Flight of the Lost Balloon

While I agree with those reviews that found nothing redeeming in The Journey of the Lost Balloon, and am bemused by those that tried to find pieces of cheap quartz in the rough, the film was deeply offensive as it played on the long US history of pervasive, oppressive racism. That the balloon comes down in a jungle and a shoreline where black tribal people live merely sets up the writer and director to show people of color as ludicrous, repugnant, vicious, utterly brainless sub-humans. The clichés are unbearable to watch, including the cliché of the euro-guy outrunning the natives (ha!) and hiding in foliage that the dozen or so indigenous people (otherwise to be assumed as masters of their environment) entirely miss, and then, like dogs, run together after a stick the euro-guy throws to create a diversion. Add to this yet another white guy playing an East Indian named "Hindu" with brown-face on all but the back of his white neck, and we literally have a documentary of racist ideology paraded in minute detail over the course an entire film. Of course we don't want to make such films illegal, but we do want to create a culture where such films are not even imagined.

To the brown shirts who will counter that these were simply conventions of an earlier and more innocent time, we can only say that this tripe is the cultural flag that flies over such conventions as slave trade, slavery, the Klan, segregation, ghettoization, and mass incarceration. Of which, in addition to this film, the brown shirts are very proud.

You can prefer Irwin Allen's FIVE WEEKS IN A BALLOON more or less the same kind of plot but on a bit better scale though. This one which I speak about is a British production with some US director and actors too, and made by a US movie maker; however the result is spoiled by the fact that the feature is only available in pan and f...scan. I guess the genuine LBX material is lost for good, such a shame. Besides this, the result is OK for the whole family, as were EAST OF SUDAN and SIEGE OF THE SAXONS, also from Nathan Juran the director. Full of charm forever lost, that's the main intetest for this movie.

I recently saw this film on a huge screen. And I was impressed by the imagery and the impressions.

I gave 8 stars, but from experience this Film would normally make 6.4 on ImdB. 4.6 is very underrated and I cannot believe what I see here therefore I give 8.

This is a typical 60s Film where there is a big focus on imagery. The play is average sixty like and if you had your youth in 60ties and 70ties you would know this is the kind of play you will find in many movies of that time.

I saw this movie when I was young but forgot most of it. So I was keen to see it again and I liked it. It does not fit in modern times at all. But it fits in the world of my childhood perfectly.

The underrating here is nothing more that this society lost empathy with what the creators of that time wanted to express. And I feel sad that this society lost these values. But on the other hand you will find hidden treasures you can take home not polished up in musea but in the dirt.

So if you want to relive, revive the 60ties and you are looking for great adventure style movies with nice imagery and happyness and loving feelings you used to have in the 60ties and 70ties, watch this and take it home. If you want to play battle and shoot games on your gaming computer you should do that instead.

American-International Pictures usually the venue for Roger Corman at the time made this Victorian monstrosity Flight Of The Lost Balloon about a journey across Africa in a balloon. Shortly afterwards Five Weeks In A Balloon came out and was miles better than this.

For one thing this film could use a restoration if someone wanted to bother. The color is very washed out.

Puerto Rico stands in for Africa for the location shooting as Marshall Thompson and Mala Powers set forth to rescue Douglas Kennedy being held prisoner in a castle on an island in the middle of Lake Victoria. The mysterious Hindu who guides Thompson and Powers there is the owner of said castle and he wants Kennedy to spill the beans in regard to Cleopatra's treasure. Cleo didn't die in Egypt she came to the middle of the African veld to do her thing with the asp.

For a film set in Africa, British Africa at that not one of the cast members even attempted a British accent. An indication of the general boredom they had for this project. The situations and the dialog are patently ridiculous, even for a juvenile audience for which this film was intended.

Sorry, but this comment from another reviewer is simply wrong. The movie takes place in the Victorian age. I'm sure that the Middle Eastern settings for some of the adventures led that reviewer to believe that this took place in medieval times.

This is a better movie than you might think. It was intended for Saturday matinees and is basically an excuse for adventures on the African continent. Most kids who saw it at the time of its initial release loved it.

If you get a chance to watch it, give it a try.

** out of *****