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Sure, it's spotty with its gags (what Lewis film isn't?) but it looks fantastic and the gags that work are hilarious...good sight gags with Buddy Lester, some funny surreal stuff (the lipstick on the painting, the butterfly collection and that great white room sequence with Harry James's Band and Miss Cartilage)..Lewis's reactions to "Baby" are a scream...even the opening titles bit with LOOK magazine is funny... ..downsides...well, the ad libbing with Kathleen Freeman doesn't always work and the serious story with Pat Stanley could be excised (for the better), but who cares?...this and Nutty Professor are definitely his best

This is my favorite Jerry Lewis movie. I laugh uproariously every time I see it. The surreal happenings just make the movie for me, like the butterflies. I was so surprised the first time I saw that as a kid. I just laughed and laughed! The lipstick on the painting is another example of the over the top absurdity. My favorite scene is hat scene, made even funnier because you can see Lewis laughing towards the end. He even moves his head when he can't stifle his giggles anymore to hide from the camera. Hilarious!I caught it on TCM today after a morning of studying with a difficult study partner. It made me laugh, and made me feel better. What I like the most is how game all the actresses are to go along with Jerry's ad libbing. They were all pro's. I appreciate that in a movie. Great stuff!

There's not much plot to The Ladies Man. Jerry Lewis plays new college graduate Herbert Heebert who finds his beloved on the day of his graduation in the arms of another. Depressed and somewhat disgusted he starts looking for work vowing never to marry and live a bachelor life.

Bob Hope did a film called Bachelor In Paradise around this time. But what he had was nothing compared to the situation that Lewis winds up with. He answers an advertisement for a handyman and finds it's in a private house that has been converted to a residential hotel for women. Beautiful young woman. Hugh Hefner's Playboy Mansion has nothing on this place. But the only way to keep him from leaving is to make sure that Jerry feels needed.

After that the whole film becomes a series of skits, some better than others, the best being what he does to tough guy Buddy Lester's hat. Running a close second is his bungling during a live broadcast from the house for a television feature. Helen Traubel plays the owner of the house, a former opera star who has turned her place into this residence because she wanted a family, apparently a family of just daughters.

Jerry directed himself and possibly The Ladies Man might have been a real classic if a comedy director had controlled Jerry just a little bit. Still give Jerry Lewis a big A for effort and B+ for results.

Anyway, here Jerry is at something close to his (solo) best as a jilted man who finds himself inadvertently at the beck and call of a house full of movie actress wannabes, and misadventures abound. The house itself was a huge sound stage set with the fourth wall cut away so that the camera could zoom in and around, capturing Lewis' trademark ballets of catastrophe to excellent effect. He really was a marvel at comedic staging and there is some great stuff here. Unfortunately, you also have to take the rest of the Lewis formula too - the sappy romantic sentimentality, the awkward chemistry with his female co-stars and the contrived love sub-plots with girls who ought to have had the good sense to run screaming for the opposite coast as soon as the first catastrophe ended. Honestly are we really supposed to buy the belief that love conquers even Jerry's level of incompetence? Anyway, this movie should be enjoyed for its merits, which are considerable for any fan of comedy cinema, while discreetly closing one eye to its contrivances.

Herbert H. Heebert (Jerry Lewis) is broken hearted when he finds his childhood sweetheart with another man. Swearing off women for good he accepts a job at a boarding house run by Helen Wellenmellen (Helen Traubel), unaware that it's a women only house-and it's full of them! Could it be that they can be good for Herbert and he be good for them?

Jerry Lewis stars, co-writes and directs a virtually plot less film that's almost entirely set in one magnificent mansion set. As was the case with many of Lewis' film's, it relies on his character creation to bring in the laughs. Which is the case here, the problem being that his surrounding cast are not of the required standard to fully form the comedy. With the exception of the dependable Kathleen Freeman, nobody else comes forward to raise some laughs or enhance on Jerry's goofing. Thus Lewis has to once again carry the can, which works to a degree, but entering the last third the joke that is Herbert Heebert starts to wear thin and only his hardiest fans will be able to stay with him. There's many musings on the film across various internet sources that delve deep into the piece as some sort of masterpiece of sexual identity, machismo empowerment and etc. I don't see it myself, but maybe that's just because I want a Jerry Lewis movie to make me howl with laughter above all else! And for sure The Ladies Man does do that on occasions; because it ultimately is a comic vehicle for Lewis, as a soloist, that works splendidly. His direction is excellent with the camera work around the house fluid and very involving, while the Technicolor production really sparkles and enhances the rich visuals available around the star of the show--the set! A good but not great film, but Lewis as ever, to us his fans, entertains royally. 6/10