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Eva und der Priester

Originaltitel: Léon Morin, prêtre
  • 1961
  • 12
  • 1 Std. 57 Min.
IMDb-BEWERTUNG
7,5/10
6064
IHRE BEWERTUNG
Eva und der Priester (1961)
DramaKriegRomanze

Im besetzten Frankreich verliebt sich eine ungläubige Frau in einen jungen Priester.Im besetzten Frankreich verliebt sich eine ungläubige Frau in einen jungen Priester.Im besetzten Frankreich verliebt sich eine ungläubige Frau in einen jungen Priester.

  • Regie
    • Jean-Pierre Melville
  • Drehbuch
    • Béatrix Beck
    • Jean-Pierre Melville
  • Hauptbesetzung
    • Jean-Paul Belmondo
    • Emmanuelle Riva
    • Irène Tunc
  • Siehe Produktionsinformationen bei IMDbPro
  • IMDb-BEWERTUNG
    7,5/10
    6064
    IHRE BEWERTUNG
    • Regie
      • Jean-Pierre Melville
    • Drehbuch
      • Béatrix Beck
      • Jean-Pierre Melville
    • Hauptbesetzung
      • Jean-Paul Belmondo
      • Emmanuelle Riva
      • Irène Tunc
    • 30Benutzerrezensionen
    • 56Kritische Rezensionen
  • Siehe Produktionsinformationen bei IMDbPro
  • Siehe Produktionsinformationen bei IMDbPro
    • Nominiert für 1 BAFTA Award
      • 1 Gewinn & 1 Nominierung insgesamt

    Fotos99

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    Topbesetzung31

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    Jean-Paul Belmondo
    Jean-Paul Belmondo
    • Léon Morin
    Emmanuelle Riva
    Emmanuelle Riva
    • Barny
    • (as Emmanuele Riva)
    Irène Tunc
    Irène Tunc
    • Christine Sangredin
    Nicole Mirel
    • Sabine Levy
    Gisèle Grimm
    • Lucienne
    Marco Behar
    • Edelman
    • (as Marco Béhar de la Comédie Française)
    Monique Bertho
    • Marion
    Marc Eyraud
    Marc Eyraud
    • Anton
    • (as Marc Heyraud)
    Nina Grégoire
      Monique Hennessy
      Monique Hennessy
      • Arlette
      Edith Loria
      • Danielle Holdenberg
      Micheline Schererre
      Renée Liques
      Simone Vannier
      • Une secrétaire
      Lucienne Marchand
      • Une secrétaire
      Nelly Pitorre
      • Une secrétaire
      Ernest Varial
      • Le directeur
      Chantal Gozzi
      Chantal Gozzi
      • France
      • Regie
        • Jean-Pierre Melville
      • Drehbuch
        • Béatrix Beck
        • Jean-Pierre Melville
      • Komplette Besetzung und alle Crew-Mitglieder
      • Produktion, Einspielergebnisse & mehr bei IMDbPro

      Benutzerrezensionen30

      7,56K
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      9planktonrules

      Not at all what I'd expect from a Jean-Paul Belmondo film, that's for sure!

      The film is about the relationship between an atheist woman and a local priest. It seems she's come to the church not out of a desire to convert but to join in order to protect herself from the Nazi occupiers, as communist atheists would not be safe. Yet, oddly, during the classes she has with the priest, the woman slowly begins enjoying her meetings and actually gets quite a bit out of them. What happens next, see for yourself.

      "Léon Morin, Priest" is a very well made but very unusual film that took me by surprise. The biggest surprise was the casting of Jean-Paul Belmondo as the title character. In so many other films, Belmondo is cast as rogue--cocky, self-absorbed and charming. This isn't a criticism, but it is odd that the same guy from "Breathless" now plays a very humble and decent priest! As I said, this is NOT what I expected. The notion of an uplifting religious drama and Jean-Paul Belmondo going together is a bit of a shock to me! The other big surprise is how slow the film is and how unexciting it was considering most of it took place during the Nazi occupation of France--yet, the film was still very interesting and compelling! This is no action film but one that is very deliberate and satisfying if you give it a chance. In fact, it's exceptionally well written and acted and I enjoyed it considerably. And, you certainly don't need to be a Catholic to enjoy this one.
      8peefyn

      Reflections on gods and people

      This is a movie that is partly about Christianity, but it doesn't only speak to a Christian audience. First and foremost, this is a movie about characters facing difficult realities, and finding different sorts of solace in each other.

      I must say, Leon Morin was a fantastic character. I'm sure its due to a combination of great acting and writing. It's the kind of priest that you can imagine having long talks with, and the kind of person you can both disagree with and show great respect. I'm sure this movie has opened up the eyes of many when it comes to what a catholic priest can be.

      The backdrop of the story, the second world war in a French town, is interesting, and even though it's not really a war movie, the war is always present in one way or the other.

      While watching the movie, there were times that I thought it was too slow, but after finishing it, those moments were all forgotten. The movie doesn't have a complex plot, or all that dramatic scenes. But there's so much going on between the characters, that it captures you on two levels. One is the conversations themselves, with arguments for and against God (etc.), but the other is decoding the feelings that the characters have for each other. It's easy to expect a cliché, but the movie handled the situation really well.
      9bob998

      Barny, the war, and a certain priest

      My thoughts about this film don't seem to follow any precise structural pattern. I will just note the things that struck me and leave it at that. This movie affected me as no other story set in an occupied country ever has. It has a dreamlike pace and texture.

      Barny sees young Italian soldiers appearing in her town, their hats have plumes--are they with a circus?... She forms a passionate friendship with Sabine, her boss: there will be a scene in which Sabine's breasts are pressed against Barny's neck and shoulders... later we find that Sabine's brother has been deported to a concentration camp... Barny and two other women have their children (who are half-Jewish) baptised. They figure that the church will legitimize their kids in the eyes of the enemy... Barny and Léon start to debate the meaning of faith. Léon makes it clear to her that he is not available, but her yearnings know no bounds. Reading Papini as a substitute for sex... Barny is involved with the Resistance, will hide Jews if required to, but her emotional life must take precedence over these activities.

      There is much more, but I will just say that Riva and Belmondo are superb. After seeing her in Hiroshima, mon amour--in which she played well, but not memorably so--I was startled with her accomplished acting here. Belmondo is tough and moving; Léon is no Don Camillo.
      dbdumonteil

      Melville's least accessible work.

      I generally do not go much for Melvilles's works:a lot of them deal with manly friendship among hoodlums ;they were influenced by the American film noir genre ,as for instance Robert Wise's "odds against tomorrow" but they do not equal them.There are sometimes gigantic metaphysical pretensions ("le cercle rouge" (1970);"le samouraï (1967)).Besides, these works are overlong,slow-moving and dull.

      Paradoxically,his works I find the most intriguing and interesting are his non-gangsters movies:both "le silence de la mer" (1948) and "l'armée des ombres" (1969) deal with French resistance during WW2 and they are both commendable."Les enfants terribles" (1950)perfectly captures Cocteau 's spirit .And then there's "Leon Morin prêtre".

      This movie is a different matter ,because its main purpose is religion.A cast against type Jean-Paul Belmondo (whom Melville would direct again the following year in "Le doulos" )rises to the occasion and thus shows he could have been more ambitious in his future career.But facing Emmanuelle Riva ("Hiroshima mon amour" ) was not an easy task,because ambitious she definitely is:one of the subtlest actresses French cinema had ever known,she never had the career she deserved because her playing was too brilliant and probably scared most of the directors .Here she delivers the goods:her part of an atheist who meets a priest during WW2 is very austere and may repel some,but her performance is thoroughly fascinating.The first line she says to priest Morin is "Religion is the opium of the people:then begins a bewildering story,during which she regains faith.And this renaissance is ambiguous:is-it because of the tragical events that stem from the war that surrounds them -one of her friend's son is sent to a concentration camp ,and he'll never return-? Is it because she is madly in love with the priest -one scene shows her try to get him into her bed-?Is it because hers is such an unfulfilled life -a daughter,but no partner-?Is it because of the priest's convincing words ,now simple,now very intellectual?The movie consists of very long conversation about faith -a whole scene revolves around Christ's famous words :"my God why have you forsaken me?"-.

      That's why I would recommend the movie to people interested in theology ,or simply to believers.The others may yawn their head off.
      Kirpianuscus

      a state of soul

      I saw it at different ages. and I perceived it as one of films who transforms , in profound sense, its viewer. in a special, precise manner. it is not simple to define the sense of this change. and, for not give a to subjective answer, you say only than Belmondo did the role of his life, fragile, delicate, dramatic, so simple, and Riva preserves the flavors of "Hiroshima , mon amour", using in inspired manner. it is a war film, a religious one and a love story. and something more who , after the final scene, is reflected by a state of soul. that could be all.

      Handlung

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      • Wissenswertes
        The film won the Award of the City of Venice at the 22nd Venice International Film Festival. Jean-Paul Belmondo was also nominated for the Best Foreign Actor Award at the 16th British Academy Film Awards.
      • Patzer
        At 1:33:20, when the two elderly ladies are visiting Barny, the background behind the window is clearly fake, revealing it was a studio set.
      • Zitate

        Léon Morin: The invisible church. It extends far beyond the visible church.

        Barny: What is the invisible church?

        Léon Morin: All human beings of goodwill.

      • Alternative Versionen
        The theatrical release version is 111-minute long, which is the version used for the 2011 Criterion DVD and Blu-Ray release. The remastered 4K version, used for the 2019 Kino Lorber Blu-Ray release, is the longer director's cut, at 128 minutes.
      • Verbindungen
        Featured in Le fils de Gascogne (1995)

      Top-Auswahl

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      FAQ18

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      Details

      Ändern
      • Erscheinungsdatum
        • 28. Juni 1963 (Westdeutschland)
      • Herkunftsländer
        • Frankreich
        • Italien
      • Sprachen
        • Französisch
        • Englisch
        • Deutsch
      • Auch bekannt als
        • Léon Morin, Priest
      • Drehorte
        • Montfort-l'Amaury, Yvelines, Frankreich(street scenes)
      • Produktionsfirmen
        • Concordia Compagnia Cinematografica
        • Rome Paris Films
      • Weitere beteiligte Unternehmen bei IMDbPro anzeigen

      Box Office

      Ändern
      • Bruttoertrag in den USA und Kanada
        • 72.078 $
      • Eröffnungswochenende in den USA und in Kanada
        • 9.515 $
        • 19. Apr. 2009
      • Weltweiter Bruttoertrag
        • 72.908 $
      Weitere Informationen zur Box Office finden Sie auf IMDbPro.

      Technische Daten

      Ändern
      • Laufzeit
        • 1 Std. 57 Min.(117 min)
      • Farbe
        • Black and White
      • Sound-Mix
        • Mono
      • Seitenverhältnis
        • 1.66 : 1

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