Girl on the Run

Girl on the Run (1953)

** (out of 4)

A reporter (Richard Coogan) and his girlfriend (Rosemary Pettit) are on the run from the police and hide out at a carnival sideshow where they try to gather evidence to clear his name.

GIRL ON THE RUN is a fairly forgettable crime picture that has a rather routine and boring story that really doesn't do much or go anywhere. This film is sold as an adult noir but the crime elements just don't work well enough for it to be too successful. Where the film does succeed is with its atmosphere and setting. The circus setting is actually quite excellent and there's a nice atmosphere that really puts you in this circus. It will certainly remind you of FREAKS and other exploitation pictures from the 30s.

Another thing the film is known for is for the first screen appearance of Steve McQueen. Yes, the Steve McQueen who would go onto appear in THE BLOB, THE GREAT ESCAPE and THE GETAWAY. You can see him early in the picture looking very young with a funny haircut. The performances for the most part are okay as is the cinematography. GIRL ON THE RUN is a decent "C" film but it's too bad that the setting wasn't used for something better.

A third string "C" Film Noir that actually may be the best of the Carney based Film Noir.

As much as I like Nightmare Alley (1947), this carnival film never leaves the midway much like Todd Browning's Freaks (1932). It's a great capture of the gritty atmosphere of a traveling carnival of tent and plywood, lit by strings of bare light bulbs. Victor Lukens cinematographer, creates a gritty claustrophobic carny setting, with convoluted passageways between tents, the midway, plywood arcades, cramped backstage warrens, along with trailers, and other equipment.

Most of the cast are playing carnies, Charles Bolender shines as the Carney Boss Blake, a cigar chomping little person who runs the show. Bolender deploys great ways of evening the keel whenever he has to deal with other people often ending up higher and looking down on them. Veteran actor Frank Albertson (Mantrap, Nightfall, Physco, Shed No Tears, They Mane Me A Killer, It's A Wonderful Life) plays the local cop Hank on carnival duty. Harry Banister a early TV vet plays the local corrupt politician Reeves.

Veteran TV Western Actor Richard Coogan (Vice Raid) is Bill Martin, a falsely accused of murder reporter who takes refuge at the carnival. Rosemary Pettit (Walk East On Beacon) plays Janet his girl who gives off a Gene Tierney vibe. She is forced to hide out with a chorus of carnival strippers, the de-facto "Girl On The Run" mothered by veteran early TV actress Edith King (Calcutta). Pettit is great as the good girl who has to be a quick study learning how to jiggle along with the rest of the strippers.

Rounding out the rest of the cast John Krollers and other un-credited actors play carnival barkers, you can see a bit of Phil Silvers, or Bud Abbott in the parts, for all I know I wouldn't be surprised if they were real carnival barkers.

A shout out to Renee de Milo (her only credit) where ever she may be, she plays the headliner stripper Gigi. She does a complete dance and is so good at it that I suspect that she was an actual carnival stripper. She does her act without removing her bikini type costume but she's got the moves down that you can easily imagine what she'd display. Check out Carnival Strippers - Early Years (1971-1978) by Susan Meiselas for a reference work.

The film also has an early Steve McQueen as an extra.

The score is carnival music inter-spaced with jazz for the dance routines. This low budget Noir delivers, I go as high as a 6.5-7/10. If it did have A list actors for the two lovers, and say Bud Abbott or Phil Silvers as the barkers it could have been an 8/10.

One of several worthy discoveries in Something Weird Video's "Weird Noir" set, and the most formally interesting of the bunch. "Girl on the Run" obeys the classical unities of action (one plot, which is all you have time for in 64 minutes), time (it all takes place in one evening), and place (it is set entirely inside a traveling carnival's grounds). The film is spatially fascinating: you really get a sense of how a carnival can pack a lot of activities into a smallish area, and how, out of direct sight of the public, the "inner world" of the carnival company can go on vigorously despite there being no apparent physical room for it. The sound design is dense and realistic and lends a high degree of verisimilitude to the film's texture.

"Girl on the Run" is bookended by an excellent night-time opening shot of the carnival and its Ferris wheel from a medium distance, very atmospheric, and a great closing shot of a laughing mechanical clown. Some thought went into the presentation here.

On the debit side, the acting is fairly ordinary, although protagonist Richard Coogan - television's first Captain Video - is certainly a handsome, energetic chap. The storyline is nothing special either. And yet the very standardness of these elements throws the more innovative aspects of the movie into higher relief, and the overall result is highly watchable.

I encourage any film history student or scholar looking for an offbeat candidate for detailed analysis to take a look at this movie; I think you might see rich possibilities in it.

Great little sleazy noir murder mystery at a burlesque (tame)show on the midway. A pulp story brought to life! But watch for Steve McQueen as a background extra in a couple of scenes! Must be his first part.

Never heard of the directing duo, but they certainly owe a debt to Fritz Lang and Wiemar cinema in general. With an nod to Tod Browning for ambience.

Best viewed as a gestalt. Ignore such conventions as plot, acting and dialogue. The reward is in the esthetic. The evocative cinematography in particular. Cf, the mechanical clown that opens and closes the film. A stunning and memorable image.