Ente gut - Alles gut!

"Everything's Ducky", a 1961 broad, slapstick fantasy, has the feel of a 60s Disney comedy. I believe that it is TV director Don Taylor's first big screen project. The idea for the film is alright, but it all should have been broader. Mickey Rooney is a first rate comedian who never found the right vehicle after his tenure at MGM. He wanted to be part of a team and even asked Bud Abbott to team up with him after Lou Costello's death. Here, Rooney is teamed with Buddy Hackett. They look good together, but they are not permitted to work out routines together. Rooney is a solid burlesque pro, and Hackett was known for his use of blue material. There isn't even any double entendre humor here. Rooney and Hackett could have been dynamite with proper material. This film doesn't even have enough slapstick to make it work.

Joanie Sommers is wasted here as Rooney's "love" interest, but Elizabeth MacRae puts in a convincing performance as Hackett's girl friend. Although Jackie Cooper gets good billing in the credits, he only has a small cameo. Richard Deacon gives his usual solid performance as a fruity scientist. Roland Winters, as Rooney and Hackett's commanding officer, is much too restrained; he needed to play this over the top. It was a nice surprise to see Alvy "Mr. Kimball" Moore, from "Green Acres" as a messenger. A major disappointment was Walker Edmiston's nondescript voice as the duck.

The Hi Los sing two catchy songs by Harold Spina. According to the credits there were supposed to be three songs. But where are the songs for Joanie Sommers? She would have done well by Spina's catchy tunes. A duet with Rooney would have been nice.

Unfortunately, the film does not have a real conclusion. Like a poor two reel comedy, it just stops. I wonder if the production company ran out of money.

I turned on this comedy, not expecting much. It looked like the sort of meaningless unfunny 'family' comedies that Disney specialized in during the late 1960s. But the sure comic timing of Mickey Rooney and Buddy Hackett won me over immediately: and the absurdity of the situation -- two sailors on a submarine in the middle of the desert, told off to deliver a talking duck is carried through surefootedly. True, it is cheaply shot and timed to look more like one of those fantasy-comedies that populated TV during the 1960s -- Mr. Ed, I Dream of Jeannie, The Munsters -- but there is something about its attitude towards the government, with its idiotic bureaucratic navy that speaks to 1960s dissatisfaction and rebellion than all of Jack Nicholson's performances.

It's not a great movie by any means, but a very amusing time-waster, with some great parts for old timers like former child actor Jackie Cooper and ex-Charlie Chan Roland Winter.

"Everything's Ducky" is a film which is obviously trying to cash in on the success of the Francis the Talking Mule series from the 1950s. But, unlike the Francis films, the writing and acting is VERY broad...and kind of stupid.

Buddy Hackett and Mickey Rooney star as two sailors who are given an assignment to release a duck into the wild. It seems that the duck was part of an experiment...and the researcher has died. What no one living realizes is that the duck is sentient and can talk...leading to all sorts of hijinks.

The idea is silly but might have worked had the writing been better. Additionally, the director should have told both Rooney and Hackett (especially Hackett) that more is less. In other words, don't act so goofy...act naturally. Overall, a pretty bad film and really has little to offer other than embarassed groans.

This was a favorite of mine growing up. I watched many times whenever it cropped up on a local TV station, and even went to see it when a local church showed it one Saturday morning. It's plot is about two misfit sailors (Mickey Rooney and Buddy Hackett) who become friends with a talking Duck named Scuttlebutt. The duck was a favorite of a brilliant scientist, he decided to speak just like his scientist friend. Now the Navy after the scientist's death need to find a formula the late scientist had developed and realize that the duck might have the formula in his brain and want to kill him to read his brain. So our two sailor heroes try to save Scuttlebutt from that fate.

Yes, it is as silly as it sounds, but the actors and direction by Don Taylor actually make it somewhat believable. There is a wonderful scene with Rooney alone on a park bench, where two other sailors and their girls are making out on each side of Rooney. Rooney plays the scene well and it's very funny. After watching it again today i can see why I loved it so much as a young boy, and it's still fun for me today. Don't expect a great movie here, but if you are a fan of Rooney's or Hackett's, they are in fine form and show the promise of a great comedic team, just like they did a few years later in "It's a Mad, Mad, Mad, Mad World. I wish that they actually made more films together. But as i said it is worth a look, especially if you have small children around.

No one has mentioned - or seems to have even noticed - that Joanie Sommers' distinctive gravely voice was dubbed with a high-pitched shrill. It's very odd and disconcerting to see Sommers open her mouth and have another voice come out of it - a voice that sounds like it's coming from the next room. Also, given that audiences were familiar with Sommers' soothing singing voice, there was an added jolt and disconnect. This was not so good for Sommers as this 1961 title was her film debut. It must have been embarrassing for her. She would make only one other film - Jack Arnold's "The Lively Set" three years later in 1961. By the way, there has never been an explanation of why her voice was dubbed. Curiously, the film credits the actor who dubbed the duck but not the actress who dubbed Sommers.