Bei Vollmond Mord

This isn't Jack Nicholson or Benicio Del Toro's wolf-man. it isn't even close to Paul Naschy's beast. This one doesn't even have a werewolf face, and only scratches the victims. Maybe that is why they changed the title from Werewolf to Ghoul.

But, to see one of the early classics is still worth the time.

It is more of a mystery, as Mary (Mary McNeeran) is blackmailing a professor (Maurice Marsac) with some old letters. She is the first victim. Is the professor the killer, or the new teacher (Carl Schell) in school?

Priscilla (Barbara Lass) comes into possession of the letters and tries to find out who killed her friend. (NOTE: Lass was briefly married to Roman Polanski, and, believe it or not, this is one of her best roles in a long career.)

Several murder and several suspects. Who is the ghoul in the girl's dormitory?

Werewolf in a Girl's Dormitory was scripted by Ernesto Gastaldi, and anyone who knows that name won't be surprised to find out that despite being a werewolf film, this is also a clear precursor to the entire Giallo sub-genre. The film features themes that would go on to become the staple of the Giallo; including a setting full of attractive young girls, and an unknown killer who is picking them off. It has to be said that this film was ahead of it's time, and as the title suggests, the killer in this film is a werewolf, and it would seem that the main inspiration for the scriptwriter was the Universal classic 'The Wolf Man', although themes from more wayward titles such as 'Psycho' definitely shine through. The plot focuses on a dormitory for tearaway girls. When one of them is murdered, apparently by a werewolf, suspicion falls on the new science teacher at the school. Naturally, the crime is attributed to some wolf-like creature, and when the murders continue; the detective on the case ends up getting a surprise!

The film is shot in black and white, and looks very cheap throughout. This is certainly a reflection on the budget restraints, although they don't harm it too much as the mystery plot is often enough to pull it through. The scriptwriter would certainly improve as his career went on; with his collaborations with ace director Sergio Martino representing his best work. As you might expect, there isn't a great deal of violence and murder in the film; a reflection on the time the film was made, although this doesn't hurt the film too much as a plot like this doesn't always need blood and guts to succeed. The cast doesn't shine too much, and it's not hard to see why many of them didn't go on to receive cult status, although Carl Schell does stand out; mostly because he looks a bit like Peter Lorre. The conclusion to the story doesn't contain much in the way of surprise, as it's always obvious what the murderer is; although the way that the ending plays out is good in that it inspires some thinking. Overall, while this isn't a particularly good film; it deserves extra plaudits for its influence and frankly bizarre plot, and is definitely worth seeing for Italian horror aficionados!

Mystery ... intrigue ... actresses sounding like they're having an orgasm while being attacked by a monster ... this was what good film-making was all about in the fifties and sixties. Lycanthropus has all of this and more.

After murders begin to occur at a reformatory school, the students and indeed some of the teachers begin to suspect (rather randomly) that a werewolf is responsible. It quickly becomes a mystery to discover who the werewolf is, with several red herrings thrown in before the real killer is revealed to the audience.

This movie is notable as being probably the first Italian werewolf movie ever made. It was released as "Werewolf in a Girl's Dormitory" in the US with the usual crappy dubbing, which is always good. The over-acting on screen coupled with the vocal over-acting will mean plenty of entertainment for fans of those awful old B-movies. However, aside from a couple of key scenes, it's not quite bad enough to be good. The guy who plays the creepy janitor reminded me a lot of Peter Lorre, so his performance was quite enjoyable, but basically there's not enough content here to fill the entire ninety minutes. There are large segments which are just plain dull.

It's pretty much an average B-movie, good for collectors and genre fans.

Just last week, I finished reading Guy Endore's classic 1933 novel "The Werewolf of Paris," a highly intelligent, insightful look at this legendary creature of modern-day folklore. Last night I watched the 1961 Italian/Austrian coproduction "Werewolf in a Girls' Dormitory," a film that is hardly classic, overly intelligent or insightful, but that did come as a nice treat for me anyway. To my great surprise, this is not the teenage lycanthrope panty raid that I had been expecting, or the camp fest that the title would lead one to anticipate. The film deals with a series of brutal murders in a young women's reformatory school in what is supposed to be the U.S. but feels distinctly European. To its credit, the movie boasts some pretty creepy atmosphere, effective music, very passable B&W photography, and very decent acting (although it's hard to tell for sure about that last with the terrible dubbing). It feels like a cross between a monster flick and an early Italian "giallo," with a dash of mystery thrown in. Who IS the werewolf? Is it the new, hunky blond professor with a secret in his past? The lecherous old teacher who's being blackmailed by one of the students? Or howzabout the Igor-like, handicapped handyman? Most viewers will never guess; I know I didn't! The Maltin book inexplicably gives this film its lowest "BOMB" rating, but I think the editors there are being way too harsh. Although "Werewolf in a Girls' Dormitory" is nothing great, it still deserves some respect for the effective and well-put-together thriller that it is.

I just finished this movie for the first time and found it entertaining. I personally enjoy old black and white horror films since I grew up with them. This one keeps you guessing and is certainly worth watching if you get the opportunity.