Das Monster von Tokio

In the early seventies there were two late night horror movie shows where I lived: NIGHTMARE THEATER on channel 7 and SUSPENSE THEATER on channel 8. My dilemma was that both programs were on simultaneously(around midnight on Fridays),and I always had to decide which one I wanted to watch. On one particular Friday I chose the NIGHTMARE THEATER movie, opting to check out the other channel during the commercials. During one of those breaks I switched over just in time to see the infamous "eye-growing-on-the-shoulder" scene. A while later I looked again and saw that eye growing into an entire head! I left it on that channel until the show was over. I have no memory of what the other movie was.

"An American reporter traveling in Japan stops to meet and interview a reclusive Japanese scientist at his mountain laboratory. The scientist greets the curious newsman and, after getting to know him, concludes the reporter is the perfect test subject for his latest experiment. After injecting the reporter against his will, the scientist discovers his serum changes the man into a..." according to the DVD sleeve's synopsis.

Don't join "The Manster" in progress, as its opening scenes are very striking. The erotic sight of two young Japanese women bathing is interrupted as mad scientist Tetsu Nakamura (as Robert Suzuki) must immediately deal with his violent brother ("An experiment that didn't work out"), while his wife (another "experiment that didn't work out") screams in her cage…

Mr. Nakamura takes charge of the situation by killing his brother; then, Peter Dyneley (as Larry Stanford) conveniently shows up; a self-described "brilliant and highly underpaid foreign correspondent", Mr. Dyneley wants to interview Nakamura about his research on "the secrets of evolution". Nakamura is a very perceptive mad scientist; he senses Dyneley is a sex-stared alcoholic, who lies about his age. Dyneley laps up Nakamura's offer of booze and flooze.

With some re-writes and re-takes, George Breakston (a former child actor) might have had a genuine classic. Still, "The Manster" is some good fun.

***** The Manster (7/59) George Breakston ~ Peter Dyneley, Tetsu Nakamura, Jane Hylton

I saw this thing as a child, for chrissakes, and still vividly remember that darned eye! Since I didn't exactly knew what a movie was (I was a VERY SMALL little runt) and didn't understand a word of English, and though the movie was subtitled in Spanish I didn't yet know how to read, I was absolutely terrified! Were there really people around us who grew eyes on their shoulders, turn into really scary monkeys that split in half, and then each half tried to strangle each other? I don't understand. Is this for REAL!?

It really took me a while to get over that one, I'll tell ya, until I saw The H-Man Monster and the whole stinking nightmare started over again.

Is this for REAL!?

As one poster put it... this is the film you saw as a kid but never remembered its name. I did!!! It is kinda cheesy...but I've seen much worse. But for its time, I gotta hand it to the make up folks and the actor's reaction for that scene with the eye on his shoulder. Gosh! Ya gotta guess that most of the budget went into that, and what fun! There isn't one person I have shown this film to that hasn't gasped at it! I just wished the rest of the film was that way. This is one film that HAS to be in your Halloween collection...your "low budget" vintage B movie horror collection...you know you've got one. Set it right between the William Castle films and the Hammer Films!! Get this film, get it now. It's a hoot!

I can't understand why 'The Manster' isn't better known! It's often unfairly lumped in with 'The Incredible Two Headed Transplant' and 'The Thing With Two Heads', but 'The Manster' is much more than a kitschy gigglefest. It is closer to another forgotten Japanese 60s movie, 'The Human Vapour', made around the same time. Both movies use horror/sf trappings to explore questions of identity and what it means to be human Philip K. Dick style. Neither reaches the giddy, hallucinogenic heights of PKD's best work, but they are both a cut above your average "monster movie" of the era.

'The Manster' concerns a cocky American journalist who befriends a charismatic Japanese scientist. The scientist's lifestyle seduces the journalist who goes off the rails and ignores his job, wife and responsibilities. He thinks he's just letting his hair down after several years of hard work, but doesn't realize that he is the unwitting guinea pig in an ambitious scientific experiment which turns out horribly wrong.

Try and see 'The Manster', and if possible make it a double bill with 'The Human Vapour'. You'll see that was a LOT more going on in Japanese fantastic cinema that Godzilla, Mothra, et al. 'The Manster' is a low key, imaginative movie just waiting to be rediscovered!