Die Mongolen

For those of you who got a kick out of Mr. Palance's Attila the Hun in SIGN OF THE PAGAN this film gives you a better, new improved version of his unique brand of barbarity. This man's GOT to have a war or he'll just be miserable. He'll lie, cheat, steal, connive- do just anything in order to HAVE THAT WAR. This is type A personality taken to it's most outer extreme. You can really feel the almost unbearable frustration he seems to experience when his old dad Genghis Khan tells him that they're going to try for a peaceful solution with the Poles. Well, anyhow, it all ends badly for Jack (and dad). Anita Ekberg as a truly ice cold partner/lover of Jack's is fascinating to watch as well in a sort a somnambulistic way; she's pure deceit. And I was also rather entranced by the head Polish knight's seeming death wish in his relentless, driven fixed idea of obtaining peace with the Mongols. Discouraged at almost every turn, the son of a gun just would not give up and finally came out on top in the end (and got the girl, too). A good lesson in superhuman determination.

Historical adventure flick, but average epic movie, with known actors and a lot of extras, in fact it packs a cast of hundreds, if not of thousands. Genghis Khan: Roldano Lupi, lustful of territory and power invades Poland along with his encroaching army , sweeping in blood and fire the European countries. Then the Polish prince attempts to make peace but Attila's son, Ogotai : Jack Palance, rejects it , being supported by his lover, the Swedish/Italian model-actress Anita Ekberg who portrays Hulina, an action woman perfectly capable matching him in badness and brutality, both of whom wish wage war. Along the way they try to conquer the Polish stronghold of Cracow. While the Poles, wary of the approaching Mongols send Stefan of Cracow : Franco Silva, to negotiate a peace arrangement with Genghis Khan and his another son Temujin : Gabriele Antonini. By the way Stefan of Cracow enters into a love/hate relationship with a Polish village girl who finishes falsely believing that Stefan klled her would-be betrothed.

This spectacular sword and sandal film shot in Yugoslavia packs noisy action, large frames of men on horseback ready to fight, breathtaking battles , a scorning love story, thrills , hokey historical happenings and a cast of thousands. The picture is partially based on historic events about the Mongol encroachment over North and Central Europe. Weak screenplay by Luciano Martino, Ernesto Gastaldi, Ugo Guerra, blending various facts with no much sense. Overacting by Jack Palance, as usual, as the violent and cruel Ogotai, he is at his menacing here . Palance dominates this historical adventure with his hysterical acting as a relentless warrior with only one thrist : bloody revenge and annihilation. Palance played several exotic/historical roles featuring plenty of treachery and deviousness, such as as The Silver Chalice, Attila, Revak the rebel, Rosmunda and Alboino, The horsemen, Barrabas, among others. He is well accompanied by a good support cast, such as : Antonella Lualdi, Franco Silva, Roldano Lupi, Montaigne, Pierre Cressoy, Gabriella Pallotta, Gabriele Antonini, George Wang and Gianni Garco : Sartana.

It contains colorful cinematography by Aldo Giordani and epic in score, shot on location in habitual Yugoslavia outdoors . And rousing and moving musical score by Mario Nascimbene. This costumer motion picture was regularly directed by Andre De Toth (Carson City, House of wax, Springfield rifle, Passport to Suez, Man in the saddle, Riding shotgun, Pitfall, Tanganika, Hidden fear), Leopoldo Savona (Two little orphans, Apocalypse Joe, Killer kid, Byleth, Fra Diavolo, Texas the Red) and Riccardo Freda (Il vampiri, Teodora, Horrible Dr Hitchcock, Beatriz Cenci, Benbenutto Cellini, Spartaco, Maciste in court of the great Khan), this latter uncredited. Rating 5.5/10. Passable and acceptable but mediocre.

This was one of a number of low-brow peplums about ancient warrior tribes made in the wake of THE VIKINGS (1958) – this one even boasted a similarly rousing score by that film’s same composer, Mario Nascimbene. Others in this vein included THE COSSACKS (1960), THE TARTARS (1961) and ATTACK OF THE NORMANS (1962) – the latter being the only one in the bunch that I’ve watched, though I did lose the first one a couple of times on Italian TV.

Actually, this one turned out to be pretty good – and, I have to say, it lived up to the review on “Stracult” where special reference is made to its sequences of bloodthirsty action and sadism. Jack Palance gives the role of Ogotai – son of Asian potentate Genghis Khan – his eye-rolling all; he’s abetted by an equally evil Anita Ekberg (the mighty but battle-weary Khan himself perishes by her hand!). The unhistorical narrative involves the Mongols’ raid of Poland and, in particular, the attempts by one of the latter’s leading figures (Franco Silva) to negotiate a peace treaty with the Khan – a plan which Palance vehemently opposes and constantly schemes to thwart.

Being a relatively low-budget effort, the triple directorial credit might seem surprising: however, as the Italian credits themselves clearly indicate, this translates to being “A Film by Andre' De Toth” (implying that he was merely engaged in a supervisory capacity), “Directed by Leopoldo Savona”, and “Battle Sequences Staged by Riccardo Freda”. With this in mind, there are fewer of the latter than one would perhaps have appreciated – but these are nonetheless handled with the requisite gusto and grandeur. The rest of the film is largely taken up by various court intrigues on both sides of the fence but also a three-way Polish romance involving the aforementioned Franco Silva, Antonella Lualdi and Pierre Cressoy that tends to swamp Palance’s troubled relationship with his own wife!

As I said, the violence is really at the fore in this film – the Mongols themselves are memorably introduced on horseback dragging a statue of the Virgin Mary through the streets of a Polish city they’d just ransacked; besides, there are plenty of floggings (Ekberg herself lends a hand in the punishment of the perennially imperiled Lualdi), crucifixions (two men are even tied to the wheels of an advancing cart!), burnings at the stakes, etc. The finale, then, sees an Alexander NEVSKY (1938)-type strategy at work with the apparently fleeing Silva and his men luring the pursuing Mongol forces into a deadly swamp. The film was good enough almost to merit a *** rating from me…but, at 115 minutes, it’s quite a long haul – especially since it resorts too often to contrived (and repetitive) plotting.

When Jack Palance signed on to do The Mongols an Italian produced epic shot in Yugoslavia he merely took out his former performance of as Attila The Hun ratcheted it up exponentially. When you're in a turkey like this all you can do is gobble gobble at the moon.

The only names we Americans will recognize are that of Palance playing Ogatai son of Genghis Khan and his lovely blond amazon wife played by Anita Ekberg. I will say this the writers did make provision for the fact that she clearly does not look like a Mongol and did mention that she was from a captive people. Perhaps a Viking settlement somewhere in Eastern Europe might explain it. I'll say this with that massive endowment of her's Anita looks good even in that Mongol armor. One fill figured girl she was.

When Palance is on there isn't a stick of furniture left standing. He is having one great old time overacting against the background of these continental cast members who sound stiff as usual with their dubbed voices. The Europeans have decided to sue for peace and have sent the film's nominal hero Franco Silva playing Stephen of Cracow as a peace emissary.

But Palance really gets his jollies with all the blood and guts and he doesn't want to stop the fighting. In this he's aided and abetted by Anita. So nice when husband and wife have a mutual interest. He and Anita do what they can to sabotage a cease fire.

In the end it's pulled out and western civilization itself is saved by a seasoned soldier taking home town advantage of the elements.

Jack Palance fans should get a real charge out of this film watching their guy dine on the scenery. The Mongols will give you quite a few unintentional laughs.

As many other American directors, Andre De Toth finished his career in Europe; this movie seems to be a response to Richard Thorpe's THE TARTARS, produced the same year, and starring Victor Mature and Orson Welles. Rudolph Maté, Hugo Fregonese, Vincent Sherman, Edgar G Ulmer, and many other film makers finished their filmographies in Italy or Spain. This one is a pretty good one, offering splendid settings, good pace, good scenes, a gorgeous Anita Ekberg as a villainess whom you won't forget. I saw it for the first time when I was just thirteen and have never forgotten it. I like this Andre De Toth's movie.