightful Michael Balfour a henchman who shows up towards the end. The climactic scenes in particular are quite exciting and overall PIT OF DARKNESS is sure to be enjoyed by fans of this genre.