Ente gut - Alles gut!

Silly. Silly. Silly. Mickey Rooney and Buddy Hackett are Navy men John Paul Jones (remember your history) and Beetle McKay, stationed somewhere in the desert - looks like Palm Springs to me. Alvy Moore (was the absent minded Hank Kimball on Green Acres) plays Jim Lipscott. Jackie Cooper, as in child actor Jackie Cooper from the oldies, is Lieutenant Parmell. Richard Deacon (Mel Cooley, from Dick Van Dyke Show) is the lab doctor Deckham. The sailors are sent to pick up a duck from a special military lab, and I can't say a whole lot more without giving away plot points.... It's all pretty silly, and I guess now we know why they don't show this very often. This appears to be the first Hollywood film that Don Taylor directed --all his earlier stuff was for TV; guess none of the more seasoned directors would touch it.... I'll just say they couldn't make this with a live duck today - PETA and SPCA would be all over them! Lets give this one a four... it would have been a three, but there are some familiar names in it who went on to be bigger (and better).

I turned on this comedy, not expecting much. It looked like the sort of meaningless unfunny 'family' comedies that Disney specialized in during the late 1960s. But the sure comic timing of Mickey Rooney and Buddy Hackett won me over immediately: and the absurdity of the situation -- two sailors on a submarine in the middle of the desert, told off to deliver a talking duck is carried through surefootedly. True, it is cheaply shot and timed to look more like one of those fantasy-comedies that populated TV during the 1960s -- Mr. Ed, I Dream of Jeannie, The Munsters -- but there is something about its attitude towards the government, with its idiotic bureaucratic navy that speaks to 1960s dissatisfaction and rebellion than all of Jack Nicholson's performances.

It's not a great movie by any means, but a very amusing time-waster, with some great parts for old timers like former child actor Jackie Cooper and ex-Charlie Chan Roland Winter.

"Everything's Ducky" is a film which is obviously trying to cash in on the success of the Francis the Talking Mule series from the 1950s. But, unlike the Francis films, the writing and acting is VERY broad...and kind of stupid.

Buddy Hackett and Mickey Rooney star as two sailors who are given an assignment to release a duck into the wild. It seems that the duck was part of an experiment...and the researcher has died. What no one living realizes is that the duck is sentient and can talk...leading to all sorts of hijinks.

The idea is silly but might have worked had the writing been better. Additionally, the director should have told both Rooney and Hackett (especially Hackett) that more is less. In other words, don't act so goofy...act naturally. Overall, a pretty bad film and really has little to offer other than embarassed groans.

For six years (from 1950 to 1955) there was a new entry in the "Francis the Talking Mule" franchise ("Francis Goes To"…."Races.. West Point.. Big Town.. WACS.. Navy"). A few years later "Everything's Ducky" (1961) resurrected this amusing service comedy idea of a talking animal generally smarter than its handlers; substituting a duck for a mule and Mickey Rooney/Buddy Hackett for Donald O'Connor. Instead of a laconic Chill Wills voice-over in decent synch to the movements of a mule's mouth, there is cartoon veteran Walker Edmiston's voice never quite matching the almost spastic movements of the duck's bill. Although in fairness the duck's lines are generally quite funny and if you work a bit to suspend disbelief all these sequences should be entertaining.

Of course I can't be entirely objective about the film, it is one of the first films I saw in a "theater"; and as a grade school age child I found it entertaining enough to buy the Dell comic book, which hit the stores at the time of the film's theatrical release (Dell FC #1251). The movie photo on the cover of the comic is in color, the film itself is in black and white.

Other than the sequences with the duck (Scuttlebutt), Rooney and Hackett are not given much to work with in this film. And the supporting cast has a decided television flavor. Jackie Cooper looks like he just popped in from the set of "Hennessey", going from Navy Doctor to Navy Psychiatrist without the bother of changing uniforms. Elizabeth MacRae plays Hackett's girlfriend, pretty much the same role she would later play with Jim Nabors on "Gomer Pyle". And Richard Deacon does his standard "Leave It to Beaver'-"Dick Van Dyke" wrapped-too-tight persona.

The most notable feature of "Everything's Ducky" is a rare film appearance by singer Joanie Summers. She looks at times like Suzanne Pleshette and at other times like Barbara Eden. Summers unfortunately does not do any singing. She was only 20 and plays the love interest of the 40+ Rooney. While this pairing is a bit disconcerting, Summers deserves considerable credit for successfully selling the idea to the audience. Their best stuff is a reprise of the Lou Costello-Hillary Brooke kissing scene from "Abbott & Costello Meet Captain Kidd" (1952). Seeing her again in the film led me to a U-Tube clip of her singing "Don't Pity Me" on "Hullabaloo".

Then again, what do I know? I'm only a child.

No one has mentioned - or seems to have even noticed - that Joanie Sommers' distinctive gravely voice was dubbed with a high-pitched shrill. It's very odd and disconcerting to see Sommers open her mouth and have another voice come out of it - a voice that sounds like it's coming from the next room. Also, given that audiences were familiar with Sommers' soothing singing voice, there was an added jolt and disconnect. This was not so good for Sommers as this 1961 title was her film debut. It must have been embarrassing for her. She would make only one other film - Jack Arnold's "The Lively Set" three years later in 1961. By the way, there has never been an explanation of why her voice was dubbed. Curiously, the film credits the actor who dubbed the duck but not the actress who dubbed Sommers.