Mutter Johanna von den Engeln

It's a pity this movie isn't available on dvd or vhs - it certainly deserves a wider audience. In my opinion it is not only Kawalerowicz's ultimate masterpiece, but one of the most profound and rewarding polish movies. Based upon a novel by a foremost polish writer Jaroslaw Iwaszkiewicz, it plunges deeply into the intricacies of human psyche and existence, touching both the philosophical and theological issues. Very good performances, especially by Voit and Winnicka, make the story even more compelling. The movie somewhat reminds me of Andriej Tarkovsky's cinematographic explorations.

This movie is a about a priest that comes to a small village to help in the exorcism of mother superior that is possessed by the 8 demons.

Camera: Everything looks fine and is sharp black and white pictures.

Characters: You do not really get any insight in any of the characters except the tormented priest that are there to save mother superior. You never feel any anguish or anything from all the possessed nuns. All the nuns are just happy. I am not sure it the village people at the inn was meant to seem like they were possessed too or just plain demented.

Story: Sorry to say but there was indeed very little of it. Most of the movie was spend watching people that did not tell what happened prior to the movie or moving the story along. Rest of the time was spend following the priest and his doubt in himself and his ability to save mother superior. The exorcism part was fine though but was never followed up on or commented on. The movie may approach some theological issues that could be interesting, but nothing that had not been seen or done better already in 1961.

Classification: Drama | Horror | Mystery - I am quite puzzled why this movie is classified as horror and mystery. There is no horror at all. Mystery I am not really understanding either as the movie do nothing really to tell what happened before and what is now going on. It is a pure drama following the priest

Verdict: Good idea but too long and unfocused. At least half an hour too long. In the end i felt they gave a solution to the priests troubled mind but not any story about the events there. If all being possessed by the devil means for a nun that she is happy singing and dancing then let us all be possessed to make a better world.

If you love old European movies about self doubt and finding yourself and god this may be the movie for you. Otherwise my recommendation is skip it.

The subject of this film is a fascinating one and it has been portrayed in several media with great eloquence. I know nothing at all about the director of this film except that he is apparently not an experienced director at all. He might be a writer or theologian or philosopher but his field of expertise does not extend to direction. The film is poorly paced, verbose and it drags on for at least thirty minutes in excess. It repeats itself almost literally near the end to make a rather feeble point that it actually does have structure with apologies, I suppose, for the talk fest for the past two hours plus.. Frankly,I can't find anything to admire in it.

Curtis Stotlar

Father Jozef Suryn (Mieczyslaw Voit) is the latest in a long line of priests dispatched to an isolated 17th century convent to investigate the rumours of satanic obsession and possession affecting the nuns who live there. His particular task is to exorcise Mother Joan of the Angels,(Lucyna Winnicka) the mother superior of the convent who it would seem is possessed by numerous demons. Father Josef has been in training so to speak for many weeks, through prayer, abstinence, limited fasting and self flagellation and when he arrives at a nearby inn, he is shocked at the rumours he hears from the locals,who seem to take great pleasure in telling him of his difficult task, a task it would appear his that is going to be very difficult as the previous incumbent of his job had just recently been burnt at the stake.

Mother Joan of the Angels was in fact based on real events and might be considered by some as one of the earliest examples of Nunsploitation, but the film is not exploitative in any way and never resorts to nudity or explicit sex, in fact it's a beautifully filmed, superbly acted horror drama that it would seem was very influential on William Friedkin's The Exorcist(1973), in fact if I hadn't previously known of its influence I would be comparing it to that film along with perhaps Bergman's Sjunde inseglet, Det (1957)a film set in a similar time frame that also boasts many wonderful scenes of rusticity amongst the peasants and that explores their every fear, not least in the first 15 mins where Mother Joan of the Angels is, it must be said, slow to get going, but in a good way, as Kawalerowicz builds up the tension, there is much talk and speculation amongst the peasants as the demonic things that go in the convent, the viewer is left in high anticipation of the evil that lurks there. The stunning high contrast black & white photography by Jerzy Wójcik is reminiscent of many an expressionistic silent era film, in particular the first meeting between the two main characters is superb as the juxtaposition of Suryn's black hair, black beard and black robe against Mother Joan's pure white habit and headdress is very striking, mainly because the classic colours of good and evil are actually reversed, for Mother Joan is possessed by no less than eight demons which don't take long to show themselves to Suryn, his plight seems doomed to failure as he is a man unsure of his own ability, his wide eyes giving away his fear of the demons and his task ahead. On the whole the film is an very intelligent character study that also touches on some very interesting theological issues, issues that are explored when Suryn goes to a local Rabbi for help. The only negative I would say for the film concerns the DVD which had some really poor subtitles, other than that I can't recommend it highly enough.9/10

A priest is sent to a small parish in the Polish countryside which is believed to be under demonic possession and there he finds his own temptations awaiting.

I had never heard of this before it ended up on one of my lists and the title did not instill much confidence. Instead, it shocked and amazed me. Whether this is a "horror" film or not is open to debate. I think it is, but it is done in such a way that it will appeal to a wider audience than just the horror crowd. At the time his film was made, how many possession movies existed? To my knowledge, not very many.

The gritty lack of color, this is a film that deserves to be highlighted by scholars and movie lovers alike. I understand Martin Scorsese gave it some love, but perhaps there is more that can be done.